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Liar, deceiving, opinionated, mischievous. These are all characteristics of an unreliable narrator. Strawberry Spring by Stephen King which was about a mysterious fog and a man who starts to kill women on a college campus along with the occurrence of the fog. The Tell-Tale Heart by Edgar Allan Poe was about a person who drove himself crazy of guilt for killing a man known to have a “vulture eye”. Lastly, The Yellow Wallpaper by Charlotte Perkins Gilman this was about a woman who believes she is ill, but her husband does not believe her. She claims to see figures in the wallpaper of her bedroom and becomes insane. These stories provide examples of unreliable narrators. While these stories portray unreliability through lying, sneaking around, …show more content…
and even going mad, one story stands out above the rest illustrating multiple characteristics, Strawberry Spring.
The narrator from Strawberry Spring is more unreliable than the narrator from The Yellow Wallpaper due to Strawberry Spring showing more signs of untrustworthiness throughout the story than The Yellow Wallpaper. Although the narrator from Strawberry Spring does many untrustworthy things, in The Yellow Wallpaper the narrator drives herself crazy at the fact that her husband does not believe her. When she said, “.. that is one reason I do not get well faster. You see he does not believe I am Sick!” (Gilman pg:1). She was making herself more and more sick to the point where she went crazy and became more untrustworthy. This may be the case, however, Stephen King’s story the narrator goes on a killing spree and does not remember killing the people proving him to be a liar and untrustworthy. At the end of the story, the narrator explains how his wife is upset by expressing “She wanted to know where I was last night. I can’t tell her because I don’t remember” (King …show more content…
pg:8). The narrator does not recall what he has been doing in the past leaving him not to be trusted. Along with him not knowing his past doings he becomes a liar saying he has nothing to do with the multiple killings. When he finally is starts to put everything together he burst out, “And I’ve been thinking about the trunk of my car… and wondering why in the world I should be afraid to open it” (King pg:8). When he comes across the trunk, a sign of distress hits him finally realizing what has been going on. Hee might, just might, have had something to do with the mysterious killings occurring at New Sharon Teachers’ College. In the trunk are cut up pieces of the five victims of the killings that he had murdered. King’s narrator is more unreliable than Gilman’s narrator because in Strawberry Spring there is no vivid memory making him untrustworthy and a liar. Stephen King’s narrator is more unreliable than Poe’s because in Strawberry Spring, the narrator had killed more people than the narrator in The Tell-Tale Heart did.
Although Strawberry Spring’s narrator had multiple kills, the narrator from The Tell-Tale Heart knew the man he had killed, it was not someone random. The kill in Poe’s story was dear, unlike the kills that occurred in King’s were easily more gory. To support this, “... and a picture of the girl that had apparently been cut up with a pair of sheers” (King pg:3). This goes to show just how gory King’s narrator’s murders were. This goes to show that this narrator is more unreliable because he gives no thought to the victims, even after they are killed. He had no respect for them whatsoever. Another way the narrator is more reliable is that throughout the killings there was a pattern; only girls. The narrator had a conversation with his wife saying, “She thinks I was with another woman last night. And oh dear God, I think so too” (King pg:8). This provides proof that the narrator has been with other women and all of his victims are women. Leaving him as a liar, cheater, and perpetrator. The narrator from Strawberry Spring is more unreliable than the narrator from The Tell-Tale Heart because he has more kills that are more gory and have a
pattern. In conclusion, King’s narrator is the most unreliable of them all, demonstrating multiple characteristics of an unreliable character. He is more unreliable than the narrator of The Yellow Wallpaper because he is untrustworthy and the narrator of The Tell-Tale Heart because he has multiple kills that are more gory. To be a liar, opinionated, deceiving, and mischievous is not only to be an unreliable narrator, but a majority of people in the world today.
Edgar Allen Poe’s structural choices in “The Tell-Tale Heart” affect our understanding of the narrator and his actions. An example of this is the way he presents the main character. The main character appears to be unstable, and he killed an old man because of one of his eyes, which the main character refers to as “the vulture eye”. In the story, the character is talking about the murder of the old man after it happened; he is not narrating the story at the exact moment that it happened. You can tell that he is talking about it after it happened because the narrator says “you”, meaning that he is talking to someone, and is telling them the story. For example, in the story he said, “You should have seen how wisely I proceeded—with what caution—with
The authors, Ambrose Bierce of 'An Occurrence at Owl Creek Bridge' and Edger Allan Poe of 'The Tell Tale Heart' have unique styles to pull the reader into the story. Both authors use unreliable narrator and imagery to allow the reader to picture and follow the narrator's way of thinking. In the Tell Tale Heart, the man is very repetitious and his psychotic behavior is what intrigues the overall dark madness of The Tell Tale Heart. In Occurrence at Owl Creek Bridge Bierce uses illusions to allow the reader to follow wherever his ideas lead which also intrigues the overall dark madness effect.
