Characters in the novel ‘The Golden Age’ by Joan London who encounter cornering hardships discover ways in which to free themselves physically, emotionally and psychologically. This is depicted, especially through the character Sullivan, and the ways in which he finds freedom in his imagination and his relationship with Frank, despite his debilitating circumstances. The protagonist, Frank Gold also manages to locate a source of liberation amidst his oppression of polio. His love for Elsa, gives him the courage and inspiration to continue his fight against polio. The devastation of war leaves the Gold family ostracised in their own country, physically trapped, but they find refuge in Australia. Sullivan is physically trapped inside an iron …show more content…
Shrunken by polio and destroyed by the death of a role model, Frank struggles to find inspiration. His new found vocation abandons him after the death of Sullivan and he struggles immensely to resume, “Poetry had deserted him. There was no poetry here.” Despite originally feeling, “a hunger to know why he was alive,” he no longer experiences this when brought to the Golden Age, he essentially feels encircled by his experiences. This dark veil of despair is lifted when he discovers a root of innovation in a girl also debilitated by polio, Elsa. Falling in love with Elsa is the upwards turning point for Frank, “She looked like a drawing done with a fine pencil,” and soon after his vocation has returned. Fundamentally, Elsa provides Frank with the sufficient strength to persist with his …show more content…
The Gold family arrive on new soil, expecting to find a small portion of peace but are further tested and forced to endure the apathetic ordeals of polio. Frank is struck down with polio shortly after enduring ostracism in their home country. This leads the family to believe they are ill-fated, “A curse has pursued them… and was not quite done with them, still has the cruellest trick of all up its sleeve.” Of all the family’s trials and tribulations, this one is the most detaining. As apart of their ‘new Australian’ identity, the family are persuaded to forget about their past and embrace Australian culture, “You’re in the British Empire now. She’s our Queen too. The British rule the world.” The Gold family struggle to completely abandon their past and embrace this new life. However, despite feeling like misfits, they do eventually make their peace with Australia. Ida re-embraces her musical past in a concert for the children at the Golden Age, “Nobody had heard anything like it.” The family gain a sense of acceptance and approval in Australia which liberates them amidst the destruction caused by
This event becomes the seed of all other problems that come to exist in the story. It is detrimental to the foundation of their family. The opening line is the greatest metap...
Pung explains that “This was a deliberate and light-hearted attempt to shift away from the two decades of ‘migrant’ or ‘ethnic’ literature narratives that have been published in Australia” (Arcangelo,1). Yet the beginning of the story is scattered with examples of the Pung family mirroring this expectation, though how she describes the way her family marvels at new resources Australia has to offer “Wah, so many things about this new country that are so taken-for-granted!” (9). The amazement that there is no one needs to “walk like they have to hide” (9) and “no bomb is ever going to fall on top of them”(9) nor will they find any one “pissing in the street” (9)that was “so gleaming spick-and-span clean” with “beautiful food” and “pretty packages” (11) makes it difficult to disassociate the familiar stereotypes from Pung’s
The first barrier to a better life had to do with surviving poverty or the absence of certain privileges. In Angela’s Ashes, Frank, the protagonist of the book, along with his family had to endure persistent rains, exposure to disease and starvation. Frank and Malachy Jr. had to resort to stealing food several ...
correlates to the condition of society during the fifties, and conveys a momentous idea that the people living during this time should have faith in God and hope for the betterment of society in times of hardships, and should not focus on the injustice in the world. First, the reference to the death of millions of innocent people in the bombings of London, Hiroshima, and Dresden outrightly relates to the suffering that people have experienced both during and after the war, because many people innocent perished in WWII for no reason. In addition, David’s death also parallels to the post-WWII era, and relates to J.B. and Sarah’s responses to his death to the pain and devastation that families suffered when their young children who served as soldiers died in World War II. J.B. and Sarah’s discussion during their Thanksgiving meal is yet another parallel to the postwar era and portrays the two different outlooks that people had on life after the war. Finally, MacLeish uses J.B. to relate to the people living during the postwar era by concluding the play with J.B. and Sarah finding comfort in love and rebuilding their life together as a family to convey the message that they should try to alleviate their hardships and sorrow by viewing the situation optimistically and by seeking love in the
Connection to people, family, and places are conveyed through the representation of belonging. “Rainbows End” by Harrison gives us the connection between Nan Dear with the Aboriginal Community, and a connection through family. “The Little Refugee” illustrates how Anh has had barrier that has prevented him from belonging, and how he has fitted in school, resulting in Anh creating friends along with being accepted.
