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As we humans go through out life, we are forced to interact in a world full of people. We quite often speak and do business with complete strangers and don’t give a second thought about what they did or said in that exchange of pleasantries. There are many stories such as Merimee’s Mateo Falcone, Street’s Grains of Paradise, and Tunis’s His Enemy, His Friend that focus on these brief encounters and how it can affect one’s feelings, thoughts, and ultimately actions. I believe that short and concise interactions with complete strangers can affect how a person thinks and acts.
Little Fortunato was faced with a brief encounter in Merimee’s Mateo Falcone and the affect on him was quite drastic. Fortunato is confronted and told by Gianetto Saupiero to, “Hide me, for I can go no farther”(25). Young Fortunato has to make the decision to either hide the criminal or let him get caught. The decision that Fortunato makes because of this brief encounter ultimately becomes his downfall and gets him killed. In the beginning of the story Fortunato was “tranguilly stretched out in the sun”(24). Ha...
‘An individual’s interaction with others and the world around them can enrich or limit their
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
He did not show even by words that he is going to kill. Also, he did not let Fortunato to know that he intended any grudge against him “..neither by word nor deed had I given Fortunato cause to doubt my good will... He did not perceive that my smile now was at the thought of his immolation (8-10).” One night while Fortunato was drunk, Montresor told him that he bought a barrel of wine called Amontillado “But I have received a pipe of what passes for Amontillado, and I have my doubts (25).” He understood that Fortunato “prided himself on his connoisseurship in wine (12).” He attracted him to going to his house to check the drink by saying that he might invite Luchresi to do it, a seeming rival of Fortunato 's, instead “As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me (37-38).” When they left, Montresor put on a mask and quickly took the way to his property. He was sure nobody could see them together on Fortunato 's last night. Moreover, Montresor completely knew Fortunato and used the knowledge versus him. He planned his deed carefully and carried it out slowly. It seems that Montresor anticipated his revenge with joy. While they traveled down the cavern, Montresor gives Fortunato many opportunities to leave. Fortunato looks weak against the niter, which is growing on the walls, and repeatedly coughs. Montresor commented on Fortunato 's health and asked
...or mocks him harshly about leaving him there and waits around the newly built tomb to be witness to his victim's dying words. Afterword he recants this entire story in narration on his death bed while mentioning that the wall he has entombed Fotunado isn't been bothered in 50 years. “THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge...For the half of a century no mortal has disturbed them.”(Poe)
Through the acts, thoughts, and words of the protagonists Montresor, the reader is able to feel the psychological torment that Fortunato is about to endure. The first line in the story Montresor said “The thousand of injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge” (553). Revenge remains a constant theme through the entire story. Montresor went to great lengths planning the revenge and murder of Fortunato. He knows that during the carnival everyone will be dressed in costume, mask, and drinking. No-one will be able to recognize them. Montresor himself put on a “mask of black silk” (554) and a “roquelaire” (554). He has also made certain that his attendants’ would not be at home, to be sure that there are no witnesses to his horrendous act.
Despite being urged against it several times; he ventures on willingly to his tomb. The warnings also serve another purpose; Montresor offers his prey a way out in exchange for Fortunato’s pride to be injured. Accepting the invitation of heading back would mean weakness, but possibly would have saved Fortunato’s life for losing his pride.
and his family, Montresor retaliated by plotting to kill him. Montresor thought of Fortunato as a
...The phrase that Fortunato says, “For the love of God, Montresor!” provoked a great deal of critical arguments. suggest (insert citation here) that Montresor has finally brought Fortunato to the pit of despair, seen through his invocation of a God that has left Montresor behind. Other critics, argue that Fortunato ridicules the “love of God,” thus making use of the identical irony that Montresor has successfully used to attract him to the catacombs. Those were Fortunato’s last words, and in the intense desperation that Montresor displays in response implys that he wants Fortunato more than he is willing to admit. Only when Montresor screams Fortunato name twice loudly, with no reply, does Montresor have a sick heart. The reason why Fortunato is so silent are vague, but maybe his refusal to answer Montresor is a type of desperate victory in otherwise dire situation.
As the story begins, Fortunato believes he and Montresor are friends or at the very least friendly. However, Montresor is secretly plotting Fortunato’s murder. Montresor believes that Fortunato has given a “thousand injuries” and it is not until he “insults” Montresor that Montresor springs into action. Unfortunately, it is never explained if these injuries and insults really happened or if they are a delusion. Montresor makes an unreliable narrator and one gets the feeling he suffers from a psychological disorder, such as delusional paranoid personality disorder. This disorder causes the victim to become obsessed with a delusion “involving a phenomenon that the person’s culture could conceivably regard as plausible.” They often believe “they have been injured by friends or strangers, and they tend to see other persons as enemies.” Montresor gives the impression he and Fortunato have known each other for an extended amount of time. Montresor knows more about Fortunato than Fortunato knows about Montresor; possibly because Fortunato is constantly drunk.
With Fortunado dead and buried, Montresor has won. Thanks to his deception he has the revenge he wanted for so long. There are no more insults or injuries for Montresor to tolerate. Fortunato is dead, never to be seen again. Because Montresor believes what he has done is not wrong he does not have to worry about the guilt or shame afterwards.
This classic love story describes how people can change once they interact with other people. Moreover, this is an example of how human beings in general need interaction to be normal functioning citizens of society. Having relationships, can make a person feel better about him and can possibly revolutionize or emerge a personality that was quiescent due to lack of interaction. This video demonstrates many facets of interpersonal communication.
Being told that talking to strangers is dangerous since we were four can alter how we think about all of the unknown people around us. Somewhere along the line, the fear of being kidnapped and murdered transitions into not wanting to talk to some weirdo or to be rude. There are situations where it is perfectly okay to talk to a person you don’t know, like at a party. However, there are times when you should not talk to strangers, such as when they are eating. When you are alone, eating is usually a private experience, or when you are with
We meet strangers everywhere we go. They come from all walks of life. We can choose to ignore them or to talk to them. I have judged people based on the way they walk, talk, dress or the way they approached me. These judgments tend to stick with me even if I find out who they really are. I don 't think it is right to get judgmental when I first approach a person. I feel so bad when I find out who they really are isn 't who I thought they were. It just seems to happen so naturally. I guess it is just human nature. I can relate this to my senior high school days. Most of the judgments I made about people never helped me because it got me into bad company. In a short story ‘Strangers’, a stranger hurt and lied to Toni Morrison about who she was. She was really hurt by the stranger because she had misjudged her about who she was. She did not expect a woman, who looked so humble, would do such a thing. I can relate to her story because I also misjudged someone and ended up getting hurt.
"Each contact with a human being is so rare, so precious, one should preserve it."(Anais Nin). This means that every person one comes in contact with has an influence on his life. One should never forget the people who go out of their way to be nice to them.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been” narrates the story of a teenage girl, Connie, who is depicted as being young and fun-seeking. This story cautions us of the inherent danger to children that strangers pose, a lesson that many parents strive to inculcate their children with through cautionary fairytales emphasizing the mantra - Don’t Talk to Strangers! Connie, Oates’s protagonist is naive and portrayed as a girl who is exploring her independence. Connie encounters an evil villain, Arnold Friend, reminiscent of villains in such stories as “The Pied Piper of Hamelin”, “Hansel and Gretel”, “Little Riding Hood” and “The Three Little Pigs”. While the overriding theme in this story is “coming of age”, the underlying message and setting parallel the framework of the aforementioned fairytales. This essay identifies and discusses the similarities between Oates’ short story with the themes, characters, and events of the identified fairy tales.