The story of the Spartan boy and the fox is about a child who was training to be a soldier at an ancient Spartan camp. The rules at the camp were extremely strict and food was a rare commodity for the children who were there. One boy, who was faint with hunger, broke his sworn word of honor to not disobey orders and ensnared a fox, with the intention of cooking and eating the unfortunate fired colored animal. However, before he could two of his commanding officers came over to him and started conversing with the boy. Before the soldiers could see the fox, the boy stuffed the animal in his shirt so as to not have it be seen. The fox then began to crew of the stomach of the boy and even though the pain was excoriating, the boy conversed with the soldiers, not even flinching, until they left him. After killing and eating the fox, the boy died of his wounds. The boy broke the rules of the camp and paid for it with …show more content…
his life. Paul and Kat were much like the Spartan boy in that they let their hunger overtake their honor by sneaking out of camp to go look for the geese.
Before they made this decision, the German army needed reinforcements. Consequently, Paul and Kat’s platoon was moving to the front lines. As they marched, they passed by a barn and believed that they heard geese in it. Therefore, that night, Paul and Kat, two mischievous squirrels, (metaphor) decided to go back and look for the geese.
Everyone agrees that going back for the geese would have been as dangerous as rabbit walking up to a lion’s den (Simile). However, some people believe that they should have returned for the geese, while others believe they should not have returned for the geese. Paul and Kat should not have returned for the geese for three reasons: The risky driver, potential capture and human honor.
The first reason Paul and Kat should not have returned for the geese is the risky driver. Paul and Kat did not know the driver very well, the driver might tell Himmelstoss, and the driver could get
lost. Another reason Paul and Kat should not have returned for the geese is potential capture. The smoke from the goose cooking could bring people to them. If they were caught they would be put in confinement. And Paul and Kat do not want to give Himmelstoss the satisfaction of punishing them. Oh possible punishment of Himmelstoss, prolonged, you have postponed your releasing and how easily you could have been because of these poor hungry fools. (Apostrophe and Alliteration) The final reason Paul and Kat should not have returned for the geese is human honor. Paul and Kat promised to follow their commanders and not disobey orders (Antithesis) they should not go against their word, and their conscience would not want them to disobey their orders. Some believe that Paul and Kat should have returned for the geese. The first reason why they state is regrets. It could be their last hot meal before they go the front, might be there last meal at all, and they might regret not going if they decided to not go. However, this does not persuade for Having regrets is better than losing your honor, and it would be their last meal if they were found by the enemy while they were at the barn. The second reason is hunger. Soldiers need food to keep up morale, the soldiers had no joy since they had been losing the war, and they did not have much food. This also does not persuade because hunger is not an excuse for going against your word. The two counter proof, regrets and hunger, are not convincing. Paul and Kat should not have returned for the geese because of the risky driver, potential capture and human honor. This difficult decision matters most to God for he does not want Paul and Kat to sin by infringement of their word. (Assonance)
In Alfred Hitchcock’s film, Psycho, he uses the symbolism of eyes and birds to manipulate the audience’s emotion and to create suspense throughout the film. The mis-en- scene of the scene where Marion and Norman are talking while she eats dinner in his parlor demonstrates this statement farther. She is surrounded by two birds and a table in front of her to hint how she is now trapped by Bates’s mother and won’t be able to leave the motel. During the same scene, the birds that are placed in the room powerfully represent the two characters. An example is the owl that is mounted on the wall above Bates, while a small song bird and crow are near Crane. The owl symbolizes his mother’s watchful eyes and how she disoriented her son’s mind. The small songbird represents Crane’s vulnerability and helplessness compared to the large owl. The song bird like Crane is unaware that Norman’s mother, the owl, is out ...
