Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The study of Gothic literature
The study of Gothic literature
Importance of gothic themes in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The study of Gothic literature
Written in 1786, William Beckford`s masterful novel is one of the most enjoyable and fascinating of the eighteenth-century Oriental tales. Throughout the book, the author uses different gothic concerns to shed light on one single fact that is how the pursuit of “forbidden” knowledge is futile. However, while laying full emphasis on this, Beckford skillfully merged his occidental beliefs which the readers can clearly perceive in his conclusion, and the novel as a whole. My point of view on this is that William Beckford used a multivalent tone, allowing his readers to interact with the characters on a specific level. However, his occidental belief as a western style for domination in the novel did not remain hidden.
The major concern explored by
…show more content…
For example, Vathek is perceived as egoistic and the use of Beckford`s dark tone to portray Vathek`s endeavors for knowledge, strengthens the idea of the author focusing himself fully on the gothic writing of his era. Professor John Mullan concludes about Gothic literature in his article ‘The origins of the Gothic’ stating that: “Gothic involves the supernatural (or the promise of the supernatural), it often involves the discovery of mysterious elements of antiquity, and it usually takes its protagonists into strange or frightening old buildings.”(The origins of the Gothic, 2014).This explanation by Professor Mullan enlightens us on Beckford`s conclusion as the latter symbolically uses the Castle built by Vathek as an extremely ominous symbol for his gothic novel, as it is where Carathis and Vathek are linked with the horrific supernatural knowledge. Thus in the extract, different techniques used by Beckford`s to build on fear and terror “became prey to grief”, “and remorse without mitigation “depicts the novel as a purely gothic
Gothic texts are typically characterized by a horrifying and haunting mood, in a world of isolation and despair. Most stories also include some type of supernatural events and/or superstitious aspects. Specifically, vampires, villains, heroes and heroines, and mysterious architecture are standard in a gothic text. Depending upon the author, a gothic text can also take on violent and grotesque attributes. As an overall outlook, “gothic literature is an outlet for the ancient fears of humanity in an age of reason” (Sacred-Texts). Following closely to this type of literature, Edgar Allan Poe uses a gloomy setting, isolation, and supernatural occurrences throughout “The Fall of the House of Usher”.
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Punter David, ‘The Literature of Terror’, in A History of Gothic Fictions from 1765 to the Present Day, The Modern Gothic. Harlow, eds. (UK: Pearson Education, 1996)
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
Throughout the years, Gothic literature has developed to be a mirror representation of what the beliefs and thoughts of the time were. The Gothic has a tendency to express beliefs towards the socioeconomic, political and religious situations and grievances of the time. Many texts express this, some including Edgar Allen Poe’s The House of Usher and Mary Shelley’s Frankenstein, to then allow for the general public – at least those who were literate – to, subconsciously, understand the environment around them without being too direct. This gave the writers of the time a new channel, through this ge...
The blending of terror and romance in Gothic Literature was used in a unique combination to attract and entice the reader into the story. The terror in the literature helps the reader explore their imagination and form their own picture setting of what is happening. Using romance in the story also keeps the reader's attention because of the unknown and the curiosity of what happens next. The Gothic writing became popular after the Romantic period because readers were still a...
Brown’s perspective on the European fiction that, while gothic and therefore focusing on “superstition and exploded manners, gothic castles and chimeras”, merely appealed to popular taste and as such held the consensus that reading fiction was an idle pastime (Elliot, ix). Brown’s aim was to change the general consensus of fiction reading and create a genre that challenged readers to use their full intellectual capacity. He did this in Wieland through not only the dialectic, but also through allusions to the climate of the world he was living in. If we are to take Wieland as a representative for the American gothic, then the genre must achieve that goal.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Gothic writing is related to a style of fiction that deals with the mysterious or grotesque; Nathaniel Hawthorne’s “The Ministers Black Veil” is classified as a dark romantic work because it contains the themes of sin, guilt, and looking at the darker side of human life. He had trouble from his early life, his dreary adulthood, and his fascinations with common man. His early and more unsuccessful work is from his silent and productive years.
Gothic literature is known for captivating readers by bringing to light the dark side of humanity. The Gothic possesses many key elements such as paranoia, anxiety, death, etc. It strikes fear and suspense in the reader not by creating fictional monsters, but showing the reader the types of monsters that lurk within human beings. In “the Cask of Amontillado” by Edgar Allan Poe, various themes of the Gothic are present throughout the short story such as gloom and doom, darkness, and madness. These elements are used to enhance the central theme of the piece: revenge. I will argue that Poe uses a number of the Gothic elements to craft an intense dark tale of revenge: an unreliable narrator, madness, darkness, a haunted setting, and evil/devil
The Cask of Amontillado by Edgar Allen Poe is a short story told in the gothic genre. Although this story was written decades after the popularity of the genre, The gothic genre through its descriptions of the atmosphere as well as its use of grotesque and macabre imagery creates a sense of alienation, chaos, entrapment, uncertainty, and terror in the reader. Gothic literature often deals with themes of death, fears and anxieties, good vs evil, estrangement, and revenge. Furthermore, gothic literature often ends with a sense of moral closure and resolution. The Cask of Amontillado use of gothic conventions can be seen in its setting. However, the story’s unconventional use of irony and omission of moral closure adds to the psychological
Romanticism played a large role in the creation of gothic literature, and it was considered to be “a lunatic fringe version of romanticism” (Tiffin). Gothic novels often had a powerful unleashing of emotions to very extreme levels “beyond social constraining” (Tiffin). The genre’s character often had an excess of a specific type (Tiffin), and in an analysis of Frankenstein and Northanger Abbey, this excess can be seen in Frankenstein’s ambition and Catherine’s curiosity.
The period of the gothic novel, in which the key gothic texts were produced, is commonly considered to be roughly between 1760 and 1820. A period that extended from what is accepted as the first gothic novel, Horace Walpoles The Castle of Otranto ( 1764 ), to Charles Maturins Melmoth the Wanderer ( 1820 ) and included the first edition of Mary Shelleys Frankenstein in 1818. In general, the gothic novel has been associated with a rebellion against constraining neoclassical aesthetic ideals of order and unity, in order to recover a suppressed primitive and barbaric imaginative freedom ( Kilgour, 1995, p3 ). It is also often considered to be a premature ( and thus somewhat crude ) manifestation of the emerging values of Romanticism. Although the gothic genre is somewhat shadowy and difficult to define it can be seen as having a number of characteristics or conventions which can be observed in Frankenstein including stereotypical settings, characters and plots, an interest in the sublime, the production of excessive emotion in the reader ( particularly that of terror and horror), an emphasis on suspense, the notion of the double and the presence of the supernatural. (Kilgour, 1995; Botting, 1996 ; Byron, 1998 : p71 )