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Symbolic meaning of stopping by the woods on a snowy evening
Introduction to analyzing poetry
Introduction to analyzing poetry
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The circumstances surrounding the composition of Robert Frost's poem "Stopping by Woods on a Snowy Evening" explain his use of "The darkest evening of the year" (L.8) which is closely related it to the greater theme of perseverance in the face of hardship.
Frost wrote this poem, in November(Frost Chronology) 1923; on the same late night he finished his book New Hampshire (Jackson sec. 1). Being "a little excited from getting over-tired"(qtd. in Jackson sec. 3), he decided to venture out into the wilderness, probably to calm down. Frost hitched his horse to a sleigh and left on his journey to eventually find the "Woods" in this poem. Being in an "autointoxicated"(qtd. in Jackson sec. 3) state, Frost was mesmerized by the scene of the woods beside the frozen lake. He eventually broke out of his trance, possibly with the aid of his horse, by thoughts of prior commitments. The former statement is shown in the text by: "He gives his harness bells a shake To ask if there is some mistake"(L.L. 9-10) and the latter by: "But I have promises to keep And miles to go before I sleep"(L.L. 13-14). According to Frost, upon his return home, "Stopping by Woods on a Snowy Evening" "was written in a few minutes without any strain"(qtd. in Jackson sec. 1). Therefore, Frost wrote this poem about himself and his journey.
Literally, "The darkest evening of the year"(L.8), refers to the winter equinox on December 21st. But, if thought of symbolically, this line could be the culmination of difficult work, by the author, to finish his book New Hampshire. Furthermore the equinox aspect of "The darkest evening of the year"(L.13) symbolizes the transition, from the writing of a new book to its realization. Therefore, the meaning "The darkest evening of the year"(L.8) is dual even if the poem was not written in December 21st.
In and of itself, the poem is an extended metaphor for perseverance. The reader only realizes this after having finished reading the poem because the information about the narrator's prior commitments and fatigue is provided at the end. In retrospect, the first stanza can be analyzed as the narrator's difficult journey. The middle and last parts of the text, like the woods, can be seen as the temptation, as is evident in the lines "The woods are lovely dark and deep"(L. 13). But the narrator overcomes his temptation shown by: "But I have promises to keep, And miles to go before I sleep…"(L.
This stanza highlights the turn created by the previous couplet by beginning with “I walk down the path down the hill where the sweetgum” (21), which strays from the anaphoric “If I find you” that is found through the beginnings and lengths of the previous stanzas. The speaker observes the sweetgum trees and notices the “spring sap” (22) coming from the tree. Spring typically symbolizes life or rebirth. The speaker not only observes the natural beauty of springtime around him, but the life that comes with it as well. The speaker then notices the bark on the tree with great details, and how its cracks are “chasmal to my ant-soul” (24). The “ant-soul” is a beautiful metaphor here in which the speaker compares him/herself to an ant running through the chasms of the cracks in tree bark. Though the speaker is clearly human, s/he seems to feel small compared to the depth of the nature around him/her. The speaker is overwhelmed by the life and complexity held by the environment surrounding him/her. Moreover, the poem finishes “and if I find you I must go out deep into your/far resolutions/and if I find you I must stay here with the separate leaves” (25-27). In these final lines, the speaker returns to his/her quest or possible death entailed with finding this larger force. The concept of going “into you/far resolutions” is quite abstract. It is difficult to dissect this because it is not
The majority of the occasions occur in the month of December, which implies it is winter time, at least in most places. The poem depicts a scene that is loaded with darkness that is just intensified by the season, seeing as how the winter season is chilly, and can be somewhat grim and dim. The poem additionally has a component of unhappiness which winter can furthermore
When the speaker in "Stopping by Woods on a Snowy Eve" pauses for a moment's rest, he does not do so on a simple evening, but on the "darkest evening of the year," the winter solstice (474). The winter solstice is the day marking the beginning of winter, when the sun is the sky for the shortest time, and the night is longest. Night, with its darkness and shadows, is a classic symbol of death. On the winter solstice, Death can be considered his strongest, for his time, the night, is the longest i...