In chapter 15 from Thomas C. Fosters’ How to Read Literature Like A Professor, flight is discussed to represent multiple forms of freedom and escape, or possible failure and downfall. Throughout J. D. Salingers’ novel, The Catcher and the Rye, Holden often finds himself wondering where the ducks in the Central Park pond have flown off to due to the water freezing over. On the other hand, the ducks are symbolic of Holden are his interest in the ducks an example of Foster’s ideas that flight represents a desire to be free.
This decision seems harmless, but it was one that he would always remember. The actual incident only lasted for a very brief moment and in the poem, it lasted for only one line. The very end of the first stanza says, “like a wild rabbit across the grass, / turned his head, looked back once, / and his body was scattered across the field.” (7-9). The imagery that Thiel creates with the wild rabbit almost makes the boys appear more innocent.
Williams includes as a foreshadowing, the sound of the Canada geese flying over and Robert realizes many details of the rural life he had forgotten he experienced when he was young. When he hears the geese, “he ran to the window—remembering an old excitement” and begins to “remember and wondered at the easy memories of his youth” (1667). By putting in details and traditions of the countryside lifestyle, Williams makes sures to indulge readers in the atmosphere of a Rockwell painting but never fails to include incidents of realism. With Robert increasingly remembering his childhood lifestyle, he is beginning to reassure himself that there is meaning to his life after the death he experienced. At the house he finds a bow and arrow where he was “surprised at his won excitement when he fitted the nock” (1667). After he experienced shooting the arrow, he sets out to buy more and fix the bow where he again, remembers old memories about how he had fallen in love with the objects in the store as a
Mrs. Wright, however, justified killing her husband due to Mr. Wright trapping her inside the house and how Mrs. Wright job is only to be domestic wife. When Mrs. Hale (farmer’s wife) and Mrs. Peters (sheriff’s wife) discovered a dead bird with her neck bruised all over, they start to put the pieces to the puzzle together and ...
Bunting used certain word choice and evidence to create an overall theme of her story. The author used words like “pretended”, “shared”, and “don’t need a reason” repeatedly to emphasize how the characters in the story are acting. In the text it shows how good the animals really are towards each other, “The birds and the squirrels shared the trees. The rabbits and the porcupines shared the shade beneath the trees and the frogs and fish shared the cool brown waters of the forest pond.” Before the Terrible Things came the animals shared and helped each other out.
The literary device reveals Jill overlooking her customers like a hawk, not missing a single detail and delivering the pancakes to her tables perfectly until a mob of tourists begin walking in that causes Jill to lose control. The pancake house has just opened and Jill was waiting for the mob of customers that will soon come in. Jill begins daydreaming ahead of how she would look and act perfectly doing her job. The author uses a simile to how Jill acts, “... watching my station like a hawk, keeping the coffee brewing, getting the pancakes delivered hot to the tables” (83). As a result, a hawk views their prey and then attacks which is similar to how Jill looked at the customers walking in and out. Like a hawk, Jill waits for customers to come in and take their orders right away, which is the same as a hawk with its prey. Hawks have sharp eyes meaning Jill does too, and that is why the author uses a simile to compare Jill and a hawk because that must mean Jill uses her eyes to check to see if anything is not perfect to her liking. In contrast, how Jill imagined herself to look like is different when a group of tourists arrive. Jill usually knows how to handle a certain amount of tourists, yet this time there was a bus full of them. Jill was horrified and scared because the “army of round, middle-aged women stepped from the bus and headed toward the
He found that pigeon and now he’s talking about it”, “Now he got that cup. He killed that pigeon and now he’s putting its blood in that little cup. I believe he drinks that blood” (Wilson). Seth mocks Bynum, who is the only person throughout the whole play who is actually in touch with his identity. Seth is lost in the sense of religion, he calls all the things that Bynum and his wife, Bertha, do for spirituality heebie-jeebie stuff.