Others may believe the narrator/caretaker form “The Tell-Tale Heart” is the most unreliable because he had killed very violently for no reason. In “The Tell-Tale Heart”, the narrator says, “I cut off the head and the arms and the legs….There was nothing to wash out- no stain of any kind- no blood spot whatever. I had been too wary for that. A tub had caught all-ha! ha!” (Poe 3). The belief that the narrator in “The Tell-Tale Heart” is the most unreliable is incorrect. The narrator in “The Tell-Tale Heart” had killed very violently for a reason while, in “Strawberry Spring”, the narrator describes the murders, “But Springheel Jack killed her just the same, going unerringly for one of our own. The false spring, the lying spring, aided and abetted him - he killed her and left her propped behind the wheel of her 1964 Dodge to be found the next morning and they found part of her in the back seat and part of her in the trunk. And written in blood on the windshield - this time fact instead of rumour - were two words: HA! HA!” (King 4). The narrator in “Strawberry Spring” was violent for no reason. The narrator in “The Tell-Tale Heart” was violent because he was trying to not get caught after he killed the old man. There are huge reasons for why they were violent and the other narrator in “The Tell-Tale
Now, one might argue that because the narrator thinks this story “is worth a book in itself. Sympathetically set forth it would tap many strange, beautiful qualities in obscure men”, then he is biased: ergo, he’s an unreliable narrator (1940). However, being biased in and of itself is not the sole criterion for a narrator be...
Poe presents the narrators of "The Tell-Tale Heart" and "The Cask of Amontillado" as devious, obsessed characters. Both are overpowered by the need to consume the life of their victim. Though they use different strategies to carry out the murders in different ways, obsession is the driving force in both. It is this obsession that inspires them to design cunning strategies and carry out the executions.
In this particular story, Poe decided to write it in the first person narrative. This technique is used to get inside the main character's head and view his thoughts and are often exciting. The narrator in the Tell-Tale Heart is telling the story on how he killed the old man while pleading his sanity. To quote a phrase from the first paragraph, "The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story." This shows that we are in his thou...
In ‘unreliable narration’ the narrator’s account is at odds with the implied reader's surmises about the story’s real intentions. The story und...
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
Yet, there are two overwhelming explanations behind trusting that Poe 's motivation in "The Tell-Tale Heart" goes past the blend of ghastliness and confusion. Above all else, he has shrewdly muddled his story by making the storyteller 's portrayal of himself and his activities seem inconsistent. Incidentally, the hero endeavors to demonstrate in dialect that is wild and cluttered that he is deliberate, quiet, and
In Edgar Allan Poe’s “The Tell-Tale Heart” the narrator attempts to assert his sanity while describing a murder he carefully planned and executed. Despite his claims that he is not mad, it is very obvious that his actions are a result of his mental disorder. Hollie Pritchard writes in her article, “it has been suggested that it is not the idea but the form of his madness that is of importance to the story” (144). There is evidence in the text to support that the narrator suffers from paranoid schizophrenia and was experiencing the active phase of said disease when the murder happened. The narrator’s actions in “The Tell-Tale Heart” are a result of him succumbing to his paranoid schizophrenia.
In the first lines of “The Tell-Tale Heart”, the reader can tell that narrator is crazy, however the narrator claims the he is not crazy and is very much sane, because how could a crazy person come up with such a good plan. “How, then, am I mad? Hearken! And observer how healthily – how calmly I can tell you the whole story,” (Poe 74). The reader can see from this quote that narrator is claiming that he is not insane because he can tell anyone what happened without having a mental breakdown or any other problems that people associate with crazy people. This is the begging of the unreliability of the narrator. Here the reader is merely questioning the amount of details. The narrator then goes on to explain how he didn’t hate the old man but he hated his eye.
In both stories, the chief characters plan in great detail the actions they will take to rid themselves of that which haunts them. The narrator of "The Telltale Heart" is the killer, and he explains in the telling of his story how he felt no ill will toward the old man, but how it was the old man's pale eye that caused his "blood (to) run cold; and so by degrees - very gradually - (he) made up (his) mind to take the life of the old man, and thus rid (himself) of the eye forever."[382] Later, he reflects on how meticulously he goes about entering the old man's room, planning the murder. "For seven nights - every night at midnight" he enters the sleeping chamber.[383] Prince Prospero, in Poe's "The Masque of the Red Death," decides to take with him many friendly "knights and dames"[386] from his court and hide away in secl...
At the end of “The Tell-Tale Heart”, Poe’s fascination with death is apparent when the narrator ruthlessly killed an old man with a disturbing eye, but felt so guilty that he confessed to the police. The narrator dismembered the old man’s body and hid them in the floor, confident that they were concealed. However, when the police came to investigate, the narrator heard a heart beating and began to crack under the pressure. Overcome with guilt, he confessed that he murdered him and pulled up the floorboards. The narrator exclaimed, “But anything was better than this agony! Anything was more tolerable than this derision!” (“Heart” 4). Although the narrator was calm and confident at first, the guilt he experienced drove him mad, causing...
As the story begins the narrator tries to convince the reader that he is not insane. This goes on throughout the story. He says he suffers from over-acuteness. “And have I not told you that what you mist...
The Tell Tale Heart is a story, on the most basic level, of conflict. There is a mental conflict within the narrator himself (assuming the narrator is male). Through obvious clues and statements, Poe alerts the reader to the mental state of the narrator, which is insanity. The insanity is described as an obsession (with the old man's eye), which in turn leads to loss of control and eventually results in violence. Ultimately, the narrator tells his story of killing his housemate. Although the narrator seems to be blatantly insane, and thinks he has freedom from guilt, the feeling of guilt over the murder is too overwhelming to bear. The narrator cannot tolerate it and eventually confesses his supposed 'perfect'; crime. People tend to think that insane persons are beyond the normal realm of reason shared by those who are in their right mind. This is not so; guilt is an emotion shared by all humans. The most demented individuals are not above the feeling of guilt and the havoc it causes to the psyche. Poe's use of setting, character, and language reveal that even an insane person feels guilt. Therein lies the theme to The Tell Tale Heart: The emotion of guilt easily, if not eventually, crashes through the seemingly unbreakable walls of insanity.