Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Ethics in a streetcar named desire
How has Tennessee Williams used characters to explore important themes in the play ‘A Streetcar Named Desire’
Tennessee williams streetcar named desire a modern tragedy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Ethics in a streetcar named desire
The play, A Streetcar Named Desire, by American Playwright Tennessee Williams presents moral ambiguity and contradiction between natures. The main protagonist, Blanche DuBois, a former school teacher from a wealthy family, is used by williams as a symbolic figure, a warning of death to his audience. Her constant struggle to desperately satisfy her retreat from reality and her overblown desires allow Williams to portray the message that unchecked desires lead to death. Set during the year of 1947 in the french quarter of New Orleans Blanche is introduced into a new world and is lost both geographically and temporally. As she arrives at Kowalski's street she speaks to Eunice, “They told me to take a street-car named desire, and then transfer to one called Cemeteries and ride six blocks and get off at-Elysian Fields!” (Williams 6). Although at first glance, nothing may stand out about these names, they contain a deeper metaphorical value. Williams reflects Blanches life up to this instance to the audience through the use of this quote to emphasise his main …show more content…
intentions in Streetcar. Her life's journey which was one of desire later leads to Cemeteries, (her death) making its final stop at Elysian fields, the land of the dead in Greek mythology. A perfect quote that portrays Blanches desperate desire to escape reality is when she is speaking to Mitch and states, “I don't want realism.
I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I dont tell truth, i tell what ought to be truth. And if that is sinful, then let me be damned for it!- Don't turn the light on!” (William, 145). This is Blanches confession to her sin. She would rather live her life a constant dream, hidden in the darkness rather than expose herself in the light. One reason she begs Mitch to not turn on the light is because it will destroy her fantasy and expose her truth. Her true age, her fear of losing sexuality, the lies, her true nature and fragile existence. The Dialogue between them does a great job of developing the tension between the characters and revealing little by little the danger that Blanche is towards her surroundings and
herself. Williams does a great job in creating a character that is so complex and although foreshadowing her downfall makes the audience feel sympathy for this character. Blanche had a husband named Allan who she loved so much. She had such an innocent relationship, focused more on emotional connection and understanding rather than sex. Unfortunately, he was a homosexual who also hid his truth in the darkness and died by suicide. In her grief, Blanche proceeded to look for love elsewhere. “Yes, a big spider! That's where i bought my victims. Yes i had many intimacies with strangers. After the death of Allan-intimacies with strangers was all i seemed able to fill my empty heart with.” (Williams 146). Following her husband's death, blanche needed te feel safe, she felt entitled to feel love, affection, something to fill her empty heart with. She reveals to Mitch that she had many intimacies and that she was the tarantula waiting for her prey.
McGlinn addresses the third dialectic taking hold of Blanche: illusion versus reality. McGlinn points out that, like all the women in Williams’s plays between 1940 and 1950, Blanche “refuses to accept the reality of her life and attempts to live under illusion.” [Tharpe, 513]. Although McGlinn is accurate in noting Blanche’s conflict between gentility and promiscuity, the result of which is “self-defeat instead of survival” [Tharpe, 513], she fails to see that Blanche lives in both illusion and reality simultaneously, and it is this dialectic that is the slow poison which destroys her. This death-instinct gives us the fourth and last dialectic in Blanche: her struggle between death and desire.”
In the beginning Tennessee Williams formed Stanley and Blanche from the soil of repression and indulgence; he breathes desire into their nostrils causing them to become living souls. In the mist of the Elysian Fields garden was the tree of knowledge of death and redemption. Stanley the merciless predator of Blanche used the knowledge of the death of Belle Reve to expose Blanche’s nakedness. Blanche covers herself with puritanical fig leaves inadvertently exposing the primitive beast like qualities in Stanley. Tennessee Williams infuses Stanley and Blanche with contradictions of opposing class, differing attitudes about sex and the incongruent perspective on reality. Effortlessly these expressions of desire moves like a pendulum back and forth between Blanche and Stanley, the clock stops, ultimately exposing the neurosis of their souls. The author’s emancipation proclamation reveals how their contradictions became complementaries thus transcending the imagery of death into a pious redemption. Emphatically the author’s soul cries out from the grave, “Out beyond right-doing and wrong-doings there is a field I’ll meet you there,” (Rumi).
