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The portrait of dorian gray
Dorian gray as a tragic hero
Dorian gray as a tragic hero
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So far as the gothic villain is considered, it can be both Lord Henry, who plays the Mephistophelean role, and also Dorian Gray who has degraded to a despicable position of a murderer. The frail heroine in the novel is Sybil Vane who commits suicide when she is abandoned by Dorian. There are many instances that clearly confirms Dorian’s love towards Sybil was solely out of pure sensations and pleasure.
Shakespeare created a character in Macbeth who is strongly influenced in his decision making throughout the drama of The Tragedy of Macbeth. This drama is a Tragedy, hence the title, and has a hero, in Macbeth, who has a downfall. Readers become aware of the aspects that lead up to this predicament. Macbeth’s downfall was contributed equally from Lady Macbeth, the three weird sisters, and Macbeth’s ambition.
If you can get past most of the superficial and unlikeable characters in The Picture of Dorian Gray, this story does indeed have its place in the horror genre. While I understand the setting and the characters were a reflection of the actual class distinctions during the Victorian time period, I found the shallowness and narcissism of Dorian Gray and his circle of acquaintances tedious. "Fops" came to mind more than once along with "don't these people have a purpose other than to dine out and indulge themselves?" Even the women were for the most part portrayed as imbeciles. It almost hurt to read the section in chapter four where Lord Henry's wife appears for the first and only time: "She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church" (Wilde 41). The only likeable main character is Basil Hallward who seems to have a conscience, and although it proves his undoing, he is the only one that tries to save Dorian.
The French born author, Anais Nin once wrote, “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative” ("Think Exist Quotations"). Anais is expounding upon the inconsistency all people have in aspects of their personalities. Some days a person may be hailed as a saint for their actions, while other days they seem absolutely evil. In most literature, characters are defined as good or evil based on their revealed thoughts and actions. On occasion an anomaly may be found, where a character is more ambiguous. Dorian Gray’s Actions throughout The Picture of Dorian Gray paralyzes the readers’ ability to condemn Dorian as purely good or purely evil, causing them to be more sympathetic than usual.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
In his search for hedonistic pleasure, Dorian Gray ruins many reputations and is the cause of a few deaths. Even Basil points out that Dorian is linked to destroyed lives, realizing that “One has a right to judge of a man by the effect he has over his friends. Yours [Dorian’s] seem to lose all sense of honor, of goodness, of purity. You have filled them with a madness for pleasure. They have gone down into the depths. You led them there” (143). This is why Sibyl kills herself because after being introduced to pleasure, she cannot act anymore and Dorian unreasonably rejects her. Consequently, after hearing of Sibyl’s death, Dorian is grief-stricken, but quickly recovers and becomes an insensitive Lord Henry clone again: “You [Dorian] were the most unspoiled creature in the whole word. Now, I [Basil] don’t know what has come over you. You talk as if you had no heart, no pity in you. It is all Harry’s influence” (104). Instead of truly acce...
Dorian Gray inflicts his first and most important act of evil upon Sibyl Vane, a third rate actress he falls in love with, when he confronts her about the performance. His reaction towards Sibyl demonstrates his the lack of care towards what women have to say and their opinions. Dorian claims of Sibyl to be shallow and stupid as regards to her feelings towards him and her reason for the careless performance. The realization of Dorian finally recognizing his love for her acting rather than her as a person reveals the frequent ill treatment of women in the Victorian Era. Due to his first real infliction of evil towards another person, his soul alters and reflects in the painting. As Davis recalls, “His rejection of Sibyl is cruel, and it is this cruelty that he first notices on the alerting portrait,” (Davis 214). Because he did not care about how Sibyl felt at the moment, he becomes selfish and would later become evil. The treatment of Sibyl results in her committing suicide but rather than Dorian grieving, Lord Henry teaches him ...
It has been said that Marilyn Monroe is likely to have committed suicide because of the overwhelming amount of broadcasting and media surrounding her. Marilyn Monroe’s popularity led to her death. This is similar to the effects of Macbeth’s popularity, in Shakespeare’s play Macbeth. His power pushes him past the point of humanity. The pressure from others both brought out the worst in these characters; The more power they had the more their tragic flaws became more prominent. A tragic flaw is a trait in a character leading to his downfall, and the character is often the hero of the literary piece. A character that may start as strong and confident can be lead to a terrible downfall because of tragic flaws that lead to tragic endings. A perfect example of this scenario is Macbeth. Macbeth’s weak character led him to have many tragic flaws. Macbeth’s characteristics of ambition, gullibleness, and self-doubt, ultimately lead to his own downfall proving that power corrupts mankind.
