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Essays on masculinity
How is masculinity presented
Essays on masculinity
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From the beginning of a streetcar named desire Stanley Kowalski is dominant, sexual, aggressive, and takes pleasure in his masculinity. Stanley enjoys gambling, bowling, sex, and drinking. All of these show that he is full of masculinity. As soon as the play starts Stanley shows off his animal like nature when interacting with Stella when he; “heaves the package at her.” (4) In this scene his clothes are rough and his choice of words are crude. Before Blanche comes for a visit he is content because Stella does whatever he wants which keeps him in control at all times. Sex with Stella is the thing that is holding their marriage together. So every time they fight they end up having sex to heal the wound. This is Stanley’s fault because he doesn’t believe in relationship unless it is a sexual relationship. Even though Stanley seems tough, he is very dependent on Stella. When he becomes aggressive he calls for her because she is the only one that can soothe him. In the third scene after he hits her while he’s drunk, he has an emotional breakdown and screams for Stella to come back to him. …show more content…
Stanley is not the type of guy who likes his natural order of life to be disturbed, so Blanche’s surprise visit sends him into a rampage.
As soon as Blanche appears Stanley feels like everything close to him is at risk. He believes that he owns everything around him including his wife and property. As a result he tends to be shirtless to show everyone that he is in control. Blanche is a major threat to him because he feels as if he has to compete with her to win Stella’s love. Stanley feels like Blanche is trying to win Stella over then turn her against him. One reason Stanley and Stella can’t get along is because they are both volatile characters. Stanley never actually says that Blanche would be a good partner for pleasure, but they both bring up sexual connotation and Stanley always takes his shirt off around
her. Stanley feels as if Blanche is threating his friends, but really he is the one doing the threating. Like his wife; he likes to also have control over his friends. He expects them to play poker and act like men when they are over his house. He takes poker very seriously, so when he is losing he becomes very demanding, and loses his temper. This is another sign that he always wants to be in control. Even though he values their friendship and likes to spend time with them he thinks of himself as better than them. Mitch, Stanley’s closest friend, is always hanging around the house. It can be seen that Stanley cares about Mitch because he tells Mitch the truth about Blanches past. His ulterior motive could have been to destruct Blanche. By destroying Blanche and telling everyone about Blanches past he can show Stella who is superior. Stanley is a basic man who can’t take care of himself, but when something threatens him, he must strike back. Even if the person has to get emotionally or physically destroyed; he believes that is the price they have to pay.
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
In Williams' "A Streetcar Named Desire"(Williams 2008-2075; additional references by page number only.) the characters are extremely physical. The most physical of all characters in the play was Stanley Kowalski. Stanley is considered to be a brutal, domineering man with animal-like traits. The best relationship to illustrate Stanley's brutality is the one between he and his wife, Stella. Stanley treats Stella badly. He beats Stella and is impolite to her in front of other people. He rarely takes her suggestions and often scolds her. Stanley only acts kindly to Stella when he wants to make love with her. There is evidence in scene three of Stanley's brutality. [At the poker game.] STELLA: How much longer is this game going to continue? STANLEY: Till we get ready to quit. ...Why don't you women go up and sit with Eunice? STELLA: Because it is nearly two-thirty A.M.... [A chair scrapes. STANLEY gives a loud whack of his hand on her thigh.] STELLA: [Sharply.] That's not fun, Stanley. (to Blanche) It makes me so mad when he does that in front of people. (2026-27) ...Shortly after this incident during the same scene... [BLANCHE turns the radio on. STANLEY stalks fiercely through the portieres into the bedroom. He crosses to the small white radio and snatches it off the table. With a shouted oath, he tosses the instrument out the window.] STELLA: Drunk, drunk animal thing, you!... BLANCHE: [Wildly.] Stella, watch out, he's... [STANLEY charges after STELLA.] MEN: [Feebly] Take it easy, Stanley. Easy fellow... STELLA: You lay your hands on me and I'll... [She backs out of sight. He advances and disappears. There is the sound of a blow, STELLA cries out. BLANCHE screams and runs into the kitchen. The men rush forward and there is grappling and cursing. Something is overturned with a crash.] BLANCHE: [Shrilly.] My sister is going to have a baby! (2031) These are just two examples of Stanley's brutality towards Stella. Near the end of the play, the reader discovers that Stanley has raped Blanche. This is probably considered to be his most brutal act during the play. Stanley doesn't want to let anyone destroy his marriage. When he finds that Blanche is talking bad about him to Stella, he tries his best to "defeat" Blanche by staying with Stella. Blanche would say things such as "He acts like an animal, has an animal's habits!.
In scene three Stanley is having his poker party (pg. 57). At this point he is very drunk. Blanche distracting Stanley by listening to the radio instigates him to grab it off the table and toss it out the window. Stella in a state of panic tells everyone to go home which angers Stanley so he chases after her and hits her. This type of behavior is not normal of any human being involved in any relationship. Stanley repeatedly gets what he wants by use of any means possible. In addition the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal like traits with such violence. If what happened here was repeated in today’s society he would find himself in a jail cell with a pending divorce.
