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Stagecoach (western) analysis
Hollywood During the 1930s Quizlet
Stagecoach john ford movie analysis
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Stagecoach is a 1939 production directed by John Ford, starring John Wayne, Clair Trevor, Berton Churchill, along with many other actors and actresses. The story line entails a stagecoach trip from the more civilized east to the more natural setting of the west, specifically Lordsburg. A random group of people end up traveling all together in a stagecoach for one reason or another and they all learn from one another as well as come to accept or at least tolerate each others perks and flaws. Their trip is full of memorable events that keep the audience interested.
The artistic intensions and the "messages" portrayed through the film are noticeable and suiting for the time frame and setting. The name of the movie is stagecoach, so naturally there are a lot of scenes set from inside and outside the stagecoach. The overall setting is the frontier, as it is with most old western movies. The rough, ragged, and vacant looking terrain, the mountains in the distance, the endless view of the big blue sky, the smoky war signs sent out by the Indians who live in that area as well as their authentic appearance, the run down villages they stayed in along their journey, and the dirt path that is followed by the stagecoach, all contribute to the overall western style setting of the movie. The style of dress and the mannerisms of the people also contribute to the time frame the movie is set in. The men and women and Indians all looked very out dated with their big dresses, their suits and hats, their Indian feathers and face paints, and their western cowboy attire .A good job was also done in setting the music to suit the scene it was played during. In my opinion, the artistic intensions of the film makers are very well portrayed.
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...st the Americans though, I would say that there is no real specific target group because the movie keeps your attention and it has many characters who offer many different roles that it could be appealing to almost anyone age 5 or over. I think this movie is still around to watch because first of all, John Wayne is a legend, and also because this movie was made a classic by all the wonderful settings and characters. There might be a noticeable "time lag" simply because so much has changed since those times, although all of that was not a very long time ago. We may not understand completely what it is like for example, to see a marshal allow his criminal in custody to take his three bullets and kill who he was after and then to let him go, nevertheless, we get a real sense of what life was like back then as it is portrayed in an understandable and enjoyable manner.
Cannons boomed simultaneously in New York and San Francisco at the same moment the golden spike was hammered into the ground, connecting the Central Pacific Railroad and the Union Pacific Railroad companies at Promontory Summit, Utah, on May 10, 1869 (American 1). North America became the first continent to be connected by railroad from the Atlantic coast to the Pacific coast when the Transcontinental Railroad was finished (Gale 1). The railroad was an essential component of achieving manifest destiny. The completion of the Transcontinental Railroad spurred settlement in the American West, encouraged immigration, and began an economic boom in the United States.
"Relocating the Cowboy: American Privilege in "All the Pretty Horses"" Pepperdine University: Global Tides Seaver Journal of Arts and Sciences. Maia Y. Rodriguez, 2014. Web. 2 May 2016. . The Western typically illustrates the journey of a man, usually a horse riding cowboy, into the Western frontier where he must conquer nature "in the name of civilization or [confiscate] the territorial rights of the original inhabitants... Native Americans" (Newman 150). What this brand of mythology promotes is precisely the values of American culture: rugged individualism, achievement and success, activtity and work, democracy and enterprise, and--most importantly--
John Ford’s classic American Western film, Stagecoach (1939) shows many examples of political life and social behavior during it’s time. The plot is about nine travelers onboard a stagecoach from Tonto, Arizona to Lordsburg, New Mexico Territory. In the beginning, the passengers of the Stagecoach are unfamiliar with each other. However, their relationships grow as they get to know each other during their journey. Each character claims a different social position.
Western movies have always been attempted and have strived for perfection. There has been a few that really captured the motion picture, history, and of course the actual story itself; but of course only one can take the cake. The movie, Tombstone is an action-filled film that is sure to entertain no matter what audience. Based on true events, the movie does an excellent job of portraying the correct history about the events that went on in Tombstone, Arizona. Everything from wardrobe, slang, props, and much more that was displayed in this outstanding movie couldn’t have hit the nail on the head any better. Just in case you may not have seen Tombstone, I believe it’s beneficial to know the plot, important details, history and information about
The growth of agriculture and railroads in Texas and in the United States helped form our economy today. Railroads today pass through a lot of Texas, and even in big cities like Houston or Dallas. Since there are so many farms and open farmland (especially in south and west Texas), railroads can carry the produce and livestock to their destination. James Watt invented the first steam engine in about 1769, and from then on, railroads were a must for transportation, since cars had yet to be invented. Railroads began to be built before the Civil War. It originally took about 6 months to get from the west of the US to the east, but now it only took 7 days. With railroads expanding all across the country, agriculture was affected in a mostly positive way. Now, crops and other goods could be transported by train anywhere in the US, and fast.
