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Essay on robert frost literary works
Essay on robert frost literary works
Analysis of the poems by Robert Frost
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"Stopping by Woods on a Snowy Evening" and "Mending Wall"
An Analysis of Two Robert Frost Works.
James Allen once said, 'You are today where your thoughts have brought you; you will be tomorrow where your thoughts take you.'; After reading the two Robert Frost poems, Stopping by Woods on a Snowy Evening and Mending Wall, one can not help to wonder what kinds of thoughts inspired these two poems. It becomes clear that the underlying theme in both of these poems is simply freedom of thought. These free thoughts give a person the capability to live how he chooses.
In the first poem, Stopping by Woods on a Snowy Evening, Frost vividly describes a freedom that many of us take for granted. He tells how he has decided to take the time to stop what he is doing and admire the snow as it falls in the woods and on a frozen lake. The man who owns these woods lives in the town and is ignorant of the beauty that they contain. He has not taken the time to notice how beautiful they are as the snow comes down. The owner of the woods, we'll call him Bob, lives in the town and is busy living his life in the town. Bob will not notice because he takes for granted the fact that he is able to go look at the woods much like the author. 'Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow.'; The persona is saying that he knows who owns the woods, but he won't see him looking at the woods because he lives in the town. The author knows that Bob will not visit because he only owns the woods, he lives in the town and does not appreciate the beauty they possess or he would be there visiting them himself.
The author is appreciating life and the freedom that he has while observing his own winter or the last stanza of his life as he watches the woods as they fill will snow. It is clear that the author (the persona of the poem) has chosen a life different from that of Bob. Bob has chosen the city life of materialistic things while the author has decided to take in the beauty of the world.
Frost begins the poem by describing a young boy cutting some wood using a "buzz-saw." The setting is Vermont and the time is late afternoon. The sun is setting and the boy's sister calls he and the other workers to come for "Supper." As the boy hears its dinnertime, he gets excited and cuts his hand on accident. Immediately realizing that the doctor might amputate his hand, he asks his sister to make sure that it does not happen. By the time the doctor arrives, it is too late and the boy's hand is already lost. When the doctor gives him anaesthetic, he falls asleep and never wakes up again. The last sentence of the poem, "since they (the boys family and the doctor) were not the one dead, turned to their affairs" shows how although the boys death is tragic, people move on with their life in a way conveying the idea that people only care for themselves.
Apropos of his sister Jeanie, Frost claimed that as he grew older he found it easier to lie awake and worry about other people's troubles. But he is at least as much a critic of such sympathetic identification with others -- lonely old men or oven birds -- as a practitioner of it. Or rather, some of the best poems in Mountain Interval derive their energy from the play of movement toward and withdrawal from the subject contemplated, play such as can be seen in two lines further on which summarize the old man in his setting;
This poem is a clear representation of it's theme, maybe the most clear out of all of the poems. The speaker enters the woods, deeper and deeper they go, away from the people on the outside of the woods. He walks the opposite from others, if taken in a literal sense. “Against the trees I go” (Frost, Line 2) implies that he would rather walk away from others, as walking against the trees, instead of walking with them. Just looking at the poem, you see that the speaker is happy walking into the woods alone, and that this is where they come to be alone, away from others. As the poem goes on, it gets later but the speaker does not feel the pressure to leave. They slowly make their tracks in the snow. Snow is a symbol of isolation as well, for example, when snow is fresh. The snow looks so delicate, not to be touched. But, in this poem, no one had touched the snow. The speaker made his tracks in the snow because he was the only one there to make them. No one has come to this spot, and therefore it is isolated, only for him. As the poem
In this poem, Frost illustrates that every person has his own opinion. He states “Then took the other, just as fair, and having perhaps the better claim” (line 6-7). What make it better was “it was grassy and wanted wear” (line 8). It was something that was obviously not for everyone because it seems that the other people take the more popular one. “And both that morning equally lay/ In leaves no step had trodden black” (line 11). No one had yet to pass by on this road since the leaves have fallen. “I kept the first for another day” (line 13). The desire to travel down both paths is expressed and is not unusual, but “knowing how way leads onto way” (line 14). The speaker of this poem realizes that the decision is not just a temporary one, and he “doubted if I should ever come back”
Every poet skillfully uses various forms of figurative language in order to illustrate their theme. Therefore, poetry should not be treated like a light, relaxing novel, but like a puzzle that needs to be completely broken apart and reconstructed to discover the deeper meaning. Analyzing diction, tone, and imagery are all important ways of understanding an author’s overall theme. “Stopping by Woods on a Snowy Evening” by Robert Frost, which is a poem consisting four stanzas, takes place on a long path directly adjacent to a large forest on a dark, wintery evening. The speaker, who is riding horseback, pauses from his journey home to appreciate the beauty of the landscape that surrounds him. The gentle snow blanketing the land creates a very peaceful and serene tone and atmosphere for the opening stanza. However, the tone quickly changes after the little horse realizes that there are no farmhouses nearby. It eventually encourages the man to continue on the path, for he knows they have a long way to travel before they reach home. Frost utilizes
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
The first stanza can be interpreted in different ways. He thinks he knows the person's woods that he is stopping in, even though he is not near the village where the house is. "He will not see me stopping here, to watch his woods fill up with snow." The speaker might be a little concerned about who is watching him, because he does not want to have people talk about him in anything other then a masculine way. If he is seen watching the snowfall, then he might be considered by some to be a little less of a man. The speaker just wants to sit and watch the snow fill up someone's woods.
