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Challenges in Australian culture
Influences on Australian popular culture
Challenges in Australian culture
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INTRO My life has not been extraordinary. Sure, I have suffered inside the realms of the normal human experience. I have been confronted by grief and loss as we all have or will, and I do not carry heartache with me. Instead, I keep it in a box on my bookshelf, and sometimes late at night when the window is open and the world has stopped its noises I open it. This box, as I know it is the conglomeration of space and time, and what has now become a familiar, everlasting global village. To most of us, the only encounter with Australian identity is through the eye of popular culture. And while most Australians would agree that our national identity is alive and well, pop culture’s fixation on the ‘typical Australian’ is tedious and inaccurate.
As a person, myself who’s from a Chinese background, I have struggled to define myself as an Australian. Traditional literatures placed those with different heritage, and those who don’t fit the guideline, to feel unaccepted and un-welcomed. However, nowadays contemporary literatures have opened up a new world and changed the ideology. This showed young Australians to see beyond the traditional Australian stereotype and feel part of the Aussie community. ‘Nobody calls me a wog, anymore’, is an example of many contemporary
There is a reference to our multiculturalism in the lines ‘All cultures together as one. Yet, individual until the game is won’. These lines acknowledge the fact that even though Australia is an increasingly Multicultural society, all Australians, regardless of their ethnic backgrounds, share the same values, principles and national identity.
Hannie Rayson’s play ‘Hotel Sorrento’ explores the changing nature of Australian cultural identity. Rayson successfully perpetuates and challenges common Australian stereotypes in order to establish how the Australian National Identity has changed over time. She presents these stereotypes through the characters expectations of gender roles, attitudes towards Australian culture and the theme of ownership.
Australia has the terrible condition of having an essentially pointless and prefabricated idea of “Aussiness” that really has no relation to our real culture or the way in which we really see ourselves. We, however subscribe to these stereotypes when trying to find some expression of our Australian identity. The feature film, The Castle, deals with issues about Australian identity in the 1990’s. The film uses techniques like camera shots, language and the use of narration to develop conflict between a decent, old fashioned suburban family, the Kerrigans and an unscrupulous corporation called Airlink. Feature films like The Castle are cultural products because they use attitudes, values and stereotypes about what it means to be Australian.
Elder, Catriona. "The Working Man Is Everywhere: Class and National Identity." Being Australian: Narratives of National Identity. Crows Nest, N.S.W: Allen & Unwin, 2007. 40-53. Print.
T Australians can be represented in a positive way by celebrating its diversity as a united nation, between its people and the land. Nevertheless, Australia can also be seen in a negative way, as being harsh and cruel. S – This presentation will be analysing one Australian song, I am Australian by Bruce
Not only is human connection vital to live a happy and joyful life, but it is necessary to create a legacy, and thus live on through others. But in order to do this, one must first overcome their ego and their sense of self. Once all of the “I” thoughts are gone, one can relate, but fully understand, the higher powers as well as other human beings around us. However, it is important to accept that we may never fully understand the driving force of this universe. While it can be experienced, and we can briefly get an idea of what it is, it is impossible to define these concepts in words, because we don’t have a language that transcends what we can understand. And though many recognize that these concepts could never be fully understood by the human brain, determined minds continue to ask questions that will never have an answer, “pushing their minds to the limits of what we can know” (Armstrong,
Australia is a relatively young country; only becoming a unified nation in 1901 (Commonwealth of Australia, 2012). A young country is no different from a young person; identity is an issue. Questions of who am I and where do I fit in the world are asked, and unfortunately not often answered until a tragedy occurs. National identity is a sense of a nation and its people as a connected whole. This feeling of cohesiveness can be shaped by many events in a nation’s history but none more so than war. War is a stressful, traumatic affair that changes forever, not only the people that go to it but the nation as a whole. Many consider the Great War Australia’s tragedy where we became a nation (Bollard, 2013) with our own modern identity.
