Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Serial killers in Chicago Suburbs
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Serial killers in Chicago Suburbs
How did we miss this? It was right there all along. Thought the detective. He replayed the tape, showing an almost exact replica of the man rotting in prison for the same killings that had taken place more than 20 years previously. Only this time it wasn’t Brian Peters, but rather his younger brother, Aaron. He was only 7 or so when Brian was caught, he must have had instruction from his brother. There’s no other way he would have been able to replicate all the signature details, Burcks concluded. When he had briefly interviewed Aaron two weeks ago he had seemed nothing like is brother, aside from his looks. Aaron had seemed much friendlier, not at all capable of doing something like this. Burcks rose from his chair and loudly called out for Olsen, who was seated at his desk in the bullpen. Momentarily taken aback by such a seemingly spontaneous summoning, Jesse Olsen collected himself and made way for his partner’s office. “What’s up?” he asked. “We found ‘em” Burcks replied, and he showed him the tape. Olsen watched the tape, his mouth half open. “I don’t believe it,” was all he could say. “He may be planning another murder, so we need to act quick.” “I’ll look him up in the registry, see if I can get an address,” replied Olsen “Good, I’ll get a team ready.” The two went their separate ways and 15 minutes later they were in the patrol car, and on their way, leading the way for the two other police cars behind them. “We’re headed for 410 West Jackson,” said Olsen, who was riding shotgun. Sirens roaring, the three cars were able to pick up considerable speed once they hit the Kennedy Expressway. Sifting through the cars as they pulled to the side to make room for the trio of cars, Burcks began to feel a rage well up inside o... ... middle of paper ... ...e normal lives. The murders had taken their toll on Aaron, resulting in the overlooked details of the last murder, as well as accidently being seen among the crowd at Union Station. In the end, Aaron was glad to be caught, ridding himself of this monstrous burden. Detective Burcks had enjoyed a great sense of relief following the conclusion of the case. He and Jesse had been written about extensively in nearly every news outlet in the country, most exaggerated extensively, but this time Burcks didn’t mind. He had just finished reading the most recent piece about Peters in the Tribune when he looked at his watch and concluded that his day was over. He stood up, put on his jacket, and was almost to the door when his phone began to ring. Giving it a moment’s thought, Detective Burcks turned his back to the phone and closed the door, thinking to himself not this time.
Nearby Alfred Bello and Arthur Bradley were breaking into a factory. Bello was the lookout, and his exact location - inside or outside the bar - would be a point of concentration for the next twenty years. The police arrived at the bar within minutes. They took statements from Marins, Valenine, and Bello. Not one of them said they had seen Rubin Carter, one of Paterson’s most well-known citizens, at the scene. A police bulletin radioed officers to be on the lookout for a white car with two black men inside.
On 1997 four men were convicted of the rape and murder of Michelle Basko. The four men were Joe Dick, Daniel Williams, Eric Wilson, and Derek Tice. Detective Robert Ford believed that the four U.S. navy men were all guilty of the crime. One of the victim’s friend claimed that Daniel Williams, was Michelle Basko’s murderer. Based on the information provided by Basko’s friend, Ford suspected that William was guilty. With that, the series of harsh interrogations led by detective Robert Ford began. Detective Ford began his interrogatories with a label that Williams is the suspect. The psychological abuse he used, led Williams to make a false confession. After closing the case, the DNA results did not match the one in the crime scene. Instead of releasing Williams, it was believed that Joe
One July afternoon in 1931 on a cloudy and cool afternoon a police officer walks in the local areas detective office. The officer sets a dirty folder with a big brown splotch on it, which seems to be a coffee stain. Inside the stained folder contains 2 printed pages of check copies. The detective puts on a bewildered face and wonders what he is supposed to accomplish with the unsolvable papers. Little does the detective know he has a long road ahead of him on discovering the unsolved mystery of Lawrence Exeter Jr.
The town of Halifax in West Yorkshire had never experienced such a manhunt in it’s history (Glover 3). During a short, but long lasting in feeling, time period in late November through early December in the year 1938, the town of Halifax underwent a period of mass hysteria. A mysterious “slasher” hid in the shadows and lunged out with a razor blade at people who passed by (Halifax Slasher).
Stapp, in attempt to stop the boys turned on his overhead rotating lights and moved his car closer to the other responding officer’s, James Smith, squad car in order to block the path of the motorcycle. Willard slowly maneuvered the motorcycle through the blocking cars and accelerated away. Both officers immediately switched on their lights and followed in pursuit of the motorcycle. The chase continued for approximately 75 seconds through residential neighborhoods at speeds approaching 100 miles per hour. Smith’s car was following at dist...
