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Short note on stream of consciousness technique
Short note on stream of consciousness technique
Short note on stream of consciousness
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How does an author paint a vivid picture of a character’s thoughts? The answer is stream of consciousness. Faulkner and Salinger both used this literary technique but suited it their individual tastes. The purpose of this paper on the comparison of the use of stream of consciousness in the works of two American authors, William Faulkner and J.D. Salinger, is to define stream of consciousness, explain the use of it in Faulkner’s “Barn Burning,” “All the Dead Pilots,” and Salinger’s The Catcher in the Rye, compare the stream of consciousness in both writers’ literary work, and examine the influence their writing had on others.
Faulkner and Salinger are equally responsible for the exponential growth of stream of consciousness. This effective method of peering inside of a character’s head adds great depth to a story. Stream of consciousness is a means of understanding a character’s thought process and actions simultaneously. While a character is performing actions and absorbing surroundings, thought flows through his or her mind mimicking the mind of a real person.
The term “interior monologue” is sometimes used interchangeably with “stream of consciousness,” although some people claim the words do not have the same meaning. They claim that “stream of consciousness” is a kind of fiction. (Barton and Hudson, 210) Interior monologue is a narrative technique that displays the multi-faceted movement of rational and irrational thoughts and ideas not constrained by syntax, grammar, and sensible transitions. There are two types: indirect and direct interior monologue. In indirect interior monologue, the narrator sometimes interjects a flow of ideas (Barton and Hudson, 209). Direct interior monologue, however, is through the first ...
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Faulkner, William. Collected Stories of William Faulkner. 1st Vintage
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Carrousel: Sources East and West for Salinger’s Catcher.” Bloom’s Literature. Facts on File, Inc. Web. 30 Sept. 2013.
Quinn, Edward. “Interior Monologue.” Literary and Thematic Terms.
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Salinger, J.D. The Catcher in the Rye. New York: Bantam, 1951. Print.
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After many years of ideas coming and going, one that seems to stay the same is the thoughts of tennagers. In the book The Catcher In The Rye written by J.D Salinger many can still relate to Holden’s story even after a 76 year difference. While exploring the city around him Holden takes the time to try to find himself on a deeper level and try to grasp how growing up really makes him feel. Given the fact that everyone is unique in among themselves the need for self satisfaction is always current meaning many run from the true responsibilities that come with age.
Salinger, J.D. The Catcher in the Rye. New York: Little, Brown and Company, 1991. Print.
Salinger, J. D. The Catcher in the Rye. Boston: Little, Brown and Company, 1991. Print.
For instance, the narrator realizes that whenever he and his wife are alone, she becomes sheltered in her own sphere. This comes to mind, though with uncertainty, where he questions “whether the person I saw tinkering at the window was opening the latches or sealing the cracks” (32). What he doesn’t realize, and is oblivious to, is that the person she’s shutting herself away from was not just any person but himself. What’s more, the narrator is unaware of the changes happening to the world around him as the “ceiling” becomes visible upon his town. Even though he goes out day by day, as several months passed by, he was not conscious of the fact that the birds and insects had disappeared. He even claims that, “I did not notice they were gone though…until I read Joshua’s essay” (34). He’s blind to the world changing beneath his eyes, so how would he be aware of the status of his relationship if he can’t see what’s right in front of him? Even while getting his hair trimmed, and Wesson the barber asks him, “How’s the pretty lady?” the narrator replies, “‘She hasn’t been feeling to well,’ I said. ‘But I think she’s coming out of it” (34). He assumes that her abnormal behaviour lately is only a sort of phase that will simply pass by on its own, as time goes by. As a result, his incapability to recognize not only his wife’s change of demeanour but also
American Literature is widely known for possessing themes of disillusionment. Faulkner, Harper Lee, Fitzgerald, and Hemingway dominate this category of literature. However, the most influential piece of American Literature is arguably J.D. Salinger’s The Catcher in the Rye. What makes this piece of art stand so far out from any other work of literature is the attributes that make this novel so relatable. The source of this raw, real emotion that completely captivates the reader is Salinger himself. The Catcher in the Rye ‘s main character Holden Caulfield is undeniably Salinger. This work of fiction nearly resembles an autobiography. J.D. Salinger uses his novel to express his disillusionment through motifs, pathos, and symbols.
