The main theme of Kate Chopin’s “The Story of an Hour”, relates to self-confinement and freedom. The main character of the story, Mrs. Mallard, is described as having a heart condition at the beginning of the story. Tension builds as Josephine, Mrs. Mallard’s sister, breaks the news of her husband’s death to her. This is done as gently as possible, as concern about Mrs. Mallards condition lingers. Mrs. Mallard flees to her bedroom, in which she wistfully stares out of her open window, noting all the life and beauty there is to be seen in the outside world. Whilst she tries to “beat it down”, she simply cannot contain the elation of being freed from the shackles of her marriage. Chopin eloquently comments on the reality for many married people, …show more content…
Mallard is told to have immediately begin crying after being told of her husband’s passing, and it is noted that this is an unusual reaction, as most experience at least a moment of shock, and disbelief. This would signify the level of repressed emotion Mrs. Mallard felt. After crying in her sisters’ arms for an unspecified amount of time, she retreats to her room to be left in her own solitude.
In her bedroom, Chopin vividly illustrates the large, roomy armchair by the window, in which Mrs. Mallard sinks down into, she is “pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.” Through this, we first begin to get detailed insight into her internal conflicts. Mrs. Mallard seems to allow the shock to seep through her, allowing the pain of a loved one lost to sink in—but at the same time, the agony she is experiencing is not a sadness, but an
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Adrenaline floods her system as she comes to terms with what Chopin describes as “a monstrous joy”. She goes on to acknowledge that she will indeed mourn her husband’s death, but she accepts the bitter precession for the blissfully sweet years to come that will belong to her alone. The theme of confinement in marriage is exceptionally strong in this paragraph, as Chopin recognizes that not all unhappy marriages are due to poor treatment or contempt—but sometimes, just a loss of self is at fault.
Mrs. Mallard continues to allow the ecstasy of her new-found joy wash over her, continuously whispering to her herself: “Body and soul free!” This is dramatic character development in comparison to Mrs. Mallard sitting silently, meekly, in her chair, confining her emotions as she too was confined for so long.
She eventually joins her sister back downstairs, proudly clasped to her sister’s waist as they descend. The internal conflict that takes up most of the story is now shifted to external, as Mr. Mallard steps into the house. The narrative ends abruptly as Mrs. Mallard’s death is announced as “the joy that
Both Chopin and Deneau put major emphasis on the passage of the story where Mrs. Mallard is alone in her room and makes the transition from heartbroken housewife to joyful, independent and free widower. Chopin says “There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled
In Kate Chopin’s “The Story of an Hour”, Mrs. Mallard, who suffers from heart trouble, is notified that her husband had been killed in a railroad disaster and she falls into her sister’s arms weeping. At one point, she truly was in love with her husband. This
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
She is now told her husband died so she runs to her bedroom to be left alone. While her sister and family friend are downstairs feeling sorry for her and thinking she is destroyed, Mrs. Mallard comes upon an unsuspected feeling that she is now “free.” Since this story was written in 1894, which was a very tough ti...
...Mallard’s death up to the reader’s own interpretation, but it seems that she is trying to secretly prove that women do not have to be dependent upon men. Chopin demonstrates throughout the literary work that women can possess joy without having a man by their side, which contradicts the beliefs of the 1800’s society. Chopin’s use of an ambiguous death and irony successfully create an entertaining story that courageously takes a stand for women’s freedom.
Mallard felt restricted in her marriage and displays the need for independence. Symbolism is used to exemplify the transformation from Mrs. Mallard’s unconscious, numb existence to Louise’s new founded freedom. Chopin uses the seasons to symbolize the new life taking place within Louise. This new world appears before her through the world displayed through her bedroom window. The reader views her as motionless with her dull stare transformed into a gaze focus off yonder, symbolizing her future. The unknown feeling of freedom grew closer to Louise. Mrs. Mallard gains this “possession of self-assertion which she suddenly recognized as the strongest impulse of her being.” This alludes to Mrs. Mallard’s desire for independence.
