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Aspects of tennessee williams life in a streetcar named desire
Aspects of tennessee williams life in a streetcar named desire
Aspects of tennessee williams life in a streetcar named desire
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In many pieces of literature, two contradicting sides often play a major role in story and character development; Tennessee Williams is able to apply this concept in A Streetcar Named Desire. The characters of Stanley and Blanche can be easily identified as polar opposites of each other. Blanche is a complex, sophisticated character, while Stanley can be seen as primal, simple, and sometimes animalistic. Tennessee Williams is able to use the opposition of Blanche and Stanley to build the rest of the story and characters. When looking at the character of Blanche, it can be easily seen that she is deeper than many of the characters in the arrangement. Blanche is able to put on a disguise to hide her troubling past, which she tries desperately …show more content…
to move past; she shows a certain level of sensitivity when the topic of Belle Reve or her deceased partner is brought up. “I, I, I, took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, mother! Margaret, that dreadful way!” (Williams 26). When the topic of Belle Reve comes up, Blanche immediately throws herself into a fit, accusing Stella that the burden was all on herself. Blanche plays the victim, a role which she is profoundly convincing at filling. Once Blanche sees how much it hurts Stella to hear about everything, she becomes sentimental and does not push it on Stella any further. This sentiment shows Blanche’s deeper understanding of human feelings. Blanche later shows her higher level of sophistication when talking with her sister about her and Stanley’s violent relationship.
Stella seems to blinded by her love with Stanley, which seems like a strange thing to Blanche. They go back and forth; Stella describing the different times Stanley goes on a row and Blanche repeatedly asks if she views this as all right. Blanche eventually tells Stella that she can still get out of the dangerous marriage (Williams 63-4). It may seem easier to notice things when looked at from an outside viewpoint, which is the point of view that Blanche takes up. Blanche is not only able to open Stella’s eyes a little bit, but also the eyes of readers. Many see Stella running back to Stanley as foolish, which helps to develop the character of Stella and add to the …show more content…
story. When looking at Blanche’s polar opposite, Stanley, it can be easily identified that there is not much depth to him; Tennessee Williams is able to convey the basic nature of Stanley very well.
When Stanley finds out that Blanche lost Belle Reve, he immediately accuses her of attempting to trick their family out of the land. “It looks to me like you have been swindled, baby, and when you’re swindled under the Napoleonic code I’m swindled too. And I don’t like to be swindled” (Williams 35). Immediately after this accusation, Stanley also notices that Blanche’s possessions would not match her salary, which further justifies his accusation in his mind. Instead of calmly asking Blanche about her situation, he jumps to conclusions and goes into a fit; this shows his simple, quick-draw nature of acting first then questioning
later. Another example of Stanley’s primal and almost animalistic behavior comes to light when he goes after Stella. After drinking heavily during a poker game, Stanley becomes so overcome with anger that he goes into a rage that does not allow him to think clearly; he goes after Stella, his wife and mother of his child (Williams 57). Stella also reveals later that these fits of anger were occurring other times, even on their wedding night, which means that Stanley could be triggered by almost anything. Stanley is able to blind Stella to the point where she thinks of him as able to do no wrong. This shows the readers an example of what becomes a main point of division among Blanche and Stella. The contradiction among Stanley and Blanche are able to work in such a way that develops the characters around them; one character in particular is Stella. Blanche is able to open up the eyes of Stella to how poisonous her relationship with Stanley has become. Stanley, however, is able to show her the comforting side of their relationship. He desperately calls out to her, showing his regret of his hostile actions toward her. Stella becomes overwhelmed by the loving, tender side of Stanley that she overlooks the fits of rage, fits that Blanche views as unbearable to deal with. The opposite nature of Blanche and Stanley are able to provide the reader a deeper look into the life and thinking of Stella. Another character that is impacted by the duo of opposites is Mitch. Mitch’s first experience with Blanche is one of sentiment and deep feeling for both of them. They both find out that they share a similar interest in a sonnet by Mrs. Browning (Williams 53). This shared interest sparks a short-lived romance between Mitch and Blanche. The date the two share is filled with awkward moments and jagged edges; however, there is undoubtedly a connection made that both characters feel. Blanche reveals the deep emotions inside of Mitch. Blanche also realizes that this is her last chance at a future with somebody because of her age. Just as the connection between Blanche and Mitch strengthens, Blanche’s polar opposite, Stanley, comes between the two. Stanley reveals the truth about Blanche’s past with holding no regard as to how it will impact either Mitch or Blanche. He attempts to cover it up and tells Mitch it is for his own good, but the deeper meaning behind it comes from his frustration with Blanche; his frustration with how she has ruined the calm life that he and Stella were living until she arrived out of the blue. Without the combination of Stanley and Blanche, the audience would never know the character of Mitch; he would have just been another one of Stanley’s poker friends. Much like two opposite poles of a magnet work together to create a magnetic field, the polar opposite characters of Blanche and Stanley work together to create a deeper story and allow the audience to get to know characters better. Their contradiction showed how Stella truly views her relationship with Stanley, and that Mitch was more than just a background character. The sophistication and complexity of Blanche grows her character as well, showing that she is able to hide her past and attempt to start a new life. The simplicity of Stanley also reveals the true colors of his character. Williams uses the two characters in a way that expands the story to more than what can be observed.