Peter Weir’s 1981 film Gallipoli can in every sense of the phrase be called an ‘Australian classic’. The impact and effect this film has had upon the psyche and perspective of several generations of Australians has been significant. Whilst it can be argued that every Australian is aware of the ANZAC legend, and the events that occurred on the Turkish beaches in 1915, Weir’s film encapsulates and embodies a cultural myth which is now propagated as fact and embraced as part of the contemporary Australian identity. The film projects a sense of Australian nationalism that grew out of the 1970’s, and focuses on what it ‘means’ to be an Australian in a post-colonial country. In this way Gallipoli embodies a sense of ‘Australian-ness’ through the depiction of mateship and through the stark contrast of Australia to Britain. A sense of the mythic Australia is further projected through the cinematic portrayal of the outback, and the way in which Australia is presented in isolation from the rest of the world. These features combined create not only a sense of nationalism, but also a mythology stemming from the ANZAC legend as depicted within the film.
Anyone would agree that 115 years is a long time. Considering that the Australian flag that we know and love today has been around around for that long, we can all agree it is time for a change. Good Morning Prime Minister Malcom Turnbull and notable guests, today I stand in front of you to show you my vision for a more updated version of the Australian flag.
Collective Identity is an individual or groups set beliefs and rituals that make up there own personal identity. It is how one can belong or feel accepted by a group or create how a person is. Indigenous people here in Australia are an example of a very strong version of collective identity. Indigenous people belong to tribes or clans, and all the separate clans have different collective identities but they are all similar in some ways. An indigenous clan that you are apart of determines on where you are born and also your language group. There are many different things that make up the aboriginal identity one of the main thing being the Dreaming, which is the creation story of the aboriginals. The originally known as the Dream Time is the
Australia is a very unique place, along with our multiculturalism there is also a strong heritage surrounding us. At first thought of Australian heritage we think about such landmarks as Uluru, The Sydney harbour bridge and The Sydney opera house, The Great Barrier reef and other internationally recognised places. But our heritage goes much deeper than that; it is far more than outstanding icons. Along with these icons there are also unsung places like the old cattle stations, Aboriginal missions, migrant hostels, War memorials, our unique wetlands and the towns and cities we have built. Adding all of these things together, helps to tell the story of who we are and how we have shaped this land in the unique identity it has today.
Thus, this creates connotations to patriotism and pride towards the country the reader lives in. Coupled with the large image of Australia filled with smaller images of people of all ages, and race, sporting the Australian flag, influences the reader to enter the article with a positive attitude towards Australia Day, as it seems to put this day in high esteem, which consequently convinces the audience, before even commencing to read, that the day is about ‘unity’ and not division. The smaller images of a non-traditional and traditional stereotypical Australian prove that race play no part in this celebratory day, creating the sense of Australia being an accepting
The film prevails as a reflection of the Australian culture of the 90s in all its crass, gaudy and over-the-top suburban ways. Despite this unique and iconic look at urban Australia and Australian characters, the story highlights universal themes with Hogan saying of the film’s international success, “that was a big lesson to me: if you have the right story there is no such thing as 'too parochial’.” (Lowenstein, 2000) Though the popularity of films portraying a new urban “Australian-ness” in this era influenced films like The Castle (Chocolate & Sitch, 1997) for years to come, this new cultural identity was not embraced by all. There has been significant backlash towards Australian film within Australia, with many finding the ideas of Australia portrayed on screen limited and stereotypical, rather than portraying the full breadth and multi-cultured nature of Australia.
Through numerous poetic techniques Paterson has shown that the Australian diversity is as diverse as the country itself. The Australian identity concerns the way Australia is viewed by other people. There are a variety of different aspects that contribute to this identity of Australia which include historical icons. Paterson recognizes how lucky we are to live on a land notorious for its diverse landscape. He is signaling that we are missing out and we need to cherish the great land we were given.