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Role of women in literature
Role of women in literature
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In the novel, The House on Mango Street, Sandra Cisneros tells the story of
Esperanza, who faces multiple struggles while living in a Latino community in Chicago on Mango Street. Esperanza is not happy being raised in the same culture as the other women around her and living as a Mexican American in the U.S. culture. Throughout the novel, Cisneros describes the problems women face, like fighting for equality, respect, and freedom within a Hispanic society. In her novel, Cisneros emphasizes the struggles that Esperanza and Latino women had to face in the U.S. society during the middle of the twentieth century.
One of the struggles that Esperanza and other Latino women had to face in the U.S. society was equality, which was denied at every level. For example, in the novel women were not appreciated or accepted for their inner beauty but only for what they look like. Esperanza and the women around her were concerned about their appearances because they felt that if they were not attractive then men would not be interested in them. Esperanza and the girls believe that their appearance was the most important. Throughout the novel Cisneros expresses that these women were raised to believe that they needed a man figure to fulfill their life.
Cisneros also highlights respect, as another
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struggle that women from the community on Mango Street had to confront. The author Cisneros affirms that Esperanza and the women on Mango street community are viewed as the outsiders, with little support to help them succeed. Cisneros expresses the women are seen as powerless as Cisneros live in a male dominated world. The women did not have any independence they had to cope with their troubles by themselves. The women did not have control of their own choices. In the novel, Cisneros refers to the Vargas kids as she expresses “they are bad those Vargases, and who cries every day for the man who left without even leaving a dollar for bologna or a note explaining how come” (pg 29). Cisneros shows some compelling evidence to point out how much power the man had in a woman’s life. One of the struggles that Esperanza and other women from the neighborhood from Mango Street struggled with was freedom. Cisneros expresses that women were portrayed as often isolating which gave them little power. For example, Esperanza never felt that sense of belonging: she knew that she wasn’t quite like others. Cisneros mentions that women sit by their windows all day and look down onto the street. Likewise, in the book Esperanza expresses about her great-grandmother “She looked out the window her whole life, the way so many women sit their sadness on an elbow” (pg11). Throughout the novel Cisneros demonstrates that men dominate the society by taking control of their relationships. The female characters are trapped by abusive husbands and are expected to be loyal to their husbands. The women had less to say over decisions and less control over their households than men. For example, in the story the character the great-grandmother Esperanza’s great- grandmother demonstrates how men captured her. The great grandmother did not want to get married but was forced into marriage. Additionally, the characters mammacita, Rafaela, Minerva, and Sally were women that were trapped in their apartments in the novel. Although the character Esperanza faced many struggles growing up in a rundown and harsh neighborhood on Mango Street, she was always looking for ways to succeed.
Esperanza did not want to be like the other women that were trapped in their apartments by men. Esperanza wanted the other women to live with dignity and with freedom .The Latino women on Mango Street did attempt to change their lives by eliminating the male figures in their lives. As Cisneros portrays the struggles of these Mexican American girls and women in the novel as occupying a place by the window, meaning she tells us that by connecting the window image implies that some women could do more to change their
situations.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
Esperanza sees all of the women around her, and most of them are the same. The overall idea of the women on Mango Street is they are property to their husbands. They cannot do anything unless their husbands allow them to. It also starts out at a young age. The young girls like Esperanza see the women that live around them and think that is the way to live. They admire them so they start to mature faster than they should. Sally is one of them. Sally loves the attention that she gets from boys, but her father does not like that. Sally grew up and got married at a young age.
Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.
Throughout life, many hardships will be encountered, however, despite the several obstacles life may present, the best way to overcome these hardships is with determination, perseverance, and optimism. In The House on Mango Street, this theme is represented on various occasions in many of the vignettes. For this reason, this theme is one of the major themes in The House on Mango Street. In many of the vignettes, the women of Mango Street do not make any attempts to overcome the hardships oppressive men have placed upon them. In opposition, Alicia (“Alicia Who Sees Mice”) and Esperanza are made aware that the hardships presented as a result of living on Mango Street can be overcome by working hard and endless dedication to reach personal hopes
Esperanza was able to provide the audience with an image that was vivid of her surroundings through her diction and tone. Esperanza presents a series of stories that she deals with in her neighborhood as she grows up. Esperanza arose from poverty and always dreamt of having a house of her own. Sandra Cisneros' strong cultural and gender values have a tremendous influence on The House on Mango Street. Cisneros feels that the Mexican-American community is very abusive towards the treatment of women because men are seen as the powerful, strong figure.
At the novel's end, Esperanza declares that she is too strong for Mango Street to keep her forever. What is the nature of her strength? How does Cisneros establish this characteristic elsewhere in the book?
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Each part contains short stories within them. These all consist of a heartwarming girl, Esperanza,who matures into a woman and how she faces these gender roles through love and violence. Cisneros alters the name Esperanza with Chayo, Rachel, Lupe, Ines, and Clemenica, to explain differences between them along with to give the story more lewd effectiveness. Sandra Cisnero's main focus throughout the novel was identity. Cisneros starts off in the first section (“My Lucy Friend Who Smells Like Corn), narrating as a young child and further matures into the final section (There was a Man, There was a Woman)....
Although Esperanza is constantly reaffirming that she wants to move away from Mango Street, we know by the end novel that she will one day return to help those who will not have the opportunities Esperanza has had in her life. Indeed, in the closing pages Esperanza admits that she cannot escape Mango Street. She can never again call it home, but it has influenced her dreams, formed her personality, and she has learned valuable life lessons from its inhabitants. That is why, explains Esperanza, she tells stories about the house on Mango Street, revealing the beauty amidst dirty streets and unveiling her true inner self, the peace of knowing that her “home is where her heart is.”
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
Mango Street consists of mostly female characters. These characters are strong and inspirational, but they are unable to escape the suppression of the surrounding environment. According to one critic, "The girl's mother, for instance, has talent and brains, but lacks practical knowledge about society because, says Esperanza, Mexican men 'don't like their women strong' " (Matchie 69-70). It is Esperanza's mother who tells her to never be ashamed because shame can only hinder her dreams. In "The Three Sisters", the women tell Esperanza that she is special and remind her not to forget where she came from when she finally makes it out of Mango Street. This inspiration makes Esperanza understand that she must help others who aren't as fortunate to leave as she is.
Sandra Cisneros' strong cultural values greatly influence The House on Mango Street. Esperanza's life is the medium that Cisneros uses to bring the Latin community to her audience. The novel deals with the Catholic Church and its position in the Latin community. The deep family connection within the barrio also plays an important role in the novel. Esperanza's struggle to become a part of the world outside of Mango Street represents the desire many Chicanos have to grow beyond their neighborhoods.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.