Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Racial stereotypes in tvessay
Stereotypes in entertainment media
Negative stereotypes within current television programming
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Racial stereotypes in tvessay
Marshall Matt Dillon - Stereo-typical Characteristics of the Old West Lawman
The sound of pounding horse hooves and the piercing ricochet of a gunshot break the silence over the radio. As theme music begins to play, an announcers voice is heard, Around Dodge City and in the territory out West, theres just one way to handle the killers and the spoilers, and thats with the US Marshall and the smell of gun smoke. (Radio Spirits) Thus begins the program Gunsmoke, a program in which the hero, United States Marshall Matt Dillon, personifies the stereotypical old-west lawman through his lonely, compassionate, and judge-mental character.
At the beginning of every episode, Dillon begins by making an opening statement, where he identifies himself as, Matt Dillon, United States Marshall a man watchful and a little lonely. (Radio Spirits) In Johnny Reb, this loneliness is portrayed though a private conversation with Kitty, the saloon manager. In this dialogue, Kitty is expressing her desires for a normal life with a house, husband, and children. These desires, while mutual for both Dillon and Kitty are fantasies because they both know that they will never get out of the West. While, A body does get mighty lonely (Johnny Reb), Dillon understand that the western man is a wanderer, always searching for that mythical pot-of-gold at the end of the rainbow. Also his life consists of co-existing with other lawmen, gunfighters, and saloon girls for friends and of remembrances of loved ones spread across the country, seldom heard from. (Ben Tollivers Stud).
Possibly because they were lonely, or because they were gentlemen, the typical western lawman was very compassionate. The listener sees this trait through Matt Dillon in virtually every episode. In Ben Tollivers Stud Dillons compassion was toward Tolliver who was mistreated by his former boss. It was shown toward Mrs. Crail in Johnny Reb whom he thought was getting robbed by an outlaw, and in Twenty-twenty toward his friend Troy Carver. Dillon felt so much compassion in this particular episode that it led him to break his promise not to get involved in Carvers business, in an attempt to save his life.
Yet even though Dillon was compassionate, he was also quite judge-mental, another characteristic of the typical hero of the West. By falsely assuming men killed other men (Ben Tollivers Stud), and automatically assuming that if a man has a record he is up to no good and a liar, (Johnny Reb) Dillon portrays his judgments in a negative manner.
When considering the attributes of the Old West lawman, the mind frequently turns to the lawmen made familiar through works of fiction, created for the purposes of entertainment. One specific example of such a fictional depiction of "the lawman" exists in the episodic radio series entitled, "Gunsmoke." In this series, Matt Dillon, the Sheriff of Dodge City, repeatedly exhibits many qualities, which could be labeled as stereotypical. After analyzing several Gunsmoke episodes, and reviewing the analyses of many others, one trait, which seems to be present in Matt Dillon, is that of invincibility. Matt Dillon shoots the "bad guy" but never gets shot. He is always victorious. He always wins. We can see this pattern exemplified in three diverse situations. First, Dillon always wins a face to face gunfight. Secondly, Dillon is victorious even when he is ambushed or unprepared for an attack. And finally, Dillon wins even when no physical violence or gunplay takes place.
The narrator of the story seems to give off a biased opinion of the character and does so by using the literary devices of point of view and irony to contribute to the development of Clarence’s complex nature.
In “The Thematic Paradigm,” Robert Ray explains how there are two vastly different heroes: the outlaw hero and the official hero. The official hero has common values and traditional beliefs. The outlaw hero has a clear view of right and wrong but unlike the official hero, works above the law. Ray explains how the role of an outlaw hero has many traits. The morals of these heroes can be compared clearly. Films that contain official heroes and outlaw heroes are effective because they promise viewer’s strength, power, intelligence, and authority whether you are above the law or below it.
The Great Depression often seems very distant to people of the 21st century. This article is a good reminder of potential problems that may reoccur. The article showed in a very literal way the idea that a depression can bring a growing country to its knees. The overall ramifications of the event were never discussed in detail, but the historical significance is that people's lives were put on hold while they tried to struggle through an extremely difficult time.
While the western frontier was still new and untamed, the western hero often took on the role of a vigilante. The vigilante’s role in the frontier was that of extralegal verve which was used to restrain criminal threats to the civil peace and opulence of a local community. Vigilantism was typical to the settler-state societies of the western frontier where the structures and powers of government were at first very feeble and weak. The typical cowboy hero had a willingness to use this extralegal verve. The Virginian demonstrated this throughout with his interactions with Trampas, most notably in the interactions leading up to the shoot out and during the shoot-out itself. “Others struggled with Trampas, and his bullet smashed the ceiling before they could drag the pistol from him… Yet the Virginian stood quiet by the...
