Suburgatory is a sitcom that aired on the ABC network between 2011 and 2014. It captures life of father and daughter moving into suburban New York. The father George moves his daughter Tessa out of New York to a small town called “Chatwin”, in order for Tessa to stay out of trouble and to have a normal and safe life. Suburgatory represents many stereotypes such ans gender, race, class stereotypes. The writing of the show tries to be funny and witty however, sometimes it come across offensive to real suburban population – where reviewers and bloggers argue that the suburban life is quite ordinary. From the beginning of the series you can see over-representation of a suburban neighbourhood/life. This particular set of the town “Chatswin” …show more content…
represents the suburbs as a perfect little town where everything is just that. Big, perfectly decorated houses with white fences, perfect lawn and expensive cars and neighbours that are just too friendly. Now we begin to see the stereotypes of class representation. The entire population of this town wears only designer clothes and are members of the country club where they spend their days. The women sit by the swimming pool or in the spa and men sit at the bar or play golf. People are often seen dining at the 5 star restaurant in the country club. We can also see how the upper-class marriages are represented in this series, the men work and cheat and wifes spend the time shopping or having plastic surgeries. In the series the population of Chatwin is white, at least the rich people are. In the show there are only three people with multicultural background. The first one is Carmen – who is Mexican and works ans a maid and a nanny. Second is Mr. Wolf – the principal of Chatwin high school who is Asian – implying that all Asians must be smart. Mr. Wolf is also represented as gay – this links to the Asian-American stereotype discussed in “Romeo must die”. And the third one is Malik, is the only multicultural student in Chatwin high school. This suggest that the suburbs are typically full of white rich families. Throughout the series we get to see more characters such as mother and daughter – Dallas and Dalia. Dallas stays at home and does not work, she is a bleach blond woman always wearing high heels – a trophy wife. Dalia is suppose to be a typical teenage girl living in suburbs. She is a popular white mean girl with a spoiled child personality that loves spending the money of her father and has separate closets for clothes, shoes, jewellery, make-up, ... In on one of the episodes Tessa points out that people in suburbs waste plenty of food and suggest a charity event to her upper-class classmates.
However these rich suburban people do not understand the need for food some people might have since no one really eats in Chatswin. Instead they start a charity for people with frizzy hair and bad skin as to them it seem the worst thing that can happen to someone. This makes the upper-class seem very shallow and unaware of real problems in the world. There are also gender stereotypes represented in this show. The main characters George and Tessa, coming from the city, are addressed as “normal” compare to the suburban people referred to as “Barbie and Ken” type of people. The first day of school Tessa is called a lesbian by Dalia, because she was wearing jeans and leather boots. This style is very different from the rest of the girls living in the town. Tessa is an outspoken redhead. Although she is pretty she does not look or behave like the other girls, therefore she is treated as outcast. When Dallas meets Tessa she takes her shopping and tries to put her in all pink and very short clothes Tessa’s style seems odd to suburban people, as she could never fit in without turning into a Barbie like girl herself. Tessa views Chatswin as “hell” - “Suburgatory” - the combination of suburbs ans purgatory and compares it to serving the sentence where she found herself in the town full of
plastics.
Several works we have read thus far have criticized the prosperity of American suburbia. Jack Kerouac's The Dharma Bums, Philip Roth's Goodbye, Columbus, and an excerpt from Lawrence Ferlinghetti's poem "A Coney Island of the Mind" all pass judgement on the denizens of the middle-class and the materialism in which they surround themselves. However, each work does not make the same analysis, as the stories are told from different viewpoints.
Gender relationships are a very explored issue within these texts. In a majority, anyone no matter if they are male or female who do not fit in or do not conform to stereotypes to an extent, can be cast out by that group. Whether it is, their looks, their behaviour, the way they dress, or the way they think and feel, they are judged as different. This ‘outcast’ idea is portrayed in both the films. In the two feature films, the most obvious ‘outcasts’ would be the two ‘hero figures’ the intruders into the created microcosm.
In conclusion, this show focuses on many aspects, particularly gender roles and sexism. Although this show could have more diverse characters, it focuses on male and female stereotypes very well. I appreciate that there are several strong female characters who aren’t afraid to stand up for themselves and perform typically masculine
In both of these series, representations and meanings of masculinity and femininity are affected by the ideology of patriarchy. Even though it is true that these shows tried to fight back against stereotypical representations of men and women, the subtle textual evidence in these shows show that there are limits to how gender norms can be represented on television, especially in the Classic Network
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Believe it or not, gender scripts shape our everyday lives. The way we think, act, or even the way we interact with one another is undeniably influenced by gender roles. References toward gender are placed subliminally around us in ads, billboards, and on the television. These messages subconsciously tell us as a society what is acceptable behavior and what is not. As learned in class, gender scripts are socially constructed behaviors that society sets for all of us to follow. If someone behaves differently from the already established norms, that person is looked as weird or as an outcast from the rest of the group. The iconic film Love and Basketball allows us as viewers to see gender scripts being defied and role reversal emerged.
