1. Where and when did the word “Gothic” come from? Who coined it and why? In the 1500’s an Italian named Giorgio Vasari coined the term as an insult to the French for their new way of building churches. The Germanic tribes in France had developed some new ideas on building churches so the Italians teased them for not using the traditional Greek architecture, which was ironic because part of the Goths “new” ideas was a return to realism and naturalism that the Romanesque style had abandoned. 2. Define opus modernum. Opus modernum is Latin for modern work and is known for their innovative arches and sculpture and retuning to realism and naturalism. 3. Briefly describe your initial impressions of Gothic architecture and how it differs from Romanesque? Often you can tell if the building is Gothic from the outside because they are often asymmetrical, have finials and crockets, elegant stained glass windows, and are taller than Romanesque buildings; however the real tell tale signs are inside. The barrel vaults of Romanesque churches are replaced with ribbed vaults, it...
Taller than the ancient pyramids in Egypt, large enough to hold the statue of liberty. 100 pounds of weightless stones, heavy enough to hold the Empire state building are the Great Cathedrals (PBS, 2011). Intrigued by the beauty in structure but puzzled by the very construction, without technology for building purposes has researchers mind wondering. In reference to the NOVA program, building of Gothic cathedral begin as a race of height, which over time this plan backfired because of the recent architectural discoveries in the foundation. The NOVA program pointed out that in this race of constructing the tallest building wasn’t the only concern between two rivalry cities in Europe; it purpose was recognized as a scared space for spiritual reasoning to bring ordinary someone closer to God (PBS, 2011).
Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction
Q: Use St Peter’s basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vierzehnheiligen in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form.
This carried on in to the 18th century where more and more people dabbled in the gothic style with out a full understanding of how gothic architecture worked as a structural system. They confused stages of the gothic period, which were later defined by Thomas Rickman in is writing, and also used Classical forms such as pilaster and venetian windows. Many interiors were of a classical form a layout and some times other style were thrown in. Some gothic forms were even used on the exterior of building where they didn’t perform the function they were meant to. This shows how little the architects of the 18th century studied the mediaeval and how little they understood it.
The term “gothic” comes from the name of the Germanic tribes “the Goths”, who were seen as barbarians, uncivilized, savage human beings. Later, the term was used to describe an architectural style that appeared in the Twelfth Century in Western Europe , and also to illustrate a new type of novel issued in Romanticism, in the second part of the Eighteenth Century.
Gothic elements are used to show suspense, symbolism, and drama, while also setting dark and twisted tones about the story and its characters. In the passage "The Fall of the House of Usher" the author uses Gothic elements to entice the reader with details of ominous character persona and setting.
The principle behind the Gothic style was to reach greater interior heights. However, “medieval churches had solid stone vaults (the structure that supports the ceiling or roof). These were extremely heavy structures and tended to push the walls outward, which could lead to the collapse of the building. In turn, walls had to be heavy and thick enough to bear the weight of the stone vaults,” (“Gothic Art and Architecture”). Thus, the taller buildings such a churches would be more expensive to build and look bulky and ungainly, which doesn’t quite fit the style the clergy were aiming for. In response to this problem, master masons of the medieval period developed the iconic ribbed vault. This newly developed ribbed vault had several interesting characteristics. A ribbed vault was the conjunction of two or more barrel vaults. The vault itself was a collection of stone ribs traversing the vaulted ceiling and transporting the weight onto the ribs themselves. Also, instead of the traditional round arches, pointed arches were used. This gave the ceiling of Gothic buildings a light and more versatile look (Martindale). Not only did these ribbed vaults bring a (somewhat) unique look to cathedrals, they also served an incredibly vital part in the architectural design of Gothic structures. The Gothic structures’ “new arrangement significantly reduced the weight (and thus the outward thrust) of the ceiling vault,” which reduced the constant danger of collapse and cracking for the thick Romanesque walls when they tried to reach taller heights (“Gothic Architecture”). The ribs also “transmitted [weight] along a distinct stone rib, rather than along a continuous wall edge, and could be channeled from the rib to other supports, such as vertical piers or flying buttresses, which eliminated the need for solid, thick walls,” (“Gothic
