Empowering Voices: Storytelling in Tan's Characters

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The ability to tell one’s own story, to speak one’s mind, is the best antidote to powerlessness. Tan’s writing instills agency and visibility in Chinese American women. The silence is broken, and their new voices are constructed in collective storytelling, a language of community, without denying or erasing the different positions such collaboration encounters. Tan compels each of her characters to tell their own story in their own words, thus (re)creating the meanings of their life. The interrelated narratives make sense only if readers can discern the specificities of each woman’s story as located within the novel. Tan’s writings are characterized by untold stories written in untranslatable language between the two generations of women. McAlister …show more content…

The mothers understand this function of storytelling and use it to provide their daughters with a connection to Chinese culture as well as a method for passing on their personal values and advice. In addition, these narratives illustrate the mothers' displacement in American society as well as the daughters' struggle to form an Asian-American identity. Storytelling is the most effective means for the mothers to share their personal histories and "all [their] good intentions" {The Joy Luck Club. …show more content…

Therefore, the younger generations obtain some sense of sympathy toward their ancestors and dreams that were to be fulfilled in The United States. American-born children, ostensibly, are liberated from their parents‟ past. Still, they are obsessed dramatically about their ancestral land. They are haunted by past, and the mystery associated with it; a mysterious past that existed only in the memories of their parents. Intelligently, Tan has used this strategy to narrate her stories. All of Tan‟s novels have parallel narratives, one related to the past which is retold by mothers, and in one case a step sister who has come back from China; and the other is associated with the present stories of daughters about the cultural conflicts and alienation, they feel regarding the ancestral heritage of their home which has been transmitted to them by means of past memories. The point is that storytelling plays an essential position in creation of a new, more Chinese identity, in contrast to the previous American one, McDaniels (2004) states that, Basically, both versions of the stories, mother‟s and daughter‟s are necessary for revealing the complete story, including the painful secrets, whether the pain is alleviated or just changes its context. Both mothers and daughters need to tell their versions and listen to the others‟ versions in order to have all the information necessary to arrange their

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