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Critique rime of the ancient mariner
Imagery in the time of the ancient mariner
Imagery in the time of the ancient mariner
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1. “The Rime of the Ancient Mariner” is a poem about the struggles a mariner goes through on his voyage on the sea. It is said that, “the dead men stood together,” on his ship’s deck. The curse that has caused his sailors to die is not specified and also not forgotten by the captain. The ship continues to sail as, “there breathed a wind on [the mariner]”. The wind gust only blew on the sailor and the hairs on his neck proceeded to stand up. This implies the curse that took the other sailors’ lives. It is showing its presence to the lone man and the despair and regret he feels. Finally, the sailor reaches harbor where “a seraph-man, on every corpse there stood”. This quote explains how upon each dead sailor’s body there was an angel as well. Suddenly the captain, “heard the dash of oars, [he] heard the Pilot’s cheer,” and in an instant a pilot and his son came to rescue the sailor from his despair. The reader can then see a desire for repentance when the mariner asks the captain to forgive him of his sins.
2. The reader can infer the poem is based in the 16th century because of the word choice the author uses including “hath”, “doth”, and “o’er”. That was also a time when people relied on ships to get them around to where they needed to go. It is also implied that the voyage is on a trek through the Bermuda Triangle. The reader can gather this when the author states, “’Twas night, clam night, the moon was high; the dead men stood together.” The Bermuda Triangle is known for losing innocent sailors along the way. It is said that “the curse with which they died, had never passed away.” Although there may not have been much documentation of these strange events during that time period, in the 1700s a US Navy ship Sarat...
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...y, the moon and the ocean are personified, with the moon being a “she” and the ocean a “he”.
6. Throughout the poem the reader can pick up on a few different tones the author uses to get his point across, the first being omniscient. The author describes the moon with a “great bright eye” looking out across the ocean and making sure that she “guides him smooth or grim”. The next tone is wonder, when the second voice asks, “why drives on that ship so fast”. Fear is felt by the mariner when the wind “raised [his] hair” and blew on him alone across the sea. There is an anxious tone when he questions, “Is this the hill? Is this the kirk? Is this mine own countree?” He is wondering if he will be at a place he can recognize especially in his time of grief and loneliness. Finally, there is an eerie tone when the wind is blowing on only him alone out of the whole sea.
The author shows the reader the sea just as the sailor does as death, but more than death
This poem dwells heavily on the problems in war. It describes how high the death toll is for both sides. Slessor uses “convoys of dead sailors” to show that all these dead body’s are very much alike, with their movements and feelings being the same. It also outlines a major problem in war, being able to identify and bury they dead properly. "And each cross, the driven stake of tide-wood, bears the last signature of m...
The repetition of sound causes different feelings of uncertainty and fear as the reader delves deeper into the poem. “Moss of bryozoans/blurred, obscured her/metal...” (Hayden 3). The r’s that are repeated in blurred and obscured create a sense of fogginess of the darkness of the water that the speaker is experiencing. The fogginess is a sense of repression, which is attempting its way out of the mind to the conscious. Hayden continues the use of alliteration with F and S sounds. Although they are different letters they produce the same sound that causes confusion, but an acceptance of death. “Yet in languid/frenzy strove, as/one freezing fights off/sleep desiring sleep;/strove against/ the canceling arms that/suddenly surrounded/me...” (Hayden 4). The use of sound at the last six lines of the poem causes the reader to feel the need for air and the fear of death. “Reflex of life-wish?/Respirators brittle/belling? Swam from/the ship somehow; /somehow began the/measured rise” (Hayden 4). The R sounds that begin is the swimming through the water. The B sound that continues right after in “brittle belling” is the gasp of air, and finally, the S sounds that finish the line by creating a soft feeling. As if the reader might not get out in time, even though the lines are saying that the speaker does escape the ship. The fear the alliteration evokes from the reader is the unconscious. The deep inner thoughts that no one wants to tap into. The speaker is accepting the idea of death in the ocean through his unconscious, but his conscious mind is trying to push back and begin the “measured rise” (Hayden 4) back to the
The Seafarer, The Wanderer, and The Wife’s Lament all contains faith verses fate. The three poems are very similar and very different. The three poems ranging from a lonely man, to a lost soldier, to a wife’s bedrail. The medieval poems show hurt, confusion, and loneliness.
This is the first sign of exile the seafaring man shows. He begins to realize how alone he really is on the ocean and
...ion of the situation to the Ancient Mariner. Moreover, the way in which the dialogue is presented, makes the structure seems more of a script of a play. The structure of the poem is a key characteristic in displaying the theme, for by telling the story as a personal experience, it helps the reader understand the moral and theme intended as a warning to people.