Ziggy Marley once said, “God is like the sun. When the sun shines, it shines for everyone. God is for everyone.” In the same way, Abbot Suger built the Basilica of St. Denis so that sunlight would flood throughout the building and symbolize the power of God inviting visitors into the cathedral. The Basilica of St. Denis was an artistic response to the rise of the Catholic Church’s power for it was modeled to be a physical representation of heaven, which the church heavily preached upon. (Thesis) As the basilica represented the shift from Romanesque architecture to Gothic, Abbot Suger introduced new techniques that transformed cathedrals to look more spacious and “heavenly”. (Map Statement #1-Art History) By allowing sunlight to come through the large windows, Abbot Suger instilled the Neo-Platonic idea that the sun was the physical representation of God. (Map Statement #2 –Philosophy) Also, at that time, the church was rising in power, so the new structural style of the basilica brought more converts and eventually more power to the church. (Map Statement #3 –Social Institutions) [Insert Literature Map Statement] The Basilica of St. Denis was built so that worshippers would be in awe of the “heaven-like” setting, which would cause more people to declare their faith to God and to the church.
The Gothic style evolved from that of Romanesque, building on concepts and ideas that led to the creation of larger and grander structures. Today, mankind looks in awe at the structures that were built hundreds of years ago without the assistance of modern technology and equipment. These architectural styles are indisputably different, but equally profound. They made use of differing techniques to become tangible structures that can still be seen
There was a greater intensity occurring in piety and literature. The Gothic style embodies this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure from its previous predecessor. The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting.
The Basilica of St. Sernin is in Toulouse, France and represents traditional Romanesque architecture. St. Sernin is known for its vast amount of quality Romanesque sculpture. While the architect is unknown, the stone-vaulted building was built to honor the first bishop of Toulouse, Saint Saturnin, who was martyred in 250 C.E. The Basilica of St. Sernin gained importance after Charlemagne donated many relics in order for the church to gain visitors on their pilgrimage to Santiago de Compostela. Cathedral of Notre Dame de Chartres on the other hand is located in Chartres, France. The cathedral was reconstructed between 1194 and 1250 and is a prime example of High Gothic architecture. Notre Dame means “Our Lady” which refers to the Virgin Mary, accordingly it has a strong
Gothic architecture, though also used in secular buildings, is most associated with the great cathedrals of Europe. The Basilica of Saint Denis is a large medieval abbey church on the outskirts of Paris, France. The building is of significant importance historically and architecturally because it is considered to be the first Gothic church ever built. The building of gothic cathedrals grew as design techniques progressed. Over time, as new techniques combined with new materials, cathedral architecture increased in complexity and sophistication into a recognizable gothic style.
Romanesque, as its name might suggest, was inspired by Roman architecture, particularly the ruins scattered all over Europe. It was the first international artistic style since the Roman Empire fell. The main component of Roman architecture was the rounded arch, which was very important in Romanesque cathedrals. Since round arches exert pressure both down and out, they need a lot of support. Therefore Romanesque churches had thick walls to carry the weight of the ceiling.
Gothic art evolved from Romanesque art and lasted from the mid-12th century AD to the end of the 16th century. It was a particular style of Medieval art and was led by the concurrent development of Gothic architecture, established by the Basilica of St Denis. Through the influence of historical design methods, such as Islamic/Romanesque architecture and the impact the spread of Christianity had on Europe, Abbot Suger was able to develop a new style of architecture through his reconstruction of St Denis. This led to the development of taller buildings with thinner walls and bigger rooms on the inside.
All over the world people still come to admire the beauty of European cathedrals. Many of the cathedrals are fragile due to age, neglect, pollution, and insufficient funds available to restore these historical and beautiful buildings. Nevertheless, visitors to these architectural masterpieces are fascinated by the design and structure of these churches. The cathedral builders using their own ingenuity, expertise, and limited resources were able to defy the laws of gravity and time. (Icher 30)