At the end of the book, Frank learns to accept his condition and becomes grateful for what he still is able to do. Frank’s Parents: Frank’s parents spend countless hours each day helping Frank and making sure that he has everything he needs. They must learn to adapt to a selfless life of putting Frank’s needs before their own. Although this is often difficult and frustrating, they eventually come together as a family to make the best of their situation. Ruth Stein: Ruth is the mother of Meredith Stein, Frank’s girlfriend who was killed in the accident.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
Angela’s Ashes, by Frank McCourt is a genuine memoir that vividly tells the story of a young, Irish Catholic boy during the 1930’s and early 1940’s. Frank’s memory of his impoverished childhood is difficult to accept, however, he injects a sense of devilish humor into his biography. He creates a story where the readers watch him grow beyond all odds and live through the pinnacle of the miserable Irish Catholic childhood. “People everywhere brag and whimper about the woes of their early years, but nothing can compare with the Irish version: the poverty, the shiftless loquacious alcoholic father; the pious defeated mother moaning by the fire; pompous priests; bullying schoolmasters; the English and the terrible things they did to us for eight hundred long years”(McCourt 11). His interaction with his family proves that despite the hunger and pain, love and strength come out of misery. Although the book tells the experience of an individual, the story itself is universal.
The word family evokes an image of trust and a bond of loyalty. In William Faulkner’s “Barn Burning” and James Baldwin’s “Sonny’s Blues”, the main characters in both these stories demonstrate the idea of family loyalty in several ways. While they continue to express the values of family loyalty, the main characters have to overcome several obstacles. Searching for ways to communicate effectively with their families and maintaining their changing identities trap the characters. In “Barn Burning”, Sarty is conflicted with being loyal to his family and being loyal to himself and in “Sonny’s Blues”, the brother has to deal with being loyal to Sonny’s values. During this process, it changes their character and forces them to change and learn about themselves.
All through the times of the intense expectation, overwhelming sadness, and inspiring hope in this novel comes a feeling of relief in knowing that this family will make it through the wearisome times with triumph in their faces. The relationships that the mother shares with her children and parents are what save her from despair and ruin, and these relationships are the key to any and all families emerging from the depths of darkness into the fresh air of hope and happiness.
April loves the suave, bright Frank from New York, not the weak, unconfident man he truly is. Horrible fights dominate their lives, and they only resume their old roles when trying to
As a result, their lives changed, for better or for worse. They were inexperienced, and therefore made many mistakes, which made their life in Chicago very worrisome. However, their ideology and strong belief in determination and hard work kept them alive. In a land swarming with predators, this family of delicate prey found their place and made the best of it, despite the fact that America, a somewhat disarranged and hazardous jungle, was not the wholesome promise-land they had predicted it to be.
Now, as the family of four travels across the continent, the narrator is able to slough off all the obligations which society has dumped on her. Almost relieved, “we shed our house, the neighborhood, the city, and…our country” (378). On the road, she is no longer forced to hide from the friendly phone calls or household chores. The narrator has been freed on the highway to Ontario, Canada. The Prisoner of War, held under siege in her own home, is liberated to be “hopeful and lighthearted” (378). This trip becomes a break from the life that she’s is currently leading, a life which society thinks should make her content. With this new bit of freedom the narrator is able to form an identity for herself.
Have you ever seen snow before? That white fluffy stuff that covers the ground completely. Well if you have, I am sure you have overcome an obstacle in your life and have reached something “irreplaceable and beautiful” (102). Just like Sister Zoe had said when she saw that snow falling from the sky. This story was very enlightening because the way the author brought in herself and portrayed herself through the character Yolanda was very intriguing. She brought the subject to life in many ways. However, the author of “Snow” uses two specific elements, its symbolism and its character to prove how overtime one individual will be able to overcome obstacles. Not only does theses elements point this out but the narrator also makes an impact of the reader as well.
The two families were just some of those that really cared although all had different stand points and views they stuck to their beliefs and ended with more love for each other in the end than they ever started with. In the white family there was the conservative ex-marine father who loved his children dearly but wanted them to be well behaved and often was hard on them. The mother was more liberal housewife who stood up for her and her children’s opinions to her husband. The oldest son Brian was a football star in high school and later goes on to join the marines and fight in Vietnam. The middle child Michael was very liberal active anti war student who marched with the blacks in the Birmingham. The youngest Katie was a young 16 year old who loved to party and have a good time. The black family was a family of good hearts and lots of hope.