In the short story “The Story of an Hour” by Kate Chopin there are many different things going on. Mrs.Mallard receives some news that she could react to in many different ways. The story starts off with her sister informing her about tragic news, but then the ending in a very ironic way. Right away the story begins with Mrs.Mallard hearing the news that her husband has passed away in a train accident. Since she has heart trouble her sister Josephine told her through hints so that it was all not brought on to her at one time. She did not want to accept the fact that her husband was gone. She began crying in her sister's arms and then decided to go to her room by herself. She is alone gazing out the window, still crying like a young child …show more content…
It was Mr.Mallard, alive and well not even aware of an accident. Richard tries to hide Mrs.Mallard from seeing because of her heart condition, her seeing him so suddenly and unexpectedly could hurt her. Unfortunately, Richard was too late. When the doctors arrived they said she had died from heart disease, the joy that kills. When she saw her husband alive she was full of so much happiness that she had thought she lost, only to have it all back ending up it being too overwhelming for her. Chopin killed her off for this reason. Proving that it was not a “monstrous joy” for her to feel that way about her husband's death. She was really trying to hide the fact that she was upset. It is ironic because the whole story was based around her husband's death, and the way she was reacting to it. Meanwhile in the end it turned out that he was alive and she would be the one dead. It leaves us as the readers wondering how he will react to her death. Will he be as “happy” as she was or will he be truly upset and face reality? Chopin is trying to express that joy kills. It is ironic because she is so happy to see her husband, but the heart attack kills her. It could also express that this death is for the
“Story of an Hour”, Kate Chopin unveils a widow named Mrs. Louise Mallard in which gets the news of her husband’s death yet, the audience would think she would feel sorrowful, depressed, and dispirited in the outcome her reaction is totally unusual. Meanwhile, day after day as time has gone by Mrs. Mallard slowly comes to a strange realization which alters a new outlook over her husband's death. "And yet she had loved him- sometimes. Often she had not. What did it matter! What could love the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!" (Chopin, 2). The actuality that she finds a slight bit of happiness upon the death of a person who particularly is so close to her is completely unraveling w...
Her mood is vitally important in evaluating her death. We are told that during her thoughtful night, she came to realize that there was, “no one thing in the world that she desired,” (p 108) and that eventually she would be alone. She then remembers her children, but not fondly. They are “antagonists who overcome her; who had overpowered and sought to drag her into the soul’s slavery for the rest of her days.” (Chopin 108) Her children are a burden, not a joy, for they anchor her to “soul’s slavery.” “But she knew of a way to elude them.” (Chopin 108) She knew of a way to elude her children? Certainly there are other possibilities than suicide, but coupled with the oth...
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
...Mallard’s death up to the reader’s own interpretation, but it seems that she is trying to secretly prove that women do not have to be dependent upon men. Chopin demonstrates throughout the literary work that women can possess joy without having a man by their side, which contradicts the beliefs of the 1800’s society. Chopin’s use of an ambiguous death and irony successfully create an entertaining story that courageously takes a stand for women’s freedom.
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
Chopin reflects her rejection of the “postures of femininity” through her character’s descriptions. She describes her as “young, with a fair, calm face, whose lines bespoke repression.” Describing her as young and calm are what men looked for in a wife in the 19th century. They wanted a submissive woman to tend to their needs as Chopin’s description suggests. Furthermore, Chopin says of her character Mrs. Mallard, “she would live for herself.” Her character believes she will now be free of her marriage, and won’t be “repressed” as aforementioned any longer by her husband. Wives had a natural servitude towards their husbands as husbands worked and went about their lives. All in all, Chopin displays her character as having a joyous moment after the death of her husband because she is let go of being forced into her “femininity.”
If she did love this man, why was marriage so harmful to her? Marriage was a prison for her. There would be no powerful will bending her in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature. Marriage oppressed her, she needed freedom, freedom to grow and do what she wanted to do, and marriage took that away from her. Chopin didn't believe that one person should take away another's freedom.