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
which, as Williams suggests, "was too great for her to contain". As to whether her escape was "madness" can be debatable - although Blanche is clearly unstable at many points, some believe that Blanche is not. actually insane, suggested by Stella's comment in Scene 11 - "I. couldn't believe her story and go on living with Stanley. " From her first appearance on stage, Blanche is presented as being.
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
A Streetcar Named Desire is a play founded on the premise of conflicting cultures. Blanche and Stanley, the main antagonists of the play, have been brought up to harbour and preserve extremely disparate notions, to such an extent that their incompatibility becomes a recurring theme within the story. Indeed, their differing values and principles becomes the ultimate cause of antagonism, as it is their conflicting views that fuels the tension already brewing within the Kowalski household. Blanche, a woman disillusioned with the passing of youth and the dejection that loneliness inflicts upon its unwilling victims, breezes into her sister's modest home with the air and grace of a woman imbued with insecurity and abandonment. Her disapproval, concerning Stella's state of residence, is contrived in the face of a culture that disagrees with the old-fashioned principles of the southern plantations, a place that socialised Blanche to behave with the superior demeanour of a woman brain-washed into right-wing conservatism. Incomparably, she represents the old-world of the south, whilst Stanley is the face of a technology driven, machine fuelled, urbanised new-world that is erected on the foundations of immigration and cultural diversity. New Orleans provides such a setting for the play, emphasising the bygone attitude of Blanche whose refusal to part with the archaic morals of her past simply reiterates her lack of social awareness. In stark contrast Stanley epitomises the urban grit of modern society, revealed by his poker nights, primitive tendencies and resentment towards Blanche. ...
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche after being reunited with Stella, she meets Stanley and Mitch. Stella is torn between her sister and Stanley because of Stanley’s dislike of Blanche. Stanley is a lower class citizen who is devoted to his friends and adores his wife but he is cruel to Blanche. Mitch is Stanley’s friend and poker buddy. Mitch is unlike Stanley because he is more of a gentleman and develops a crush on Blanche. Eventually Stella goes into the hospital to give birth and during this time Stanley rapes Blanche. When Stella returns, Blanche tries to tell Stella what Stanley did to her but she instead believing her, Stanley and Stella send Blanche off to a mental institution.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
In the play written by Tennessee Williams, "A Streetcar Named Desire", the use of his remarkable writing tactics and motifs are used to develop the main character Blanche throughout the play. As the play progresses, we gradually gain knowledge pertaining to Blanche and the type of individual she actually is in juxtapose to the facade she puts on. With clever usage of motifs such as lighting and flirtation, we can draw countless conclusions about Blanche throughout the play. Using the fore mentioned motifs we can contemplate that Blanche is developed into a deceiving, narcissistic and seductive being because of the use of motifs Williams amalgamated throughout the play.
A particularly evident section of conflict in the play is over Belle Reve and Stanley's "Napoleonic code". Blanche has told the Kowalski's that she had lost Belle Reve but without proof suspicions arrive with Stanley "well, what in the hell was it then, give away? To charity?" Stella doesn't take the fact that Blanche has no papers regarding Belle Reve as meaningful as Stanley does. Stanley from a relatively poor background compared to Stella and Blanches Belle Reve plantation and now would appreciate a slice of their assets and speaks about the Napoleonic code meaning that everything that his wife owns, or part owns is also his. After riffling through Blanches belongings for information Stanley subtlety confronts her with "it looks like you raided some stylish shops in Paris."