In 1938, Jed Buell was a movie producer who was well known for his black and white musical westerns, but all of his movies took on an odd twist. Jed Buell was known for his westerns with singing cowboys and he produced about twelve within a four year period. He was known to produce some unique and obscure movies, but he may be best known for his comical musical cult western; The Terror of Tiny Town (O 'Connor and Rollins 65). This movie is the world’s first and only know movie to feature an all dwarf cast. Every cast member, except for the man who is the announcer in the first scene of the film, is under four feet tall. The 62 minute movie has been appropriately nicknamed, “the best-worst movie ever made”, because of its’ tacky scenes and subtle jokes about the actors’ height. Despite being both an obscure and controversial film, The Terror of Tiny Town has become a classic among the small group of people who know about the movie.
[2] So, then, what exactly are the problems with this film? Notably, nearly every film or TV show based on Daniel Boone has similar twisted depictions and representations of Boone, the native Americans, the white settlers, and the interaction therein. This suggests something deeper, and subtler maybe, than a few misinformed filmmakers. Something hidden seems to be imbedded deep w...
For many Americans, the image of the cowboy evokes pleasant nostalgia of a time gone by, when cowboys roamed free. The Cowboy is, to many Americans, the ideal American, who was quick to the draw, well skilled in his profession, and yet minded his own business. Regardless of whether the mental picture that the word cowboy evokes is a correct or incorrect view of the vocation, one seldom views cowboys as being black. The first cowboy I met was from Texas and was black. After he told me that he was a cowboy, I told him that he had to be kidding. Unfortunately, I was not totally to blame for my inability to recognize that color has nothing to do with the cowboy profession; most if not all popular famous images of cowboys are white. In general, even today, blacks are excluded from the popular depiction of famous Westerners. Black cowboys were unheard of for almost a century after they made their mark on the cattle herding trade, not because they were insignificant, but because history fell victim to prejudice, and forgot peoples of color in popular depictions of the West and Western history.
Rosa Parks said, “Racism is still with us. But it is up to us to prepare our children for what they have to meet, and, hopefully, we shall overcome.” Racism has troubled people for hundreds of years and has not solved. It seems as a chameleon; people may hardly to detect it, but it not means it does not exist. As Mary Mebane states in her article, “The Back Of The Bus”, she experienced how white people segregate black people in her lifetime. As Martin Luther King JR shows in his speech, “I Have a Dream”, he awakened black people struggle to against inequality with government and society. John Blake demonstrates in his article, “The New Threat: Racism Without Racists”, black people are still being treated unfairly in reality. “In 'Born free'
Ford, John. Orig. Sean Aloysius O' Feeney o-'fe-ne . 1895-1973. American motion-picture director, b. Cape Elizabeth, Me. Director of The Iron Horse (1924), The Informer (1935, Academy Award), Stagecoach (1939), The Grapes of Wrath (1940, Academy Award), Tobacco Road (1941), How Green Was My Valley (1941, Academy Award), My Darling Clementine (1946), Wagonmaster (1950), Rio Grande (1950), The Quiet Man (1952, Academy Award), Mister Roberts (1955), The Searchers (1956), How the West Was Won (1962), Cheyenne Autumn (1964), etc.
A typical Western would usually be set in the late 19th century in the mid-west of America in a remote town. The town is usually small, lonely and unwelcoming. Typically a western set looks like it is in the middle of a desert with sand, cacti and tumbleweed which gives a desert look, there are usually never any lakes or rivers around these features make the place look really hot and deserted. The buildings are generally timber board houses with swinging doors and outside the buildings are places to keep their horses, there is also always a General Store and a Saloon. Horses and carriages and cattle are used to give a western feel. The cowboys are typically dressed in western style clothing for example they wear simple shirts and jeans they may also wear ponchos, waist coats, hats, boots with spurs, guns and a belt to hold the gun and bullets, Hero's tend to wear lighter clothing and the villain’s tend to wear darker clothing.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
“All the Pretty Horses”, a novel written by Cormac McCarthy tells the tale about a man and his friend travelling the plains of Mexico after leaving their homes in Texas. As the novel’s name alludes to, horses are a central theme in the story as they represent manhood and freedom when John Grady, the protagonist, and his friend Rawlins get thrown in jail. McCarthy’s novel became critically-acclaimed which gained him more recognition, as well as a movie adaptation directed by Billy Bob Thornton. Even though Thornton’s adaption has the basics of the novel’s story it does not appropriately grasps its depth. While Thornton’s version stays faithful to the dialogue from the book’s included scenes it does fall short by having an erratic pace, having
middle of paper ... ... The scenery was great because it was very descriptive compared to the scenes in the novel. The use of Computer Generated Imagery technology was perfect because it highlighted the scenery making it very vivid, realistic and pleasurable to the eye. The costuming used in the film was very creative, wonderful and perfect because it suited each of the characters class, personality, and it also suited the time period of the 1920s.
I would say the target audience for this film would be people who enjoy musicals, no matter their age. The time lag would only have much of an effect for younger generations who do not remember the 1960's and the discrimination and the political actions that were being taken during that time period. The film is still a classic I would say because of all of the wonderful costumes, dancing, singing, acting, and clever story telling through songs. I can definitely see why this film was a popular success then as it still is today.