To some, the protagonists reaction can be considered mad or may consider her to be mentally-ill because of her closed door reaction to her husband’s death. Throughout the text there is evidence that suggest Kate Chopin created this character to expose the front some women, during the nineteenth century, had to have while being married and when their husbands died. If Louis Millard’s character was honest about her, positive or negative, depending how you interpret Chopin’s text, she would be negatively be viewed by society. Viewing this piece from societal normality’s from the 1800’s or even modern day, society would expect the protagonist to morn his death for an eternity, and possibly suffer. Chopin’s had the ability to divulge the emotion many women may have felt in a marriage and/or the death of a husband.
In "The Story of an Hour" Kate Chopin tells the story of a woman, Mrs. Mallard whose husband is thought to be dead. Throughout the story Chopin describes the emotions Mrs. Mallard felt about the news of her husband's death. However, the strong emotions she felt were not despair or sadness, they were something else. In a way she was relieved more than she was upset, and almost rejoiced in the thought of her husband no longer living. In using different literary elements throughout the story, Chopin conveys this to us on more than one occasion.
Kate Chopin employs the tool of irony in "The Story of an Hour" to carefully convey the problem inherent in women's unequal role in marital relationships. Chopin develops a careful plot in order to demonstrate this idea, one not socially acceptable at the end of the 19th century, and unfortunately, a concept that still does not appreciate widespread acceptance today, 100 years later as we near the end of the 20th century. Louise Mallard's death, foreshadowed in the initial line "Knowing that Mrs. Mallard was afflicted with heart trouble" takes on quite a different meaning when the plot twists and the context of her sudden death is presented unexpectedly, not upon her shock at her husband's death, but instead in her inability to endure the fact that he lives.
The main character in this story, Louise Mallard shows us her dream of freedom and proves these people wrong when her husband, Brently Mallard, dies. Louise’s husband was on a list of people that died in a railroad disaster. They tell her carefully since she has a heart condition. She starts crying, but afterwards she begins to think of all the positive things that come from his death. Her sister, Josephine goes upstairs to make sure she is okay,and once she finds out she is they come down. As they walk down the stairs she sees the door being opened and her husband comes in. Having her heart condition, she dies. The doctors thought “she had died from heart disease-of joy that kills.” However, she didn't die from the joy of getting to see her living husband but from losing her future filled with freedom.
Kate Chopin’s “The Story of An Hour” focuses on a woman named Louise Mallard and her reaction to finding out about her husband’s death. The descriptions that the author uses in the story have significance in the plot because they foreshadow the ending.
The story begins with the passage; “Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.” The conflict of the story begins here. Mrs. Mallard must be informed of her husband’s death, but there is worry about the condition of her heart and how she will react to the news. The next passage, “It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing,” explains how this initial conflict was resolved. Two people, both close to Mrs. Mallard and Brentley Mallard, came to inform Louise of the bad news. The information was released to her in broken sentences as hints. This means that they did not walk in and tell Mrs. Mallard her husband had died. They used great care to walk around the subject, to lead Mrs. Mallard to her own conclusion that her husband was now dead. (Chopin)
In “The Story of an Hour,” Kate Chopin describes to her readers a young woman’s response to her husband’s death, or at least his presumed death. The opinions readers will draw from this story will vary from person to person due to personal experiences. The experience and wisdom that I have gained through the trails and tribulations of my life help me to understand, relate, and even despise Mrs. Mallard’s character. On one hand, I feel pity for Mrs. Mallard. I think she felt trapped in a situation that she found to be inescapable. She felt lonely, restless, and did not know how to help herself. Yet, on the other hand, I do not feel sorry for her character. Almost immediately after finding out that her husband is dead, she rejoices at her newfound freedom. I think that her actions portray in her a selfish and cowardly nature.
Mallard. Her self-assertion surpassed the years they were married and the love she had for him. She is beginning to realize she can now live for and focus on herself. The text insists “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.” (Chopin 477.) Finally she can live freely and no longer worry about being confined in her marriage and inside her own home. She has come to realization that she is now independent and can think freely and achieves happiness and freedom. She is no longer held down or back by her marriage. She will no longer be someone’s possession she will be free and respected. Her husband Brently returns and he is alive the happiness and freedom she once possessed briefly with the mere image of her deceased husband were quickly torn away. “When the doctors came they said she died of heart disease of joy that kills” (Chopin 477). She was free but still confined without the knowledge of her husband who wasn’t dead. Chopin illustrates at the end that she was free because joy killed her. She was joyous because she was finally set free but she is now once again confined by the grief knowing her husband was not killed