Long ago, the goddess of life and death, Erius, watched over the humans and gave them light. She shined her light for centuries, but the humans were not grateful. She grew tired, and knew the humans were taking her for granted. So one day, she created the Sun, which shone light upon the world. The humans liked the Sun, but they wondered why the Sun was moving. They watched the sun set over the horizon, and as the sun set, it grew dark.
Erius had created Night, and the humans did not like it. However, Erius left the humans with the Sun, and Night. After a few decades, Erius grew aggravated with the humans call for help, so with the power she had remaining, she created the Moon, to shine at Night when the Sun would not. Doing this, Erius grew
weak, and could no longer control Night and Day. As she lay in bed, and with the priests and priestesses of Life ignoring her, Erius could not live, and did not want to help the humans any longer. Erius was not offered medicine, or a place to sleep, or food, so she walked to the edge of her palace cliff, and fell off the edge. The humans were in agony, for the goddess who controlled Life, Death, Day, and Night, was now gone, and no other could do so. The humans realized their ignorance and how they were not grateful for what Erius gave them. That day, humans had learned to be thankful for what people do for them, and from then on, instead of Erius controlling Day and Night, we have the Sun and the Moon.
Ancient Pueblo Indians had a great understanding of astronomy. All of the pueblos in the canyon were aligned to match the movements of the sun and moon. Also, they marked their complexes with daggers and spirals to keep up with the moon cycles and sun movements. The film explains that the moon moves north for nearly ten years and then south for about ten years. To fully understand this cycle of the moon, Pueblo people had to study it for years in order to build their Pueblos in relations to it. The sun however, was different because it set and rose in the same position. The concept of building structures in an astronomical pattern this complex cannot be found anywhere else.
However Vala mentions that the Sun didn’t have her “hall” yet or know her purpose nor did Moon, noted to be Sun’s companion, know its purpose yet. The Northern Europeans understandably associated the sun and moon together as it appeared that one rose at night and one in the morning and both celestial objects glowed and must’ve held a purpose or influenced life on earth.
The very symbol of life – the elemental force of the Sun – is rendered
Dr. Tomás Rivera’s book, ...And the Earth Did Not Devour Him, tells a story about a young boy growing up in a migrant farm worker family spanning over one year. This novel follows this young boy and his family and focuses of themes of poverty and hardship.
Life and death, day and night, summer and winter are seen not simply as opposed but as involved in a system of alternation and continuity-indeed, a fundamental relationship of cycles. These opposites form what we can call a bipartite view. For black there is white and for something like the heavens there must be a corresponding underworld below us.
properly give praise to the god Eros, and speak on the topic of love. It was
In the beginning chaos was all that lived. Out of the void appeared Erebus, The place where death dwells, and with it came Night. Everything else was silent, empty, darkness, and endless. Love was then born out of no where bringing a start of order. From love came Light and Day. Once Light and Day was born, so was Gaea, the earth. Then Erebus and Night slept together, and gave birth to Ether, the heavenly light and the earthly light to Day. Then Night produced Doom, Fate, Death, Sleep, Dreams, Nemesis, and other things that come to man out of the darkness. In the mean time Gaea gave birth to Uranus, which were the heavens. Uranus became Gaea’s mate. Together they made the three Cyclopes, the three Hecatoncheires, and twelve Titans. Uranus was a bad father and husband. He despised the Hecatoncheires. He punished them by imprisoning them by pushing them into hidden places of the earth. This severely angered Gaea and she plotted against Uranus. She made a flint sickle and tried to convince her children to attack Uranus. All were to afraid to do so expect the youngest Titan, Cronus (“Creation of the World”).
3 In Book VIII of Paradise Lost, Raphael discusses the source of the moon’s light (140-58).
In Sophocles Oedipus the king, The Sun God Apollo has a significant influence on his worshipers during the plague. Despite the city of Thebes being punished by their beloved Sun God, people looked their sun god for Mercy and seek any appeasement to their cherished God. From a historical point of view sun worship has been the ultimate form of worship in early societies. With the influence of sun god worship, the daily lives of man have altered.
Upon its first mention the moon is used as a marker for the passage of time. In the opening lines of the play Theseus, the duke of Athens, laments to his fiancée Hippolyta that time is passing too slow and blames this on the moon:
Throughout Oedipus the King, Sophocles employs one continuous metaphor: light vs. darkness, and sight vs. blindness. A reference to this metaphor occurs early in the play, when Oedipus falsely accuses Tiresias and Creon of conspiracy: Creon, the soul of trust, my loyal friend from the start steals against me... so hungry to overthrow me he sets this wizard on me, this scheming quack, this fortune-teller peddling lies, eyes peeled for his own profit—seer blind in his craft!
Genesis 1:14-19 says “And God said, Let there be lights in the firmament of heaven to divide the day from the night; and let them be for signs, and for seasons, and for days, and for years” (Genesis 1:14-19). God made two great lights – one to govern the day and a lesser light to govern the night. The sun and the moon were created. God made the sun and moon for our benefit. The sun lights up the earth during the day, but the moon gives earth light during the night. These two lights indicate seasons, days, and years. God continued his creation of light for the Earth by also creating the stars that make up our galaxies and the universe. Now that He had provided everything needed for living creatures, all was ready for the fifth
In the play, Oedipus Tyrannus, Sophocles, illustrates how fate and free will could determine one 's destiny. Sophocles is a well-known tragedian who wrote more than one-hundred Greek dramas for Greek festivals. While his plays entertained countless people in Greek carnivals in his plays also made his intended audience to become acquainted with Athens’ government, social forms as well as its’ religion. In this play the main character, Oedipus, is represented as a man of sudden action, honest, and great insight. Oedipus unintentionally had fulfilled his own fate, stating that he will kill his father and marry his mother. While both fate and free will had resulted in Oedipus’ fate, the choices Oedipus made in his own
There are five basic theories in the formation of our moon. The first is the "fission theory" which states that the moon was once a part of earth, but separated a long time ago. The second theory is called the "capture theory". This theory is says that the moon formed somewhere else, and was "captured" by earths gravitational pull. The third theory is called the "condensation theory" this theory states that the moon and earth were condemned together from the original nebula that formed our solar system. The fourth theory called the "Colliding Planetesimals Theory" states that the interaction between the earth orbiting the sun, and the sun orbiting planetesimals, which are large Astroid like rocks, led to the breakup and formation of our moon from the debris of these planetesimals. The fifth and final theory is called ...
“The Sun Rising,” is a vivid lyrical poem envisioning a pair of lovers being entire worlds unto themselves. The poem begins with a couple lying in bed. The speaker scolds the rising sun, calling it a “busy old fool,” and asks why it is bothering them through the windows and curtains (line 1, 589). The devoted and trustworthy lovers are in so much love that nothing else matters. The speaker personifies the sun, and talks to it throughout the poem. As the sunlight beams through the windows, the speaker tells the sun to let them be, and leave them alone. He says that love is not a subject of seasons and time and he forcefully tells the sun, the “Saucy pedantic wretch,” to go irritate late “school-boys” and sour apprentices, to tell the “court huntsmen that the King will ride,” and to call the “country ants” to their harvesting. He feels that their life together is perfect, and that the sun is annoying (lines 5-8, 589). The speaker concludes the poem by telling the sun to shine only on himself and his lover. By doing so, he says, the sun will shine on the entire world as well.