Ridel, B, 'The real losers in Egypt's uprising', The Daily Best Online, 13 February 2011. Retrieved 19 March 2011< http://www.thedailybeast.com/blogs-and-stories/2011-02-13/al-qaeda-absent-in-hosni-mubaraks-fall-and-egyptian-revolution/>
Throughout history there have only been two major economic downturns. The Great Depression and the Recession of 2008 both occurred due to poor financial policies and excessive spending. Both events left people with a sense of hopelessness and vulnerability. A comparison of the Great Depression Era and The Recession of 2008 reveals similarities in causes and effects economically, socially, and politically.
Washington University, author Marc Lynch pens a work he titled The Arab Uprising: The Unfinished Revolutions of the New Middle East to dispel thoughts and misconceptions that unrest in the Middle East, particularly in the areas of political and social mobilizations, are in fact a new phenomenon. Utilizing his wealth of experience within the Middle East and topics pertaining to it, Lynch choose to analyze what lead to the downfall of four of the Middle East’s regimes in Tunisia, Egypt, Yemen, and Syria along with the unfolding of events leading up to the “Arab Spring,” along with the results and aftermath of aforementioned events. The “Arab Awakening” or the “Arab Spring,” as ordained by westernized news outlets, was a series of both non-violent
The causes and far-reaching effects of The Great Depression are examined. Discussion includes its impact on both American cultures and nations around the world. The role of World War II and the New Deal in overcoming the Depression are explored.
Early 2011 uprisings swept across the Middle East and North Africa, and many rebellions are still going on today. The Arab region has seen revolts and conflict since the 1800‘s, but only recently have these revolts been redirected to the problems of Arab society (Ghannam, J. 2011 pg 4-5)The Arab Spring Uprising was first sparked in Tunisia and eventually struck Algeria, Jordan, Egypt, Yemen and then spread to other countries. Citizens throughout these countries were dissatisfied with the rule of their local governments. Issues like human rights violations, political corruption, economic decline, unemployment, extreme poverty, dictators...
Throughout life, one encounters people who are to be pitied and people who don’t deserve to be pitied. Abram defined the term tragic hero as someone who is to be pitied, someone who is quite arrogant in his or her remarks, and who is influenced by his “error of judgment”, or tragic flaw. In Shakespeare’s play Macbeth, a respected soldier, Macbeth, is to be bombarded with the most awful misfortune. In this case, Macbeth has two out of the three conditions to qualify as a tragic hero; extreme arrogance and tragic flaw. Even though Macbeth qualifies for most of the conditions of a tragic hero, he does not deserve the remaining condition; pity.
Zayan, J. (2011, February 14). Egypt Activists and Army Discuss Reforms. The Sydney Morning Herald. Retrieved December 7, 2013, from http://news.smh.com.au/breaking-news-world/egypt-activists-and-army-discuss-reforms-20110214-1as8u.html
In late 2010, a Tunisian named Bouazizi set himself on fire in protest against the poor economic situation in which he was living (CNN, 2011). Other Tunisians soon took the opportunity to resist their government and possible overthrow the leadership of Ben Ali. They took it as their responsibility to fight for the common good. Simple demonstration against the Tunisian government soon went ahead to an extent that Ben Ali had to leave the country. The events that followed the departures of the Tunisian president were the least expected. The revolts in Tunisia spurred citizens of other Arab nations to revolt against their governments. By the end of the years 2011, the Arab spring had claimed the presidency of three long serving presidents and resulted into deaths of thousands of people, including former Egyptian president Hosni Mubarak. The incidences in Egypt were particularly phenomenon as a less significant protest by youths at Cairo’s Tahrir Square soon became viral and attracted thousands of protesters that finally lad to the change of guard in the leadership of Egypt.
Pham, Q.N. (2009) Impact of the global financial and economic crisis on Vietnam, a rapid assessment. Available at: http://www.ilo.org/asia/whatwedo/events/lang--en/docName--WCMS_103550/index.htm (Accessed: 3rd August 2010).
To answer this question we must address what we are actually being asked. To do this we must evaluate what a hero really is, a true hero is a person, typically a man, who is admired for their courage, outstanding achievements, or noble qualities. The question of nobility in a hero is greatly debated, in order to be a hero is it a crime to know you are and feel a sense of pride and maybe over confidence in your ability? ‘Let no man call me good. I am not blest. My single virtue is the end of crimes’ meaning, heroes are those who recognise they have done something to receive respect and authority but do not brag or call themselves good, furthermore in this essay I will be evaluating on whether both authors portray their characters, mainly Stanhope, as modest and just. I will be evaluating whether they are truly worthy of being named heroes. The question of a ‘flawed hero’ is a very interesting concept, we have to wonder whether the flaws make them a hero because they can be relatable to us, someone for us to look up to, someone to be like, or whether them being flawed takes away some shine from their heroism. Stanhope is looked up to and respected by all his men, whether his drinking problem is a flaw or not, whereas Jack is still on light footing, the respect his men have for him is limited.