6). Williams’s sister Rose is the real-life parallel of Blanche – Blanche’s illusions about life mirror Rose’s after her forced lobotomy*. However, unlike Rose Blanche is presented as knwing that she is “on the verge of - lunacy” (p.7). Similarly, Williams declared that after the events of ‘A Streetcar Named Desire’, Blanche left the asylum and lived a fulfilling life with a young gentleman – he was perhaps deluding himself, pushing his hopes for Rose onto Blanche, the fictional character believed to have been inspired by his
I believe that Williams passes on a strong message through the play, “Desire deteriorates our lives while our greatest fears stare us in the eye, the only reward we find is in knowing why we regret.” In the end, Blanche Dubois of A Streetcar Named Desire is a tragic figure. All she ever desired was a good, clean life. What she acquired was pain and illusion. One can only be relieved that Blanche finally emptied her secrets and came clean. Whether she ever actually got what she wanted or not, at least her torture even ours conclusively came to an end.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Even though she is ignorant of a majority of events around her, it appears that she keeps herself purposefully ignorant. In her own words, Blanche doesn’t “tell [the] truth. [she] tells what ought to be truth” (117). For example, when talking to any of the men, Blanche keeps up a guise of ladylike behaviour. She forgoes frankness and honesty for a bit of magic and southern-courtesy. In these circumstances, most people would assume her to be ignorant of her surroundings. However, she is rather manipulating the surroundings to present the situation in her light. Therefore, she is an intelligent individual that controls her environment to show the situation in the most delicate light. For example, the run-down living room becomes dainty with the addition of a couple accessories. She makes the situation better than it is because that’s how she perceives it to be. Thus, her ignorance is just controlled behaviour - an effort to be somewhat of a
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
... ignorance; and this was the undeniable tragedy that caused her downfall in the end. Stanley was angry when Blanche told Stella that she did not like him, but he never gave her a chance. Stanley despised her from the beginning. Neither Stanley nor Mitch was intelligent enough to comprehend that not everything is black and white. They perceived her as a deceitful whore. Stella chose her violent husband over her sister. Also, Mitch could not overlook her mistakes. Mitch focused on her flaws which blinded him from seeing the beauty and love Blanche had to offer. Blanche wanted their love, but each of their individual flaws sunk her deeper into a hole. The people around Blanche were unwilling to change and develop an open-minded way of dealing with her situation. Blanche needed kindness and affection, but nobody was able to give it to her when she needed it the most.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
Tennessee Williams in A Streetcar Named Desire creates one of the most profound accounts of desire versus death; in doing so he designs Blanche Dubois whose only wish is to be desired. Unfortunately in this tragedy death prevails over desire. The two elements of death and desire as binaries are not able to to exist without each other, and this idea is manifested throughout the main character, Blanche Dubois.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
After Mitch forcefully removes the paper lantern from the light bulb, Blanche “utters a frightened gasp” (1.9.14). Within the scene, the paper lantern serves yet another symbolic function. The night when Blanche meets Mitch, she asks him to place the lantern onto the light bulb. Just as the lantern protects Blanche from the light which reveals her age, it creates a façade which conceals her past. With Mitch’s love Blanche believes that the proper persona which she invented for herself could become her identity, thus magic becomes reality. However, as Mitch undresses the light bulb, he exposes Blanche vulnerabilities. Even though Mitch possesses masculinity, he does so to a lesser extent than Stanley. This passage is mildly reminiscent of Stanley and Stella’s wedding night when Stanley smashes the light bulbs in the apartment. Even though Stanley’s actions are more extreme than Mitch’s both carry a sexual connotation and reveal animalistic tendencies. Furthermore, as Mitch stares intently at Blanche in the light, “she cries out and covers her face” (1.9.25). By turning on the light, Mitch for the first time has gotten a good look at Blanche, but to do so he is violating her sense of self-worth. Although Mitch continues to berate Blanche for lying to him, he is still physically attracted to Blanche. Mitch’s cruelty is accepted by Blanche and later in the scene still asks if Mitch