The poem is showing how many people are questioning the way Frost conducts himself and his happiness. Everything in Frost’s poem up until the last stanza is dark and depressing. An example of this is, “Between the woods and frozen lake The darkest evening of the year.” (Frost, Lines 7 and 8). Frost is so consumed in the sadness, that its very dark around him. The last stanza is where Frost’s hopefulness is presented. The happiness is hinted towards, “The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.” (Frost, Lines 13 to 16). He has promised himself to always keep moving forward and focusing on the goodness that life has to offer. Frost knows that he isn’t quite there yet, but he will not give up. He emphasizes his perseverance by reaping himself twice when he says “And miles to go before I sleep,” (Frost, Line 15). He had a break through and knows that he cannot give up. He is taking the little bit of happiness he knows to transform his life completely too where he is happy with every aspect of it. He is taking the hope that he does have and running with it, not looking back at the despair he feels that surrounds
These aspects help the speaker escape from reality. The snow symbolizes the purity and peacefulness the speaker feels while stopping in the woods. (4) The darkness can symbolize many different things. Some times darkness would be considered evil or dangerous, but I do not think this is the case in this poem. I believe the darkness symbolizes the undisturbed atmosphere of the woods.
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”
In the first stanza, the protagonist is merely walking in the woods when he stumbles across an alternate path. Using the first person point of view, Frost depicts a clear picture of yellow woods and a character that has a choice to make as he reaches the conflict in the story and comes across a fork in the road. As the character in the story examines the best road to travel he wishes he could take both roads. In the second stanza, the character realizes that both roads appear equal, and he will only reflect later on the decision he made as the road less traveled.
...uses his poetry to celebrate, compare, and contrast the beauty of nature and rural living. Throughout Frost’s poetry he draws upon the beauty of nature to build up vast amounts of scenery. To contrast from nature, Frost also uses the integration of industrialized rural life. Frost uses nature to build the beauty in his poetry, but also uses it to say things that cannot be said with words alone. Heller once wisely spoke: “Maybe freedom really is nothing left to lose. You had it once in childhood, when it was okay to climb a tree, to paint a crazy picture and wipe out on your bike, to get hurt. The spirit of risk gradually takes its leave. It follows the wild cries of joy and pain down the wind, through the hedgerow, growing ever fainter. What was that sound? A dog barking far off? That was our life calling to us, the one that was vigorous and undefended and curious.”
Robert Frost’s “The Road Not Taken” and “Stopping by Woods on a Snowy Evening” provide us contrasting and sometimes similar glimpses of life. “The Road Not Taken” is about taking control and living life. “Stopping by Woods on Snowy Evening” entails the desire for rest, perhaps due to the speaker’s feelings of weariness from facing life’s struggles. The poet also explains the tough choices people stand before when traveling the road of life. Sometimes people regret the possibilities of the road not chosen, sometimes people feel proud about the road they have chosen.
First, in the poem “Stopping by the Woods on a Snowy Evening” there is a lot of nature expressed. Frost’s very first sentence already talks about the woods. Whose woods these are we don’t know. Also, in the poem he states that the narrator likes to sit and watch the snow. He is also a nature lover. In the second stanza Frost refers back to the woods. He must also like ice, because he brings ice and cold up a lot in his poems. Once again Frost brings ice up when he mentions flake and cold wind.