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
Chopin reflects her rejection of the “postures of femininity” through her character’s descriptions. She describes her as “young, with a fair, calm face, whose lines bespoke repression.” Describing her as young and calm are what men looked for in a wife in the 19th century. They wanted a submissive woman to tend to their needs as Chopin’s description suggests. Furthermore, Chopin says of her character Mrs. Mallard, “she would live for herself.” Her character believes she will now be free of her marriage, and won’t be “repressed” as aforementioned any longer by her husband. Wives had a natural servitude towards their husbands as husbands worked and went about their lives. All in all, Chopin displays her character as having a joyous moment after the death of her husband because she is let go of being forced into her “femininity.”
... This woman suffers a tremendous amount from the commitment of her marriage, and the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader can see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
Character Analysis of Mrs. Mallard in Kate Chopin’s The Story of an Hour Mrs. Mallard Chopn’s main character in “The Story of an Hour”, has under gone the loss of her husband Mr. Mallard. The story depicts that she has been contemplating through different feeling about the situation. Mrs. Mallard may start off as a timed wife, however through the death of her husband sorrow and sadness turns to freedom and respite.
Mrs. Mallard had heart trouble, which made it imperative to break the news of her husband’s death, gently. Thus is why Josephine, Mrs. Mallard’s sister, “told her in broken sentences, veiled hints that revealed in half concealing,” (Chopin, 1894, para. 2). Once she was told the horrible news, Mrs. Mallard was alone in front of her “open window.” She “sank into a comfortable armchair,” (Chopin, 1894, para. 4). She was exhausted. Chopin describes Mrs. Mallard’s experience sitting there; she saw the tops of trees; rain in the air; a peddler was crying his wares; the notes of a distant song reached her; and countless sparrows were twittering in the eaves. (Chopin, 1894, para. 5) The descriptions involve the senses of seeing and hearing, which allow the reader to imagine what Mrs. Mallard’s experience was.
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Chopin describes her as a fragile woman. Because she was “afflicted with a heart trouble,” when she receives notification of her husband’s passing, “great care was taken” to break the news “as gently as possible” (1). Josephine, her sister, and Richards, her husband’s friend, expect her to be devastated over this news, and they fear that the depression could kill her because of her weak heart. Richards was “in the newspaper office when the intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of killed” (1). He therefore is one of the first people to know about his death. Knowing about Mrs. Mallard’s heart, he realizes that they need to take caution in letting Mrs. Mallard know about it. Josephine told her because Richards feared “any less careful, less tender” person relaying the message to Louise Mallard (1). Because of her heart trouble, they think that if the message of her husband’s death is delivered to her the wrong way, her heart would not be able to withstand it. They also think that if someone practices caution in giving her the message, that, ...
Mallard states that she is going to live her new life independently now that Mr. Mallard is gone; she accepts her newfound freedom and believes that she is now an independent woman. Mrs. Mallard was oppressed by Mr. Mallard, and Chopin hints at this oppression: “Chopin seems to be making a comment on nineteenth-century marriages, which granted one person - the man - right to own and dominate another - the woman,” (“The Story of an Hour” 266). The men and women should be treated equally in marriage and should be free, which relates to Mrs. Mallard feeling oppressed by Mr. Mallard. She realizes that she was below her husband her whole married life: “What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!” (Chopin 645). Her inferiority to her husband controlled her; his death allows her to start over as an independent being. Mrs. Mallard is known to have heart trouble, but readers do not understand what that trouble is until they soon find out: “Later, when we see Mrs. Mallard ‘warmed and relaxed,’ we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself,’” (Hicks 269). The readers find out that Mrs. Mallard’s mystery heart trouble dealt with her being confined by Mr. Mallard in marriage, which she soon turns away from. Mrs. Mallard’s internal struggle is caused by rushing into marriage; she did not develop herself before developing a relationship with someone else, such as Mr. Mallard: “Love is not a substitute for selfhood; indeed selfhood is love’s pre-condition,” (Ewell 273). Mrs. Mallard may have felt constrained by Mr. Mallard in her marriage because she did not know herself before. If she had known herself before the marriage, she would have known her own constraints and opinions, instead of feeling oppressed by Mr. Mallard. Mrs. Mallard accepts her freedom and independence. She decides to live
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion