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The principles of communication theory
Strength and weaknesses of coordinated management of meaning
The principles of communication theory
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Communication, as defined by Griffin is the relational process of creating and interpreting messages that elicit a response. Griffin states theory is a set of systematic, informed hunches about the way things work (Griffin, 2012, p. 4). Pairing the two together, Communication theory is using a systematic approach in order to understand the relational process of creating and interpreting messages. Many communication theories have been created to understand how and why things are the way they are. This essay will focus on one theory called the Coordinated Management of Meaning. (Hereby referred to as CMM.) The following essay will contain a brief summary of the film, Spanglish, followed by an explanation of CMM. The paper will analyze the film through the lens …show more content…
The purpose of this essay is to use instances and situations in the film to support and illustrate the major concepts of CMM. The two questions that all analysis evolves around are… In what ways are communication patterns either effective or ineffective in these situations? How well does CMM explain what is happening in these situations?
Spanglish is a story about a Hispanic immigrant by the name of Flor Moreno. Flor comes to the United States to get her and her daughter, Cristina, better living conditions and a better education. They settle into Los Angeles where Flor works two jobs for six years before looking for a new job that pays enough so she can work one job instead of two. In this process she finds the Clasky family. The patriarch, John Clasky, heads the Clasky’s. John is a top chef, renowned by many. His wife Deborah Clasky is a rambunctious,
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
Miscommunication is a struggle that lives within the world everyday. Being able to understand what another person is trying to convey is an essential part of the way humans interact with one another. When a message is not translated correctly from person to person conflict arises and heated battles rage within a relationship; whether it is a mother and daughter, or two quarreling lovers, or strangers upon the street. All humans are created differently, with diverse upbringings, perspectives, and mindsets. Particular forms of communications may mean different things to various people. When talking about the concept of miscommunications, one must also address the concept of communication itself.
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
America is recognized for its diverse nation, with multiple ethnicities coming together in one common geographical boundary. While this sentence sounds like Americans come together as one, Spanglish describes the life of a woman that has lived in America, and has never endured American culture in the slightest until a new job opportunity arises. It is noted that many principles that are studied in cross-cultural psychology are outlined in this film. Throughout this, the principles of ethnocentrism, individualism, power distance, and integrated acculturation will be looked thoroughly into pertaining to Spanglish
...bility for their failure towards the American population. As noted above capitalism rewards both Munozes and Castanedas, regardless of the difference between the communicational styles that they represent. The key to successful adaptation might lie within the capacity to adopt. This however requires thorough knowledge of cultural backgrounds. In the end, without the knowledge the immigrant could fail to understand the motives of the American and vice a versa. Yet their lives today are already so interdependent which means healthy communication is surely a requisite for social success.
This part is divided into two sub-topics. The first sub-topic offers a summary of the book and contains spoilers. The second sub-topic summarizes the film. Both summaries incorporate key events in both form...
His real experience of the situation fueled the interest in creating this film adaption of Bohumil Hrabal’s novel of the same name, adding accuracy to the character motivations and world appearance. The class textbook, The Art of Watching Films, mentions that in movies like this, “the action and characters have a significance beyond the context of the film itself” (Boggs 22). Although the film comes across as somewhat whimsical, the meaning behind it is very serious; it touches on the categories of Moral Implications with greed and lust and Social Problems by satirizing the Nazis and their impact on Czechoslovakia. This movie is a good representation as to why foreign films are important for students to watch, as it touches on a national event (WWII) with an angle that would be incredibly tough to recreated in America. This film lampoons a dark part of Czech history with its wit, brightness, and aptly-placed
The proscription from any domain of memorable works may be due to a major problem both in the novel and film: the ambiguous point of view adopted. The novel is geared for a transposition to the screen. It is no coincidence that the film was scripted by Niccolò Ammaniti, who adapted ...
In my essay I will discuss the differences between national cinema and Hollywood cinema by using Rio de Janeiro¡¯s famous film City of God. There will be three parts in my following main body, the first part is a simple review of the film City of God, I will try to use the review to show the film structure and some different new points from this, show the how did the ¡®Shocking, frightening, thrilling and funny¡¯ (Nev Pierce) work in the film. The second part is my discussion parts; I will refer some typical Hollywood big name films such as Gangs in New York, Shawshank¡¯s Redemption, and Good Fellas to discuss the main differences between City of God and other national films. The third part is my summary, I will use my knowledge to analyse why there have big different between both kind of films and their advantages.
Communication involves the exchange of messages and is a process which all individuals participate in. Whether it is through spoken word, written word, non-verbal means or even silence, messages are constantly being exchanged between individuals or groups of people (Bach & Grant 2009). All behaviour has a message and communication is a process which individuals cannot avoid being involved with (Ellis et al 1995).
Communication is defined in the book as "a systematic process in which individuals interact with and through symbols to create and interpret meaning." (Wood, p.9). The definition can be broken down into four separate parts and they are as follows: process, systematic, symbols, and meaning. Process means that communication is ongoing and always in motion. Systematic focuses on how communication involves a group of interrelated parts that affect one another. Symbols are described as abstract, arbitrary, and ambiguous representations of other things. The key note on symbols is that they do not only include all language, but also include an important aspect of communication which is non-verbal. The fourth and final focus is meaning and is considered the heart of communication. The great thing about meaning is that we create it.
SADOUL, Georges. Dějiny světového filmu : od Lumiera až do současné doby. Vyd. 2. Praha : Orbis, 1963. s.156.
Griffin, E. (1997). A First Look at Communication, Third Edition. New York: The McGraw-Hill Companies, Inc.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Mainstream Americans exposed to similar hybrids of German, Chinese, or Hindi might be mystified. But even Anglos who speak little or no Spanish are somewhat familiar with Spanglish. Living among them, for one thing, are 19 million Hispanics. In addition, more American high school and university students sign up for Spanish than of any other foreign language. Only in the past ten years, though, has Spanglish begun to turn into a national slang.