Stanley oftenly abuses Stella whenever he is drunk. One night, Stanley brings his friends over for a poker night. Mitch leaves the table in order to talk to Blanche. Stanley begins to get furious since Mitch is no longer playing. As more and more interruptions keep occurring, Stanley is furious and breaks the radio Blanche and Mitch were using. Stella then calls Stanley an animal. “He advances and disappears. There is a sound of a blow. Stella cries out.”(57) Stanley is usually abusive when he's either drunk or frustrated. After Stanley strikes her, Stella leaves the house and goes to her neighbors house. Blanche follows her sister upstairs to support Stella so she does not feel alone. Stanley then calms down and calls for Stella to come back. She returns and falls into Stanley's arms. Stella is very loyal to Stanley, she stays with him because he is her husband and does not want to change that. This is why she ignores her sister's pleas. Stanleys actions prove to the reader that he is an abusive husband to Stella and that Stella tolerates
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Also, the repetitive comparison of him to an animal or ape is the perfect image not the id as it is the instinctive part of your psyche. The way this passage leaves the reader is very powerful saying that “maybe he’ll strike you” is a good example of Stanley’s aggressive nature, and when Blanche says “or maybe grunt and kiss you” is a very good example of his sexual nature.
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
Stanley does not take notice of his wife’s concern, but instead continues on his original course, asserting his own destiny, without any thought to the effect it may have on those around him. This taking blood at any cost to those around him is foreshadowed in scene one, with the packet of met which he forces upon his wife. It is through actions such as these that Stanley asserts power, symbolic of the male dominance throughout patriarchal society. He also gains a s...
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
Throughout the play, Stanley appears to be boisterous and aggressive. For instance, when Stella asks what he is carrying as he comes home, he merely answers with “catch!” and proceeds to hurl a package of meat at her (Williams 2; scene 1). This meat symbolizes the connection between him and Stella; they are drawn to each other mostly out of their sexual, carnal desire for one another. Stella is aware of Stanley’s abusive and hostile behavior towards her and others, but she stays with him, regardless. This highlights Stanley’s power. As a male, he relishes himself in the luxuries that women at the time could not have: status and property. This is a contrast to Blanche; since the play took place in the 1940s, the pinnacle of the Great Depression, her family was unable to maintain the family manor. Although she attempted to sustain it, she lost the possession over it. To cover up this weakness, Blanche lies to others, saying that “it slipped through [her] fingers” (Williams 19; scene 1). This, in comparison, makes Stanley look better than her. The fact that Blanche was unable to maintain her own home makes her appear weak and pathetic. This is why she is desperate to look for a man, and why she follows her desires by means of the streetcar. Craving closeness with a man, she mistakes sex for intimacy. This leads to her getting fired from being a teacher and it is the catalyst for her wanton actions. Additionally, Stanley is portrayed as manipulative. He manipulates Stella into thinking that everything will be fine once Blanche leaves, and they can finally “make noise” at night (Williams 117; scene 8). Clearly, he only loves Stella due to his carnal, sexual attraction towards her. On the other hand, Blanche is more refined and more ladylike compared to the women in New Orleans. For example, after their date, Mitch notices that Blanche seems indifferent about him. Blanche assures him that she is fine, but she wasn’t able
3. How might we get to the bald truth/reality of Stanley and Stella 's relationship during the poker game? How are we supposed to understand Stella 's motivation for being/staying with Stanley, despite his physical abusiveness? (that is, on what is their relationship based/founded/sustained)? How does the discovery of these things affect the relationship between Blanche and Stella, and why is this important?
Although Stella believes Stanley is ‘as good as a lamb’, his true identity is revealed through both his brutality and dominance he exerts on women, and the references to his animal-like nature used to accentuate this. Williams uses animalistic imagery to display Stanley’s primitive characteristics and this is evident at the start of the play when Stanley is seen throwing a package of ‘meat’ to his wife. This immediate symbol suggests both his role as a provider, as if he is a primitive hunter-gatherer, and has sexual connotations because of the phallic suggestiveness. His association with cavemen is emphasised by Blanche, who mocks him as ‘an ape’, ‘bearing the raw meat home’ and who understatedly complains that he is ‘a little bit on the primitive side’. This ‘little bit’ is an example of an understatement that is used to suggest the opposite, that she finds him remarkably brutish. From Blanche’s criticism that ‘[Stanley] acts like an animal, has animal habits!’, Blanche believes Stanley is putting on a performance, suggested by the word ‘acts’, and from the exclamation we can imply that Blanche has strong feelings of disgust and aversion towards him. This is furthered by her emphasis on his brutality through the repetition of ‘eats like one, moves like one, talks like one’ and the use of a tricolon places attention and emphasis on his actions which embody an animal. Williams therefore uses Blanche’s refusal to accept and normalise brutal behaviour to create conflict and this causes juxtaposition between their contrasting personalities to accentuate
She is married to an American war veteran and is seen supressing her emotions and perceptions for the sake of saving her marriage. This can be seen in the example “… I know how that must have seemed to you and I’m awful sorry it had to happen, but it wasn’t anything as serious as you seem to take it…he didn’t know what he was doing” . There was a lot of social upheaval in the 60s, men had just come from war and so, being married was a privilege, women that were widowed or single were considered inferior and indefensible. It was expected that Stella fulfilled the needs of her husbands and kept the emotional and physical abuse a secret from society. It can also be observed that Stella was unable to have any friends, Stanley isolated her from connecting with other people. Also, she was not allowed to converse with any of his friends but instead be asked to leave the house or stay in another room while Stanley hosted his guests. And even when she learns the truth about her sister Blanche she chooses to be silent, to save her marriage with Stanley. As an audience we learn that society dictates a marriage by determining what is and is not love as it became more of a method than a natural process. We learn that Stanley and Stella do not take time to genuinely get to know one another and so, there is a decline in effective communication and patience. Stella viewed falling in love or simply being in a relationship as a necessity. Though it is not prevalent through the broken relationship between Stanley and Stella we are able to better understand that loyalty people should always be respectful towards others, however, we are able to comprehend how this attribute should be second nature in any
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.