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Gender roles in Literature
Portrayal of women in literature
Portrayal of women in literature
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The Victorian Gothic and the Southern Gothic couple to highlight the deviant nature of humanity through their stylistic views in the realm of supernatural phenomenon, the conventions of setting, the implementation of a damsel in distress, and the development of unrequited love validated by Wilde’s The Picture of Dorian Gray and Poe’s “The Oval Portrait”. Both works incorporate these elements but boast disparities of each other: In The Picture of Dorian Gray, Wilde employs an antagonistic approach by centralizing the plot on the negative impacts of influence and corruption on society, while Poe underscores the consequences associated with preoccupation and obsession.
The Victorian Gothic signifies “a growth and change in culture” (Harris 1).
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It is a subgenera of ancestral Gothic literature that derives pre-Revolutionary stereotypes and transforms them into modernized interpretations that highlight deeply flawed, grotesque characters to comment on the unpleasant Southern ideals and moral codes (Mullan 1). This concept is equated with Tennessee Williams’ view that “there is the ever present twist and journey to the dark side of emotions, such as obsessions, fatal love and incomprehensible madness in most of Poe's short stories” (Mullan 1). These same despondent notions were illustrated in "The Oval …show more content…
Each genre has differing applications to the elements of the gothic, but contrives social controversies to reveal the character and deviant nature of society. It educates and teaches audiences of the correlation of art with death, the negative connotation of art and attitude toward femininity, and the irreversible effect time has on
Various authors develop their stories using gothic themes and characterizations of this type to lay the foundation for their desired reader response. Although Edgar Allan Poe’s “The Fall of the House of Usher” and Peter Taylor’s “Venus, Cupid, Folly and Time” are two completely different narratives, both of these stories share a commonality of gothic text representations. The stories take slightly different paths, with Poe’s signifying traditional gothic literature and Taylor approaching his story in a more contemporary manner.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
Gothic literature just continues to get better and better! Since the first gothic novel, The Castle of Otranto in 1764, gothic literature has persistently flourished and has been altered over time. The changes are prominent in the excerpts from Vathek, The Italian, Frankenstein, and Wuthering Heights. Over many years, the expansion of gothic literature has displayed an increase in the amount of modern vocabulary, the literature itself has become darker and more unnatural, and the literature has incorporated further character development. All of these factors have transformed gothic literature in a way that has both complimented The Castle of Otranto and progressed away from it as well.
Romantic literature, as Kathy Prendergast further claims, highlighted things like splendor, greatness, vividness, expressiveness, intense feelings of passion, and stunning beauty. The Romantic literary genre favored “parts” over “whole” and “content” over “form”. The writer argues that though both the Romantic literary genre and the Gothic art mode were medieval in nature, they came to clash with what was called classical conventions. That’s why, preoccupations with such things as the supernatural, the awful, the dreadful, the repulsive and the grotesque were the exclusive focus of the nineteenth century Gothic novel. While some critics perceived the Gothic as a sub-genre of Romanticism, some others saw it as a genre in its own right (Prendergast).
Tennessee Williams described Sothern Gothic literature as a style that captured “the underlying dreadfulness in modern experience” (Hemmerling). The literature intended to reveal the social issues surrounding the time period. Features of this literature, “includes situations and places as well as unsavory characters that are often racist, religious fanatic, egotistical or self-righteous” (Kullmer). This description of Southern Gothic literature also fits other genres of post Civil War American literature. Works by authors such as Mark Twain, Charles Chesnutt, Sui Sin Far, Henry James, Kate Chopin, Zora Neale Hurston and Earnest Hemingway also contain characters, situation, and places revealing similar social controversies displaying racism, sexism, and egotistical behavior.
Written in 1818, the latter stages of the Gothic literature movement, at face value this novel embodies all the key characteristics of the Gothic genre. It features the supernatural, ghosts and an atmosphere of horror and mystery. However a closer reading of the novel presents a multifaceted tale that explores
Reading Edgar Allen Poe’s works such as “The Cask of Amontillado” and “Tell-Tale Heart” are both written around 1840’s and written in the gothic style. Poe displays his horror short stories, in which the reader can differentiate his signature style. Although many of Poe’s significant works may have a similar theme, the reader can distinguish the themes through the characters in “The Cask of Amontillado” and “Tell-Tale Heart.”
'Young Goodman Brown,' by Hawthorne, and 'The Tell Tale Heart,' by Poe, offer readers the chance to embark on figurative and literal journeys, through our minds and our hearts. Hawthorne is interested in developing a sense of guilt in his story, an allegory warning against losing one's faith. The point of view and the shift in point of view are symbolic of the darkening, increasingly isolated heart of the main character, Goodman Brown, an everyman figure in an everyman tale. Poe, however, is concerned with capturing a sense of dread in his work, taking a look at the motivations behind the perverseness of human nature. Identifying and understanding the point of view is essential, since it affects a reader's relationship to the protagonist, but also offers perspective in situations where characters are blinded and deceived by their own faults. The main character of Poe?s story embarks on an emotional roller coaster, experiencing everything from terror to triumph. Both authors offer an interpretation of humans as sinful, through the use of foreshadowing, repetition, symbolism and, most importantly, point of view. Hawthorne teaches the reader an explicit moral lesson through the third person omniscient point of view, whereas Poe sidesteps morality in favor of thoroughly developing his characters in the first person point of view.
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
The mechanics of Gothic fiction contain two key aspects, the first is allegory, and the second is the use of symbol. Poe and Hawthorne each utilized these two distinct styles of Gothic writing. Poe would favor the use of symbols in his writing while Hawthorne depended strongly on the use of allegory to create his tales. James K. Folsom describes Hawthorne’s use o...
In conclusion to this essay, having examined these 19th century gothic texts, it is fair to say that normative gender behaviour and sexuality pervades them. This element gives the reader a deep insight into the culture context of the time in which these stories are situated. It enables the reader to delve into the darker sides of humanity at that time, that they would not have been able to do otherwise.
Southern Gothic Literature is a subgenre of Gothic fiction writing, which takes place in the American South. The Southern Gothic style is one of that employs the topics such as death, bizarre, violent, madness, and supernatural. These tools are used “to explore social issues and reveal the cultural character of the American South (Wikipedia).” The view of the South which is self-identified as the “national” or “American” view is basically a colonial Romance, with the rest of the nation identified with the forces of the light and the South with the forces of the darkness (Wacker 107).The authors of Southern Gothic typically use damaged characters to make their stories better, and to show deeper meanings of unpleasant Southern characteristics. These characters are diverse from society due to social, physical or mental disabilities.
Southern Gothic explored criticism and many different traits of the South. The traits used in Southern Gothic are Moral Blindness, Disturbed Personalities, Macabre, Social Structure and there are a few others. The short stories we read provided examples of Southern Gothic writing. “A Good Man is Hard To Find”, “The Possibility of Evil”, and“A Rose For Emily” were stupendous examples of Southern Gothic. Throughout the stories the characters portrayed the traits that are used in Southern Gothic.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge, England: Cambridge University Press, 2000) 15, Questia, Web, 29 May 2010.