Robert Frost wrote many poems; however, one of his most popular themes involved isolation. The poem “Stopping by Woods on a Snowy
To begin with, the understanding of loneliness and desolation is identified through the use of the dark night in one of Frost’s most popular poems, “Acquainted With the Night.” Briefly, this poem revolves around a lonely speaker who is endlessly taking a walk beyond the city he or she lives in but is not able to locate anything or anyone that would comfort the speaker in his or her stage of depression. Loneliness and isolation are actually two of the crucial themes associated with this poem. The speaker is being “acquainted with the night,” because the night shares the same emotion that the speaker carries. They carry the same emotion because from personal references, the nighttime is often referred to as the time of reflection, sadness, loneliness, and indeed isolation. There is and evident choice of diction to depict isolation like, “the furthest city light,” (L3) as the speaker grows farther away from the city and loses light, which contributes more to the idea of the dark night. This also heightens the understanding of the speaker’s depression and isolation. “The s...
This is a wonderful poem with many different themes and ideas. One of the biggest themes is not being afraid to take a chance. Some of the other themes include, not following the crowd, trying new things, and standing for something. This poem stated that the author "took the one (road) less traveled by, and that has made all the difference" so the author is telling the reader that we too should not be afraid to take another path.
The poem as a whole, of course, encodes many of the tensions between popular and elite poetry. For example, it appears in an anthology of children's writing alongside Amy Lowell's "Crescent Moon," Joyce Kilmer's "Trees," and Edward Lear's "Owl and the Pussy-Cat." Pritchard situates it among a number of poems that "have ... repelled or embarrassed more highbrow sensibilities," which suggests the question: "haven't these poems ['The Pasture,' 'Stopping by Woods...,' 'Birches,' 'Mending Wall'] been so much exclaimed over by people whose poetic taste is dubious or hardly existent, that on these grounds alone Frost is to be distrusted?" The views represented--and the representations of the poem itself, affiliated with the work of Dickinson, Longfellow, Dante, and the Romantics--range from emphasis on its gentility to its modernist ambiguity. Nevertheless, more than one critic underscores its threat to individualism, its "dangerous prospect of boundarilessness," which suggests the masculine conception of poetic selfhood with which the poem is commonly framed.
What appears to be "simple" is shown to be not really simple, what appears to be innocent not really innocent.... The poet is fascinated and lulled by the empty wastes of white and black. The repetition of "sleep" in the final two lines suggests that he may succumb to the influences that are at work. There is no reason to suppose that these influences are benignant. It is, after all, "the darkest evening of the year," and the poet is alone "between the woods and frozen lake.
Robert Frost's Stopping by Woods on a Snowy Evening is about a person the speaker, who stops near the woods when it is snowing out to take a break and look around. He notices how beautiful it is to look at the snow falling in such a peaceful way out of the dark sky.
Darkness may also symbolize the mystery of the yet to be discovered secrets deep within the woods. (8) The silence makes the speaker feel secluded from all other aspects of reality. (11-12) Stopping by the woods provides the speaker with a temporary escape from reality. Frost does not ever tell what business the speaker is on, but you can assume it may be very stressful. This escape from reality is very important even in today’s world. This poem was written in 1923 and still has aspects of 20th century society.
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”
...uses his poetry to celebrate, compare, and contrast the beauty of nature and rural living. Throughout Frost’s poetry he draws upon the beauty of nature to build up vast amounts of scenery. To contrast from nature, Frost also uses the integration of industrialized rural life. Frost uses nature to build the beauty in his poetry, but also uses it to say things that cannot be said with words alone. Heller once wisely spoke: “Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
Hochman, Jhan. "Stopping By Woods On A Snowy Evening." Poetry for Students. Vol.1. Detroit: Gale Research, 1998.
Then in the last stanza Frost mentions woods again. Even though the narrator has a long way to go he always has enough time to stop and watch the small thing in nature in detail. This goes to show that Frost’s interest in nature is very large, and he portrays this through his characters.