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The role of women in media
The role of women in media
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Strategic Use of Dialogue in Euripides' Medea
Euripides employs the technique of dialogue between two solo actors on stage throughout Medea to dramatize the core values underlying these conversations. In particular, through the conversations that Medea holds with three different males, she shows herself to be a person of great intellect. Females were rarely valued for their intelligence because the Athenians had a "complacent pride in the superiority of the Greek masculinity" (page 641 ). Men and women were considered to have very different roles in society with men being the far superior species. Thus, Euripides uses Medea's [Note the specific claim/thesis conversations with Kreon, Aigeus, and Jason to showcase her intelligence and overcome that ends intro (underlined) the common misconceptions held by the Greeks concerning male superiority.
The dialogue between Medea and Kreon (In 269-353), the King of Corinth, marks the first time that Medea interacts alone onstage with a male figure. In her monologue just previous to this conversation, Medea laments the plight of woman for the lack of control they have over their lives. Now Medea is face to face with Kreon, and the words that Kreon speaks to Medea further increase her dilemma. Kreon tells Medea that she along with her children has been banished from Corinth and must leave immediately.
Medea's first response to Kreon reflects her inner turmoil. She is "utterly lost" and she has no close family or friends upon whom she can rely. However, Medea quickly chooses : .not to wallow in self-pity. Instead, she boldly asks Kreon what grounds he has to banish her. From this moment, Medea is careful to assess the reasons for which Kreon is fearful of her pres...
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...s for revenge. Similar to the conversation Medea had with Kreon, she takes on the role of a weak woman, but then uses this appearance to manipulate the sympathies of Jason. Euripides shows that when women are not treated as equals or held with esteem, they have the ability to manipulate the men who hold them in this debased position.
Through the use of dialogue between solo actors on stage, Euripides heightens the
drama for the audience, then persuades the audience to view men and women equally. In fact, he forces the audience to this view by placing Medea alone on stage with these men. [Note how conclusion does . Throughout the play, the audience sees Medea standing side by side with Kreon, Aigeus, more than summarize the essay and Jason. This is a visual picture that defies the Greek stereotype, and exemplifies the equality between men and women.
Euripedes tugs and pulls at our emotions from every angle throughout The Medea. He compels us to feel sympathy for the characters abused by Medea, yet still feel sympathy for Medea as well. These conflicting feelings build a sense of confusion and anxiety about the unfolding plot. In the beginning, the Nurse reveals the recent background events that have caused Medea so much torment: "She herself helped Jason in every way" (13) and now he "has taken a royal wife to his bed" (18). Right away we are angry with Jason for breaking his wedding vows, and we are building up sympathy for Medea as the Nurse describes her acts of suffering. When we first see Medea, she speaks passionately to the women of Corinth and convinces them to side with her. She evokes their sympathy by drawing further attention to her suffering and speaking in terms that bring them all to common ground. Aegeus becomes Medea’s first victim when he, unknowingly, provides the final building block in her plan for revenge against Jason. We sympathize for Aegeus in his ignorance. Medea now has confidence in her plan, so she reveals it to the women of Corinth. She is going to send her children to Jason’s bride with a poisoned dress that will make her die in agony. We are still compelled to sympathize with Medea at this point because she has justified her reasons for seeking revenge. However, the princess is oblivious to Medea’s plot; she will accept the gift for its beauty then meet an unexpected, agonized death. The image of pain and agony elicits our sympathy as well. Medea presents her most perverse speech when she explains how she will kill her own children then flee Corinth. Alone, these acts provoke pure disgust, but Euripides has developed Medea’s character as a coercive force; we still sympathize with her for her plight, yet we also hate her for her decisions. The women of Corinth try to persuade her away from this morbid choice, but their arguments are ineffective. Euripides employs stichomythia in the exchange between the women and Medea to show Medea breaking down boundaries between self and other, which prevent sympathy (811-819). Euripedes focuses on suffering, ignorance, and rhetoric to leave us torn in our sympathy for every character.
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
The story of Othello begins in Venice when Roderigo and Iago having a discussion. Before the discussion with Iago, Roderigo finds that Desdemona has already been married off, to a Othello, a moor, none the less. Iago is enraged by this news, he decides that he now has more than one reason to hate Othello. Othello has not only taken the woman that Iago so desperately longs for, but he had just recently surpassed him over for the position of lieutenant for Michael Cassio, who is not as experienced as Iago. Iago and Roderigo go to the house of Brabantio, the father of Desdemona, to tell him that his dearly beloved daughter has been kidnapped and has married a moor. They tell him to go and check on his daughter to see if she is in the house, when Brabantio goes to check his daughter's room he indeed realizes that she is missing and he quickly sends out some of his officers to find Othello. These events show that Iago will take any chance that he can to take a stab at Othello, no matter what the risks may be, if the king...
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
According to the National Center on Elder Abuse, more than half a million cases of elder abuse are reported yearly. They estimate that only 1 in 14 cases of elder abuse reaches the authorities and for every 1 case of elder abuse reported, about 5 remain unknown. It is also noted that white female elders are abused at a higher rate than males and that the ...
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
These focus elements, of pity and fear are essentially what formulate the action within Medea, and in turn, reflect upon the characters creating a relevance to the audience, and the cathartic response for which Aristotle was so passionate. A key point within the text of Medea, which represents the perpetuation of these emotive elements, is when she is informed by Kreon, [Lord of Corinth] that she is to be exiled, as the following excerpt details.
In Medea, by Euripides, conflicts play a major role in the creation of the play. Some examples of these conflicts are with Medea and Jason, Medea and herself, and Medea and Creon. Medea is shown to be a strong, independent woman who does what she wants as well as doesn’t let anything stand in her way. She shares qualities of a traditional male at the time, and the qualities of a traditional female. Euripides makes this clear in the play by creating conflicts to prove women can be a powerful character and that the play in general challenges the idea of misogyny.
Ironically, Medea’s actions are similar to a man when she takes charge of her marriage, living situation, and family life when she devices a plan to engulf her husband with grief. With this in mind, Medea had accepts her place in a man’s world unti...
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.
The National Research Council reports abuse as: an intentional action of any physical act that cause pain or injury, inflicting emotional distress/psychological harm, sexual harassment, financial exploitation and neglect (Bonnie & Wallace, 2003, pg.35). As elders are aging, they become more vulnerable to mistreatment due to arise health condition, such as cognitive impairment and physical decline. Due to the lack of data collecting agency and the absence of National US report, it is a continuum debate over the accuracy and statistics of elder abuse incidents. National Academy of science reported that only 1 out of 14 abuse cases are classified for a further investigation and only 1 out 24 cases gets reported. According to the “Census Bureau”, as of 2010 people 65 year ˃ has ↑ to a 13%...
This mutual suffering between Medea and the Chorus raises issues such as the treatment of women at the time when this play was written. When Medea married Jason, she married herself to him for life. She was expected to be totally obedient and to accept whatever her husband willed. For her to look upon another man other than her husband would have been totally unacceptable. Whereas Jason marries another woman while he...
Medea is a tragedy of a woman who feels that her husband has betrayed her with another woman and the jealousy that consumes her. She is the protagonist who arouses sympathy and admiration because of how her desperate situation is. I thought I was going to feel sorry for Medea, but that quickly changed as soon as I saw her true colors. I understand that her emotions were all over the place. First, she was angry, then cold and conniving. The lower she sinks the more terrible revenge she wants to reap on Jason.