It is important to consider the meaning of home when analyzing The Seafarer. The narrator of this poem seems to feel a sense of belonging while traveling the sea despite the fact that he is obviously disillusioned with its hardships .The main character undergoes a transformation in what he considers home and this dramatically affects his life and lifestyle. Towards the end of The Seafarer the poet forces us to consider our mortality, and seems to push the notion that life is just a journey and that we will not truly be at home until we are with God.
The Seafarer highlites the transience of wordly joys which are so little important and the fact thet we have no power in comparison to God.
The poem begins with the two-stanza statement, which announces the speaker’s visits to the sea followed by the sea’s reaction to her presence on the shore. The first two lines of the poem “I started Early – Took my Dog –/And visited the Sea –” declare the motive, goal and rationale for the “visit,” but this declaration does not appears (). The speaker provides a statement of enigmatic fact that she recalls the earliness of this venture with no specific point of departure, but the end of the poem, the “Solid Town” in the concluding stanza, doubles as a point of origin (). From the beginning the speaker does not give us any information concerning the nature of this “visit;” however, the reader could think about several scenarios that the speaker of this poem would take casual early-morning walk accompanied by her dog, an excursion of some ambiguous nature on which the dog might accompany her for protection, and also in an Emersonian vein, a latter day experiment with the nature (). The world “visit” here has two possible definitions (1) “an instance of going to a place, house, etc., for the purpose of inspection or examination” and the verb form (2) “to go to (a place) for the purpose of seeing that everything is in due order” (OED). The poem does not give any indication in its earliest stanza that the range of the term “visit” seems operative, but the more we analysis the poem’s textual boundaries, the more this reading of Dickinson’s “visit” reveals something about her poetic work.
Nature is the force in this poem that has power to decide what is right or wrong and how to deal with the actions. The mariner reconciles his sins when he realizes what nature really is and what it means to him. All around his ship, he witnesses, "slimy things did crawl with legs upon the slimy sea" and he questions "the curse in the Dead man's eyes". This shows his contempt for the creatures that Nature provides for all people.
Another attribute to the story is the insight which the third person narrator offers to the reader regarding the sailors' state of mind. Particularly interesting, is the reference to the poem "Bingen on the Rhine". Until the correspondent must contemplate his own death on the cold and desolate seas, he does not realize the tragedy of a soldier of the legion dying in Algiers. Also, not only did he not realize the significance, he says that, "it was less to him than the breaking of a pencil"(385). Again, towards the end of the story, the narrator describes the bitterness the correspondent feels towards nature when he realizes that after all his efforts he may not live to appreciate his being.
He has to feel a pain in his chest that becomes unbearable until he sees a certain soul that is the right one to tell. No matter what. In the long poem, “The Rime of the Ancient Mariner” by Samuel Taylor Coleridge has three lessons about human life: supernatural, pride, and suffering. In “Rime” by Sam Coleridge, the mariner goes through many supernatural events that scare him into submission. Coleridge does a great job of describing the scenery around the boat that the mariner resides in.
As the ancient Mariner described his adventures at sea to the Wedding-Guest, the Guest became saddened because he identified his own selfish ways with those of the Mariner. The mariner told the Guest that he and his ship-mates were lucky because at the beginning of their voyage they had good weather. The mariner only saw what was on the surface -- he did not see the good weather as evidence that Someone was guiding them. Also, when he shot the Albatross, the Mariner did not have any reason for doing so. The Albatross did nothing wrong, yet the Mariner thought nothing of it and without thinking of the significance of the act, he killed the bird. At this, the Guest was reminded of how self-absorbed he, too, was, and the sinful nature of man. At the beginning of the poem he was very much intent on arriving at the wedding on time. He did not care at all about what it was that the Mariner had to tell him; he did not want to be detained even if the Mariner was in trouble. Instead, he spoke rudely to the mariner, calling him a "gray-beard loon", and tried to go on his own way.
Overall “The Rime of the Ancient Mariner” is poem that seems like a simple story told by a sailor about his woes at sea. But Coleridge uses many details to make symbols throughout the story for the reader to interpret and see the connections between it and religion. Whether it be through the Christ like albatross, which most would just see as a simple bird, or the woman on the boat showing how the lifestyle might be fun but ultimate leads to nothing we see that these small details create a bigger story than what is just on the cover.
The unknown authors portray the two themes through detail and emotion. "The Seafarer" creates a storyline of a man who is "lost" at sea. There is a major reference to the concept of the sea and how it "captures" the soul and leaves a lonely feeling. The character is set to know the consequences of the sea, but something keeps calling him back to it. "And yet my heart wanders away, My soul roams with sea, the whales' home, wandering to the widest corners of the world, returning ravenous with desire, Flying solitary, screaming, exciting me to the ocean, breaking oaths on the curve of a wave." (lines 58-64). This poem also grasps the concept of religion and how it plays a role in this work.