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Meaning of stopping by a woods on a snowy evening
Symbolism in robert frost
Write on the life and works of Robert Frost
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Interpretation of Stopping by Woods on a Snowy Evening
First Response
My first response to this poem was that it seemed simple. To me, the speaker is simply stopping by the woods on snowy evening and enjoying the peaceful scenery. His senses are heightened and he is taking in the sounds of the falling snow and the winter wind. However, he cannot ignore urgency that calls him to keep going. He wants to stay in the woods, but realizes how many miles he must travel before he can sleep for the night. As I thought about the simplicity of this poem, I knew that there had to be more to a Robert Frost poem. I began to compare this poem with the way that Robert Frost usually writes. He is known for writing about death and darkness. I decided to reexamine the poem and look for evidence of death. It actually became quite apparent. He describes the woods as lovely, dark, and deep. Death, to some, is lovely. It is definitely dark, and the grave is deep. When he is in the woods he is far away from the city. The city can be considered a symbol of life. There is always a lot going on in a city. He knows that it is not his time to die, and he cannot stay in the peaceful woods. His horse reminds him that it is not his time to die by making noise and disturbing the tranquility of his moment or death. At the end of the poem the line referring to miles before he can sleep lets the reader know that the speaker has a lot more life left before his death.
Speaker and Tone
I think the speaker in this poem is a man for two reasons. First, I picture this poem to take place many years ago. He refers to a village and that his transportation is a horse and carriage. Also, I think it is a man because during this time period a woman would not be alone in the woods. The overall tone of this poem is peaceful. The speaker sets the mood of serenity and total enjoyment with his surroundings.
Structure and Form
The poem consists of four almost identically structured stanzas. Each line is iambic. Within each stanza the first, second, and fourth lines rhyme. The third line does not, but it sets up the rhyme for the next.
Rhyme-The last words of line one and line three of each stanza rhyme. The last words of line two and line four of each stanza also rhyme. The rhyming words contribute to the rhythm and flow of the poem.
Since Holden was isolated from his family, in order to not get hurt again he tries to find hypocrisy in people to stop himself from trusting others. Holden feels isolated after being sent to a boarding school that “was full of phonies” by his parents (Salinger 90). Salinger’s message to the audience with this quote is that when
Sunny embodies what Holden desperately wants and fears – physical affection. Prior to meeting Maurice, Holden is feeling “depressed and all” (Salinger 116) and “sort of lousy” (116). His negative feelings beforehand initiate him to make a decision he otherwise would not have made –agreeing to hire a prostitute - but acknowledges that “it was too late now” (119) to invalidate what, arguably, he commits to purely on impulse. He feels “a little nervous” (120) because sex is a novelty for him – he’s had “quite a few opportunities” (120) to engage in intercourse, yet hasn’t gotten around t...
Since Holden does not feel like he fits in with anybody his age, he tries to act both like a mature child and an immature adult. Holden admires his sister’s innocence to the point where he considers her a nearly perfect person. Thus, he is inspired by her and even tries to emulate her genuine behavior by trying to not become a phony. It is also due to Phoebe that he dreams of preserving the innocence of every child around him by becoming the catcher in the rye. In contrast, Holden also wants to do activities that he considers adult, such as becoming intoxicated and indulging in sexual intercourse. At multiple points in the book, Holden tries to obtain alcohol, yet, he is almost always rejected from doing so. Salinger does not allow for Holden to actually achieve his goal of intoxication to show that he is simply not ready to act in a mature, adult manner; the one time that he does become intoxicated, he sophomorically calls various people on the nearest phone he can find. Additionally, when Holden hires Sunny, a sex worker, he ends up only wanting to have a conversation with her. Even Sunny is confused at this, as she "looks at Holden as if he is a madman" (95). Once again, Salinger uses this to show that, while Holden wishes to act like an adult, he is still far too immature and insecure to actually follow through on
Holden is like most teenagers: he’s trying to find his place in society without having any sort of direction. One of the main reasons this is hard for Holden is because he doesn’t have any role models and is misguided. His brother D.B. lives all the way in Hollywood “being a prostitute” (Salinger 2) and he resents his parents. Everyone around him seems to be “phonies “and Holden is continuously trying to be different but notices that the lifestyle he wants just doesn’t fit in the world he lives in . He constantly rejects certain ways of living but can’t seem to find the purpose for his own and because of this he criticizes the life of the...
In these two poems, Frost does a wonderful job of making it seem, at first glance, like wonderfully simple poems, but after taking a deeper look, one can see the deeper and darker meanings of the poems. Although these poems both deal with the gloomy, unhappy theme of suicide, Frost always leaves the character with hope and life. Neither of the characters in the poem actually commits suicide and both realize that it is not their time yet to leave the world. In one, the man realizes that time will decide when he will die and the other knows he has responsibilities in the world to attend to and take care of before he can go. So, although both people are hoping for death, Frost redeems them by having them take the higher road and leaving thoughts of death for another time.
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
It consists of four stanzas, each a bit longer than the preceding one. Each stanza has it's own
Frost uses a religious allusion to further enforce the objective of the poem. Whether Frost's argument is proven in a religious or scientific forum, it is nonetheless true. In directly citing these natural occurrences from inanimate, organic things such as plants, he also indirectly addresses the phenomena of aging in humans, in both physical and spiritual respects. Literally, this is a poem describing the seasons. Frosts interpretation of the seasons is original in the fact that it is not only autumn that causes him grief, but summer.
In relation to structure and style, the poem contains six stanzas of varying lengths. The first, second, and fourth stanzas
Holden has a limited number of emotional relationships with anyone his age, revealing his struggle to connect with the rest of the world. Ergo it is surprising to the reader to discover that when Jane was upset Holden started ‘kissing her all over’ suggesting that in certain situations, he is able to empathize with people and knows the ‘socially acceptable’ way to react. The reader is given valuable insight into Holden’s mind, which exhibits signs that he is in fact maturing. Holden also knows that one of the aspects of adulthood is having physical relationships with people. During his time in New York, Holden pushes his personal boundaries regarding the degree of social interactions he is comfortable with. He feels that if he fulfils the sexual component of adulthood, he will become one step closer to finding the place he belongs. Unfortunately his encounter with ‘Sunny’ in the hotel did not go as intended and consequently Holden found himself out of depth in an awkward situation. He admits that ‘sex is something I don’t understand too hot,’ which exposes Holden’s weakness as being unable to cope with intense emotion. He oscillates from one extreme to the other- trying to remain a child and trying to reach a level of maturity he is currently not capable
Everything that the speaker is trying to express is tied together by the poem's form. The uneven rhyme is a perfect method of pronouncing the confusion that the speaker is feeling about the world. & nbsp;
...ur lines each. Each line ends with a vertical line that marks the feet. The rhyme isn't but there is rhyme in this poem like "Me" rhymes with "Immortality" and, farther down the poem, with "Civility" and "Eternity." This poem repeated the phrase, "We passed," which is changed a bit in the fifth stanza to, "We paused." This repetition of a word or phrase throughout a poem is called anaphora. The use of these poetic elements allows the words to flow as they describe an event.
"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
The first stanza can be interpreted in different ways. He thinks he knows the person's woods that he is stopping in, even though he is not near the village where the house is. "He will not see me stopping here, to watch his woods fill up with snow." The speaker might be a little concerned about who is watching him, because he does not want to have people talk about him in anything other then a masculine way. If he is seen watching the snowfall, then he might be considered by some to be a little less of a man. The speaker just wants to sit and watch the snow fill up someone's woods.