This movie shows us the problems of suburban environments. The people who live in the suburb must find a solution to these problems, especially since they are still relevant today in some places. People who live in the suburbs should try to socialize with other people to avoid loneliness. It is also rare to make friends at first. It is important to be understanding of differences amongst our neighbors. In order to keep these relationships, we must nurture them like Edward often did. We must realize that living in the suburbs in America can be great as long as we try to socialize and live in harmony with others. The film depicted good examples of flaws in the suburban environment and it’s people. It is important to make America a friendlier environment to live in.
In today 's society, gender stereotyping of men and women has influenced the society’s actions and how it has reflected in recent years. Everyday stereotype is being used whether if it’s on movies, workplaces, playgrounds, homes, or even magazines. There is gender diversity in the movie Grease which took place in 1978. This movie focuses on several different types of stereotyping throughout the movie. Two specific characters in which we are able to use as an example of gender stereotyping are Sandy and Danny. There has always been a specific boundary between a male and a female gender. The femininity side that is shown in the movie Grease of how it is described by the character Sandy of how women were once portrayed back in the day has changed
According to the oxford dictionary a stereotype is; a widely held but fixed and oversimplified image or idea of a particular type of person or thing. In the text there are two female stereotypes that are depicted. These stereotypes are, that the girls are sex objects and are only there for the males pleasure and use. The other is, that the older women are typical stay at home mothers, not having a job or a life. The first stereotype is what the play has been written about, the most predominant example is the gang rape of Tracy. This example shows exactly how the boys think of the girls as objects; another example is how Ricko only talks to Tiffany so he can have sex with her. Through
...the female and male gender across cultures. This role can cause problems when mistaking a male for a female much like Gallimard did in the play. Everyone from children, to the media, creates stereotypes. Stereotypes corrupt members of society, compelling them to view cultures and gender unfairly. Societies must eliminate the amount of stereotypes that are being distributed to various cultural around the world. Stereotypes are powerful, limiting, and discriminatory, and they prevent people from understanding other cultures fully. Without the demolition of stereotypical ideas, cultures that stereotype others will not see the differences between the stereotypical ideas and the real ideas of a culture.
The world of television can either completely hit or miss the mark when it comes to providing its audience a diverse cast/actors. "Girls" is a new HBO show about young, prosperous, and white New Yorkers in their twenties struggling to find their footing in the post-collegiate world. It is a poor example of representation of race, but the show in itself cannot be held responsible for the whole problem of racial diversity of media and popular culture. There has been a lot of controversy about the show's diversity since the first episode, seeing how it is set in the melting pot of NYC and Brooklyn, yet it is prominently white. The shocking part is that despite its meting pot nature, it is very easy to live a segregated social life in New York City, especially if you are a rich white person. The fact that the show is so white should not come off as unusual, yet it does because this generation is more willing to see that change happen in pop culture. Not everyone sees it that way and pop culture still does not represent races equally or at times even accurately. For example, when show do add in minorities they often make them extremely stereotypical to their race. The recurrence in the lack of realistic representation in the show highlights the “whiteness” of stereotypical roles that overshadows real life representation.
In 2011, I watched a new television series. The new series aired on Showtime after a show called Dexter. The new series is known as Shameless. Shameless is based on the long running series, Shameless U.K. Shameless is the American take of the U.K. version. There is a lot cruder language, and nudity in the American version. The series focuses on the Gallagher family, and they live in Chicago, Illinois. The show refers to the Gallagher family living on the Southside, which is the “ghetto” of Illinois. Both Shameless U.S. and Shameless U.K. have similar character names and plots. In this paper, I will focus only on Shameless U.S.
Steffen’s article, “Gender Stereotypes Stem From the Distribution of Women and Men Into Social Roles”. In this article, they discuss the root of gender stereotypes being derived from the unequal distribution of roles for men and women in society. They believe too many women are left to be “homemakers” while men become professionals. This is evident in Survivors as the show chooses to have Abby take on this maternal role. This unequal distribution of roles then, in turn, leads to men and women being labeled with certain qualities. According to Steffen and Eagly, women are believed to have communal qualities, or “manifested by selflessness, concern with others, and a desire to be at one with others”, and men agentic qualities or, “self-assertion, self-expansion, and the urge to master” (Eagly, Steffen 736). Abby epitomizes this desire to help others and selfness, while the surrounding men are less likely to trust others by questioning the actions of other men in the
This distinction appeared most obviously in the real-life segments of both programs with women as mothers or passive viewers of action. Neither program shows women or men in non-stereotypical roles, indicating at an early age children are exposed to gender-specific occupational expectations.” Each show has children as additional characters, and each episode consists of a live action activity. In Barney & Friends, Barney interacts with two female sidekicks. Baby Bop is “a silly, excitable, and giddy [dinosaur] carrying a blanket, wearing a bow—a stereotypical little girl”.
The show begins with Reba and her family at therapy trying to solve problems concerning Reba’s husband, Brock, a dentist, having an affair resulting in his dental hygienist being pregnant. During this session Reba also finds out that her beautiful, popular, seventeen-year-old daughter, Cheyenne is pregnant by her boyfriend and star of the football team, Van Montgomery. During this time Reba finds the strength to take care of her family and make decisions in tough circumstances. She allows Cheyenne to get married and reluctantly accepts Barbra Jean into her life for the sake of her children.