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The impact of macbeth on literature
The impact of macbeth on literature
Lady macbeth and the witches influence on macbeths actions
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My choices for the set were chosen for two overarching reasons: sparsity and space. In a play like Macbeth, where the plot is almost ingrained in our conscience, the stage should be set in such a way that it provides structure for the actors to work upon. In short, the stage should not impair the actors by being over complicated and distracting the audience. Rather the stage should empower the actors and show the evolution of their characters. In order to do this, I have kept the stage simple, with a large central platform and a smaller platform on the side. The largest platform is used to represent Macbeth's home or other suitably large place, while the area in front of it can be used to represent fields, courtyards, etc. The side platform
In an effort to successfully relate the plot to his audience, Rupert Goold places the setting for Macbeth in a bleak, militaristic, Society-styled state, described by critic Ben Brantley as a “joyless, stark environment that resembles nothing so much as a morgue.” The setting contributes to a foreboding atmosphere, felt by the audience throughout the entire play. The mannerisms and costumes of the characters of Rupert Goold’s film are in context with the setting.
BBC Shakespeare presents a traditional version of Macbeth. The director starts with a long shot of a bleak, empty landscape. As the camera zooms in it starts to focus on a granite platform with three objects lying on top of it. The rock-like platform is bathed in swirling. mists and there is a greyish lighting used with occasional flashes of light to represent the lighting.
Despite neither of the productions following the original physical characteristics of the witches, both modernistic interpretations allow for a new angle on the play. The young, attractive witches in both productions embody the central theme of Macbeth “Fair is foul, and foul is fair.” Their deceivingly alluring looks only hide the real evil they are capable of. In the live production, the seductive, manipulative young witches draw Macbeth into their evil schemes, leaving him and his ambition to be his own downfall. Their ethereal, misty look makes them clearly supernatural creatures. Furthermore in the live play, the witches only appear when necessary – when Shakespeare intended for them to. By keeping a minimalistic, classic approach, the live play places only a portion of the responsibility on the witches, instead focusing on Macbeth.
This scene sets the atmosphere for the rest of the play. If this scene was not there it would be difficult for the audience to understand how later scenes are linked or how these three women can tell Macbeth’s future. Also if elements of the supernatural were not used in Act 1 Scene 1, as they have been, the witches could not be shown as sinister and evil. These two elements of horror, “sinister” and “evil” would later be used to explain the cause of the three witches’ behaviour further on in the play.
`Act 1- The three weird witches meet and they are planning on when they are going to meet again to talk to Macbeth. In the next scene King Duncan talks to the injured captain about the battle against the invaders, who are under the command of Macdonwald. The captain tell King Duncan how he saved Malcolm and Macbeth was very violent and fought with great force. Then the Captain is taken away by the servants then Ross enters and he tells Duncan that Cawdor has been beaten and the Norway army retreated. Then King Duncan comes to the decision to kill Cawdor and then Macbeth will "become Cawdor". Then Duncan sends out Ross to go tell Macbeth about what had happened at this time. In scene three the witches approach Banquo and Macbeth when they were on their way to Forres. The witches inform Macbeth and Banquo about what had happened in the kings court and they tell him he is the Thane of Cawdor and Glamis and that Macbeth will eventually become king. Then Banquo is told riddles that his children will be royal and he will not. After the witches disappear then Ross and Angus come up to them and Ross informs Macbeth the news which he just heard. Then Macbeth contemplates whether he will have to spill blood to become king, then when he is done they all continue to Forres. Then Duncan finds out that Cawdor dies because his son killed him. Then Ross, Angus, Banquo and Macbeth arrive. Then Malcolm becomes the heir to Duncans throne and Macbeth has Duncan dine at his castle that night so he rides to tell his wife. When Macbeth gets home he tells his wife the news and she starts to plot the murder of Duncan and Macbeth fallows. Then Duncan and the Scottish lords arrive and they are tak...
In Shakespeare’s play Macbeth, the protagonist, Macbeth, murders the king of Scotland and eventually murders several other people. In the end, Macbeth meets his tragic fate of being killed by the nobleman Macduff. Throughout the play, Macbeth makes decisions that affect his fate, but other characters manipulate his choices and his actions. Early in the play Macbeth, Macbeth has control over his actions, but due to the influence of other characters and his subsequent insanity, by the end of the play, Macbeth has no control over his fate.
Macbeth: Shakespeare's Comparisons and Contrasts. Throughout Macbeth Shakespeare uses comparison and contrast to bring out characteristics of his main character, Macbeth. Shakespeare uses comparisons with Duncan, Lady Macbeth, and Banquo to bring out aspects of Macbeth's character. After hearing of Macbeth's courageousness on the battlefield, Duncan, a good and honest king, bestows the title of Cawdor on Macbeth.
Furthermore, while watching the play I came to the understanding that this play was more abstract than realistic. With that being said, I believe this particular play was abstract because of the minimal props that allowed the audience to draw their focus on the characters more. By drawing the audience’s attention to the characters, I then observed the costume designs. The costume designs in MacBeth visually represented the character’s personality traits. For example, King Duncan was dressed in an all while gown, This visual aid helps the reader form the idea of royalty, pure, and possibly viewed as a Saint to many of the people whom he governed. The same idea was portrayed as the kings’ men wore black, studded leather jacket on the stage. This visual aid allowed the audience to see the dark personalities of these men. The design elements of color and lighting were very dull, foggy, and dark. Furthermore, the lighting designer did a fantastic job when the kings’ men had a monologue and the lighting designer blurred out the others in the back, drawing all the attention and focus on that particular
The stage effects are in place right from the beginning of the play which begins in the first act with the witches, awakening Macbeth’s ambition. This carries on into Act II scene II, where Macbeth will take the first steps towards achieving his mean purpose. The second act of the play, represents an intense way the violence of King Duncan’s murder, which is dram...
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
One of the main questions that comes up when thinking about Macbeth is do the characters occupy the play to tell a historical story, or does the drama exist as a prop to explore the physiological nuances of the character Macbeth. It could be argued that the character of Macbeth, his complex physiological states, his weakness of character, the part that people around him and his wife play in the development of character, and destiny are truly the central themes of the play.
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
Macbeth’s role towards the story line can be justly spoken at an angle in which puts Macbeth’s key character traits into light. Through the abundant amount of scenes within the composition, Macbeth is portrayed as the backbone supporting the entire play itself.
In the play Macbeth, William Shakespeare does an excellent job describing his characters and their settings. Throughout the play Shakespeare connects several different situations to things that are happening with the characters. Shakespeare uses his characters to represent things, such as good and evil, and also to describe their surroundings at that time by adding details about the characters environmental settings in the act and scene. Macbeth, Macduff, Banquo, and King Duncan are the main characters in the play and Shakespeare uses them to get his good vs. evil point across even more.
From the beginning of the play, Macbeth undergoes a complete change in character--from a virtuous nobleman into a monster. He has a tragic weakness--ambition--which, when released, draws him into a web of evil and corruption that finally leaves him with none of the noble human qualities he possessed at the beginning of the play.