The Muskrats had to find something to blame the Bobcats on, therefore one of them came up with the idea to shoot a picture of them smoking in the woods. The sneaked out of the hut and quietly ran to the woods. As soon as they saw the Bobcats, they snapped some photos. The antagonist caught a glimpse of the camera’s flash light and the Bobcats all followed Rafe. Rafe made it to the hut safe, but something horrible happened. The photos were blurry and nothing could be seen. This was going to be their little secret and a high point of the story, but the Bobcats heard it and planned their revenge. The next day, all of the booger Eater’s precious books had been drowned. Frustrated, he messed up Mr. Sherwood’s office and ran away. Rafe found him in the woods and turned him back. When they returned, Rafe took the blame from the Booger Eater, because after all, he was the one that pushed him in the plan. Rafe already knew the consequences.
Have you ever wondered what the wolf's side of The Three Little Pigs story was? Well, Jon Scieszka gives his readers the opportunity to see a different perspective dealing with this very circumstance. In many of his books, including The True Story of the 3 Little Pigs by A. Wolf, Scieszka has used this style of writing that varies from the norm. Every turn of the page gives rise to new wonder and suspense as to what the reader will encounter as he or she moves through the pages of this intriguing book. Many of us grew up hearing fairy tales and nursery rhymes and most of us accepted them the way that they were. However, Jon Scieszka likes to take his readers on "adventures" through the "other side." He twists well-known stories around just enough to challenge the view that we have had for so long, yet not so much that we are unable to realize what story he is "imitating" or "mocking."
Wild Geese-- a poem by Mary Oliver. 1 May 2009. Youtube. 2 Sep. 2010. .
As Harwood explains in the poem “a lonely child who believed death clean and final, not this obscene”. When the first shot strikes, her naivety is immediately replaced with guilt as she realises the implications of her plan. Her gun falls from her hands symbolically conveying the shock and guilt of her actions. After the child kills the owl, she weeps on her father’s arm, symbolising the loss of the child’s youth and innocence. This is presented in the visual representation by the images of a barn owl and a young girl crying side by side. The owl was part of the girl and symbolised her innocence. When the owl was killed, her childish innocence was taken away. She is then forced to understand and mature from the events taken place. The author uses the metaphor “owl blind” to convey the sadness of the journey to maturity and adult knowledge that has now begun for the protagonist.
The birdcage represents how Mrs. Wright was trapped in her marriage, and could not escape it. The birdcage door is broken which represents her broken marriage to Mr. Wright. It also represents Mrs. Wright escaping her marriage from Mr. Wright. When the door is open it allows Mrs. Wright to became a free woman. At one point in time the cage door use to have a lock that locked the bird inside the cage. This represents how Mr. Wright kept Mrs. Wright locked up from society. Mr. Wright knew that by keeping Mrs. Wright locked up, she would never be able to tell anyone how he really acted. Mr. Wright was very cruel to his wife.
There is no one to provide support for Billy –the only person who does is Mr Farthing. Billy loves Kes and she becomes part of his family. It is doubly cruel that Kes is killed by Jud, who should know how much the bird meant to Billy. Family life then is not always happy, but it’s possible to survive, yet it affects people’s behaviour and attitudes.
Wright was described as a beautiful women filled with such joy and life until she married John Wright. Mrs. Peter’s and Mrs. Hale feels sorry for her because her husband treated her so bad. Due to female bonding and sympathy, the two women, becoming detectives, finds the truth and hides it from the men. The play shows you that emotions can play a part in your judgement. Mrs. Peter’s and Mrs. Hale felt sorry that Mrs. Wright had one to keep her company no kids and she was always left alone at home. “yes good; he didn’t drink, and kept his word as well as most, I guess, and paid his debt. But he was a hard man, Mrs. Peters just to pass the time of day with him. Like a raw wind that goes to the bone. I should of think she would have wanted a bird. But what you suppose went with it?” Later on in the play the women find out what happens to the bird. The bird was killed the same way Mrs. Wright husband which leads to the motive of why he was killed. Mrs. Wright was just like the bird beautiful but caged no freedom not being able to live a life of her own. Always stuck in the shadows of her husband being told what to do and