At the beginning of the story, the Narrator has been playing Detective in a city of his imagining for years. Unlike the real town he lives in, the Narrator’s city is a sprawling metropolis, where everyone in his real life has a secret role. His parents, for example, “...were well-meaning but unimaginative people, and I was polite to them”, and his brother, Mark, “...was the district attorney, my nemesis” (p. 52). These roles have significance, in
Brian Riviera was sitting at his desk, feet propped up on the table, taking long, slow sips of his coffee. As a now four year police detective, he was treated with respect. Along with that respect came the horrible burden of paperwork, which he was having to fill out during overtime at 10:30 on a Friday night. He had locked up hundreds of thugs and hoodlums in the central Atlanta area. Having made that many enemies he feared for the safety of his wife, two kids, and the rest of his family.
The idea of a detective catching an elusive convict or solving an improbable crime has been prevalent in all corners of the world, spread throughout many cultures and societies. The detective genre is held as the idea that an individual has to solve a crime. This detective usually has nothing to gain from solving the crime, but they see it more as an obstacle. The detective doesn’t always take every case, as human beings, we are too often curious of the impossible; our natural instinct is to question why and how things work in this world. People crave mystery, to taste a bit of improbable, to see what the detectives see, to see what is overlooked by many. The idea of an intelligent witty, sharp “sleuth” with an obedient sidekick has been prevalent
When criminals commit unlawful deeds, Detective Ben Price and Officer Jimmy Wells are there to serve justice and put the wrong doer the their rightful place. The short story, "After Twenty Years" by O. Henry, portrays Officer Jimmy Wells, a fine guardian of peace who takes his work very seriously, when he has to confront this closest friend, who is now a fugitive. Despite the fact that they are childhood friends, Jimmy gets a plainclothes man to arrest the outlaw. The other short story, "A Retrieved Reformation" also by O. Henry, depicts Detective Ben Price, a eminent officer who specializes in robbery cases, has finally caught a safecracker he has been chasing for years, but seeing him save a little girl gives Ben second thoughts. Although, Ben ends up letting Jimmy walk away after he realizes that Jimmy is living an honest life. While both of the officers share some similarities, they choices made by them in pressing situations show an intense difference.
The narration within Wilkie Collins’s The Moonstone is not synonymous with the majority of the detective genre. The Moonstone is written in the epistolary form, and has more than one narrator. The use of multiple narratives within The Moonstone is a modern and innovative approach to detective fiction as a genre. It is very useful in order to uncover the events that only certain characters have witnessed. The narrators of The Moonstone write their accounts of events in the same way: by use of the first person narrative. There are some negative aspects associated with this type of narration. Despite Collins’s innovative multiple narrations approach to the novel, the narrators are filled with subjectivities and biases. Multiple narratives, despite including the subjectivities and biases associated with the first person point of view, is much needed in order to uncover events the characters have witnessed in order to solve the crime in The Moonstone.
Something important and immoral is done in every detective story. Whether the detective is clearing a client of blame or prosecuting someone, he is always on the right side, and working against the wrong. The detective may not always complete his j...
Setting: “I move onto the sidewalk and Curt and I stand there watching our cab disappear into the sea of cars making their way up and down Houston.
A shirt slipped over his head, BA quickly put on his sweats and headed out the door. Not heading for the car, he figured running the three blocks would be faster. When they arrived, police cars surrounded the place. An officer recognized the couple and motioned to come upstairs. In the apartment the crime scene people were already at work doing their thing.
If only my mind could erase the face of the man who I assumed was my online friend, Brian. Either, Brian did not share his accurate information online, or the person who I had met was assumingly his father. The latter would be the excuse the 37-year-old abductor gave as an attempt to lure me to his vehicle that sat outside of the downtown bus station. As the man began to approach the far-off corner bench just outside of the bus station in the waiting area that Brian and I had specifically set as the meeting point, my heart rate accelerated as I heard the man ask, “Are you, Alfred?”. Unaware of the man’s relationship to Brian, and even more so, puzzled as to how the man knew who I was, and my meeting location, I asked if he had known Brian,
I looked up the street to confirm Perry’s observation, wiped the endless flow of stinging sweat from my eyes, and then turned to see if a protected path was behind us as another volley of shots cracked the silence, the sound echoing like sharp thunderclaps. “The car is about four blocks down, and if we can get over to the next block we should be safe all the way to the car.” I can’t protect you. I have no way of protecting you. “Go!” Running without looking back we crossed the first intersection, seeing others heading our way, wild-eyed and fearful. At the next street there was an officer nervously beckoning everyone his direction, telling us to quickly get around the corner and that we were probably safe now but to keep moving away from downtown. Shaking and out of breath, we walked rapidly to the car, being passed by an endless stream of emergency vehicles: SWAT, ambulances, fire trucks, police cars from neighboring towns. How many? Well, ALL of them it