Lord Henry easily influence Dorian because he is young and young people can copy everything what old people say and does. Dorian listened to Lord Henry that being gorgeous is better than to have manners. He showed this like when he just liked Sibyl because she can act but when Sibyl forget about her acting, he unliked her and just dumped her. When Sibyl killed herself, at first Dorian is kind of guilty but then Lord Henry told him that it is not his fault. That Sibyl is only a girl. Also, with the death of James and Basil, he felt really guilty. With James, he feels like because James was the brother of Sibyl so like James is threatening him. Basil also kind of influenced him because he also made Dorian realized or showed Dorian the world of beauty. And with Basil, Basil is the one who knows everything about him and the one who made his portrait that Dorian feels like it is not right because all he see on his portrait is his guilt and every bad thing he did. He blamed Basil for it. He also destroyed the painting because it is not working right and its just becoming worse and worse when his sins are increasing. When he destroyed the portrait, he used the knife that he also used when he killed Basil. At the end, when he destroyed the painting, he also killed himself. The book is
...ely taking over his mind. Dorian, once very naive, lets Henry’s influence easily fill his mind, and pursues sinful pleasures. He tries to use his beauty to influence others in the same way that Henry influenced him. He feared changing and growing old so badly that rather than going by the natural order of things he chose to go down the wrong path which ended up hurting him more than it did anyone else; and the portrait, in a way, offered him an opportunity to hide his sins. Henry was smart enough to hide his sins from the society, and he secretly manipulates Dorian-- the corruption ultimately blinds Dorian and it eventually leads to his own death.
Dorian preferred to address her as “an actress” rather than revealing her name to Lord Henry (Wilde, 34). This is the first clue Wilde gives us about Dorian’s shallow love. Dorian never tries to identify the real Sibyl, as he is deeply embedded in her art. When Lord Henry invited him to dine with him, but Dorian declined his request and said, “ To-night she is Imogen...tomorrow night she will be Juliet.” (Wilde 40). This made Henry question him, “when is she Sibyl?”. Still unclear about Henry’s intentions Dorian proudly answered, “never” (Wilde 40). Therefore, it is evident that he is in love with actress Sibyl, not the real Sibyl Vane. It is so sad that he always sees her as an actress, but within minutes Henry guessed Dorian is not really in love and he tried to divulge his views to Dorian, but it was fruitless. Henry’s efforts might have failed with Dorian, but it’s an eye opener for the readers. When someone is in love they would talk about them not their professio...
He becomes an echo of someone else’s music, an actor of a part that has not been written for him. The aim of life is self-development. ”(Wilde 13). The words of an honored role model can easily persuade even the purest of hearts into the darkness of crime and evil, such as Dorian Gray. At this moment, Gray falls victim to the flourishing words of Lord Henry, who manipulates Gray from a timid and shining boy to nothing but a shallow man who commits capital crimes to conceal his secret.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
Macbeth’s tragic flaw is his ambition and it consequentially leads to his downfall and ultimate demise. Macbeth is a tragic hero who is introduced in the the play as being well-liked and respected by the general and the people. He brings his death upon himself from this tragic flaw. His strengths turn into his weaknesses and his ambition drives him to the edge and sets himself up for his tragic death.
In analyzing Oscar Wilde’s The Picture of Dorian Gray, concepts such as influence and the origin of evil in Dorian Gray play an exceptionally valuable role in understanding the motives of the characters. Although some critics argue characters such as Lord Kelso significantly influence Dorian’s corruption, Lord Henry Wotton’s toxic personality undeniably impacts Dorian the most. Throughout the course of the novel, Lord Henry remains the ultimate source of evil and uses deception and persuasion to poison Dorian from a naïve boy to a destructive monster.
There is a clear obstacle in Kattrin's position as a tragic heroine in that she is not the central character, making it difficult to envisage her as the true tragic heroine of the play. However, she could not realistically carry the lead role in such a play due to her muteness, as it would hinder characterization and plot development. Nevertheless, Kattrin is on stage for a considerable proportion of the play, suggesting that although she may not hold the most prominent position, she acts as a closely connected tragic antithesis to the lead role, Mother Courage.