Salinger, J. D.. The Catcher in the Rye. [1st ed. Boston: Little, Brown, 19511945. Print.
Salinger, J. D.. The Catcher in the Rye. [1st ed. Boston: Little, Brown, 19511945. Print.
Roemer, Danielle M. "The Personal Narrative and Salinger's Catcher in the Rye". Western Folklore 51 (1992): 5-10.
Need for Control in Catcher in the Rye? With his work, The Catcher in the Rye, J. D. Salinger created a literary piece that was completely unique. The entire novel was written from the first person viewpoint of the 17-year-old boy Holden Caulfield. The majority of the story is compiled of Holden's rudimentary monologue of “complexly simple” thoughts, the rest utilizing his relay of previous dialogue. That, along with the use of unique punctuation, digressive explanations, and complex characterization, transforms the simple plot into a complex literary classic.
As a writer, the success of most authors’ comes from their power to convert common thoughts or knowledge into something which can enlighten the reader. An author thrives on being unique and imaginative. With this originality comes differentiation, when one compares two authors who have used the same literary device in their writings, this becomes apparent. J.D Salinger’s writings involve an enormous amount of childhood concepts and loss of innocence. Mark Twain is also known for his use of innocence in his novels, specifically The Adventures of Huckleberry Finn. Although the concept behind innocence is basically the same with both authors, each author applies his own interpretat...
is the reason we can immerse ourselves in the narrator’s mind. The third person point of
...at lead us to believe that life has leading characters and minor characters, important details and unimportant details, beginnings, middles, ends" (Bryfonski, 521). Many critics acclaim that Nine Stories and The Catcher in The Rye are Salinger’s most famous and important works (Bryfonski, 521). The Glass family saga starting in Nine Stories and continuing in and ending in Franny and Zooey shows how the lack of love and the influence of society can lead to destruction unless you find enough inner strength to rise above it. Many of Salinger’s characters are connected to other fictional characters by other authors. In The Catcher in The Rye, the young Holden Caulfield is compared by critics to Huckleberry Finn: He has a colloquialism as marked as Huck’s…Like Huck, Holden is neither comical or misanthrope. He is an observer. Unlike Huck, he makes judgements by the dozen, but these are not to be taken seriously; they are concepts (Lomazoff, 7). Holden is also compared to Hamlet but to a lesser degree; they are both not totally in the minds. The majority of Salinger’s characters learn from being alienated. Through learning this one aspect, they gain strength from it to move on.
The Unvanquished is composed of a series of stories during which Bayard Sartoris, the narrator, grows up from a twelve-year-old boy to a young man of twenty-four years. The narrative style makes it obvious that events are being related by an adult who is looking back at his past. There are several indications of this: in the very first story “Ambuscade”, the narrator, while describing his war games with his coloured friend, Ringo, states: “We were just twelve then”. (5) He tells the readers how they fantasized about the military exploits of John Sartoris, Bayard’s father, seeing them as heroic and exciting adventures. The narrator describes himself and Ringo at this stage of the novel as “the two supreme undefeated like two moths, two feathers riding above a hurricane” (7), drawing attention to the fact that while the two boys are positioned in the midst of war with all its attendant destruction and insanity, they have no understanding of its horror.
In some of his more difficult passages, Faulkner is using the technique called "stream-of-consciousness." Pioneered by the Irish writer James Joyce, the most extreme versions of this device give the reader direct access to the full contents of the characters' minds, however confused, fragmented, and even contradictory those contents may be.
The novel "The Catcher in the Rye" by J.D Salinger is a Bildungsroman's novel- a coming of age novel that depicts a young protagonist becoming an adult that goes through hardships. This novel is written in a stream of consciousness style which is a steady flow of uninterrupted thought. This work of literature was written from a psychological view with the employment of complexes. A complex is a core pattern of emotions, memories, and wishes in the personal unconscious. A complex is a psychoanalytic term created by the psychologist Sigmund Freud. The complexes are depicted through symbolism. Symbolism is a tangible object that portrays an intangible idea, they are timeless and universal. The literature represents a young protagonist, Holden