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In what way do romeo and juliet break gender discrimination
In what way do romeo and juliet break gender discrimination
In what way do romeo and juliet break gender discrimination
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Drama plays usually keep an audience on the edge of their seats. But what happens when you bring one white character into a home of only african americans? It might raise some issues. Lydia R. Diamond developed this plot line when she wrote the drama Stick Fly. It was performed by a brilliant cast of college students at Saginaw Valley State University. The show has a good message behind it, emphasizing the importance of family and love. Saginaw Valley State University has a proscenium style theater called the Malcolm Field Theater. This was where Stick Fly was performed. The area is a good size for being able to hear the cast members project their voices without microphones. The sound of the voices were emphasized enough and were easy to hear. The set fit the stage well. Every angle of the set seemed to be visible to every seat in the audience. The set was open and wide, allowing the whole audience to see every aspect. Also, there was enough seating so it was not overly crowded during the show. It was a comfortable and light-hearted atmosphere because of the humor put forth by the show. The LeVay family decides to reunite for the weekend at their home in Martha’s Vineyard. The two sons, Kent and Flip, bring their significant others. Kent is engaged to his fiance, …show more content…
Evanoff is a sweet girl who plays a sweet character. She defends her position well in the argument with Dudley’s character, Taylor. She has a caring personality towards Cheryl, who is going through some difficult times with her mother. She goes out of her way to ask Cheryl how she is doing. Something that Evanoff did well during the play was adapt to the circumstances that were happening in the moment. For instance, the far right cupboard in the kitchen would not stay closed in the last half an hour of the play. Evanoff went out of her way to approach the cupboard and naturally close it, making it look like she was supposed to do that all
When Ethel was asked to play there, she was excited until she got there. Charles was a rude white man who did not care or want to help colored people. Ethel requested to have her piano tuned, but Charles would refuse to fix it because she was not white. Ethel responded by telling Mr. Bailey, “And no Georgia cracker is telling me how to run my act… and I’m standing on my grounds. And you or no other cracker sonofabitch can tell me what to do” (166). This phrase is monumental. Not only because Ethel is such a young brave girl, but also because she knows she is not supposed to talk back to white folks but she does it anyway. Ethel believes in sticking up for herself and she thinks she deserves just as good treatment as a white performer would. This shows the business side of the entertainment world and how it is not always pretty. Many people claim that entertainers live in a lavish world like ”Hollywood people” do, but in Ethel’s case it’s the farthest thing from quality treatment. Ethel has a lot of courage to stick up for herself to Bailey. She doesn’t want Africans Americans to accept their placement in their world; she wants people to treat her how whites are treated. Ethel demands respect by Charles because she does not want to rip her audience off. An untuned piano could throw off the entire show and she wants the audience to like her, and she wants to perform as best as she can. Even though Charles
Jacqueline and her family aren’t treated fairly, because of the color of their skin. If they sit near the front of the bus, the driver will make them move. If there is a white person walking on the sidewalk the have to step off the curb and let
Although the main character in the book was white, the author, Sue Kidd, does a great job of depicting the African American culture during the time. Whether it was Rosaleen getting beat up in jail, or Zach dreaming of being a lawyer, this book showed you what it was like being a minority during a time when rights where still being fought for. One of the smaller conflicts in the story was a man verses man conflict, when Lily and Zach started to like each other. Though they knew that a colored man, and a white girl could never be together, they both were attracted to each other. Were they not from different cultures, people would have been fine with them dating, but because Zach was black, it couldn?t work out.
Two plays, twenty years apart helped to depict two very important periods in African American history. Joe Turner’s Come and Gone, premiered in 1984, and Dutchman premiered in 1964 help to show the development of the black mind set in certain periods of history. Dutchman, written during the black arts period (1960-1975); helped to show how African Americans constantly fought to escape the classic stereotypes that they were associated with. Joe Turner’s Come and Gone, written for the Contemporary Period, told the story of how first generation black people after the signing of the emancipation proclamation, fought to find their identity, not only as black people but also religiously.
Then, in the play, Wilson looks at the unpleasant expense and widespread meanings of the violent urban environment in which numerous African Americans existed th...
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
... were changing, but being African American could prevent a person from reaching their goals and achieving success and in doing so, completely forget the importance of family and tradition. Through this play, Hansberry affirms that America’s values are constantly changing and evolving. The American Dream is constantly morphed, and people will take different actions according to their beliefs, but factors such as racism can prevent a person from becoming successful and achieving their dreams.
For example, the show Everybody Hates Chris portrays an African-American family living in Bed-Sty, Brooklyn. The family is shown as living from paycheck to paycheck and trying to better their lives. Yet, the neighborhood around them influences many of their decisions. Many of the minor characters are portrayed as African-American people who will do anything in order to survive, such as murder or steal. It also shows the Caucasian persons as being superior and “better”.
...g place for a long time now; blacks have went from not being banned from certain stages to dominating theater with actors and actresses such as Halle Berry and Denzel Washington. In modern day film, African-Americans have prevailed over all of the negative setbacks, and as the old Negro spiritual says, "We shall continue to overcome."
From the very first act it is obvious race and racial tension that Lorraine Hansberry may have experienced as a kid was closely relate to what the characters in “A Raisin in the Sun” experienced. This drama follows a black family in the 50’s, the Youngers. The family has recently lost the eldest father figure and are now faced with a very tough decision. They must decide what to do with the $10,000 insurance settlement that they are expecting to receive. Of course everyone in the family has their our opinions on what to do with the money. Lena Younger, the wife of the deceased father, wants to use the money to move the family out of their inner city apartment to a house in the suburbs. However, the neighborhood that
The stage was in proscenium form so it allowed most audience members to have the same amount of viewing as others throughout the theater. Due to the theatre space being so small and intimate, it created the relevant atmosphere of everything on stage happening to be small.
In The Colored Museum, Wolfe suggests that people should claim and honor their cultural baggage. However, de does it while disclosing how difficult that may be for an African American through a series of characters. I believe Wolfe exhibits this with characters struggling with stereotypes, susceptibility, and acceptance. Characters such as Janine, LaWanda, and Aunt Ethel show the struggle of African Americans dealing with stereotypes and how those false identities influence whether they claim or trash their baggage. Scenes such as Soldier with a Secret, The Last Mama-on-the-Couch Play, and Symbiosis have the theme of susceptibility. These characters validate the threat of claiming your baggage. Finally, acceptance is evident in scenes such as The Gospel According to Miss Roj, Lala’s Opening, and Permutations in which characters embrace their culture.
I think this play is a lot about what does race mean, and to what extent do we perform race either onstage or in life:
Lena's husband, the family's father died and his life insurance brings the family $ 10,000. Everyone, especially the children, are waiting for the payment of life insurance in the cash. Now the question is whether the money should be invested in a medical school for the daughter, in a deal for the son or other dreams. But after the death of her husband Lena Younger gets the insurance money and buys a new house, where the whole family is going to move. It would seem that a dream came true. But soon we learn that the area, where the family purchased the house, is full of white people who do not want to see African-Americans in the neighborhood. The Youngers are trying to survive the threats or bribes, but they manage to maintain a sense of dignit...