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Antigone as a tragedy
Antigone as tragedy
Creon realizing his wrongs in Antigone
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Sophocles' Way of Communication
“Old age and the passage of time teach all things” (Sophocles). Sophocles wrote things in his time that had a different meaning than what he actually said. All of his old ways of saying certain things with different meanings, teach people in our time irony. Throughout Sophocles’ Antigone, he writes using irony, which is a literary technique. Sophocles expresses irony through Antigone and Creon. Antigone is a very headstrong, sarcastic, bitter and careless character. Antigone believes in certain things and won’t do the opposite. Creon is also a very headstrong character. Along with being headstrong, Creon is very oblivious to things happening throughout the play.
Sarcastically, Antigone tells Ismene “Go
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away… Leave me my foolish plan” (Prologue, line 86), using verbal irony. Although Antigone said to leave her alone, she said it sarcastically. Antigone wants her sister’s help, but Ismene made it seem like she didn’t want to help with the burial of their brother. Antigone says to leave her her “foolish” plan, because she thinks Ismene thinks her plan is foolish. Antigone doesn’t honestly think her plan is foolish, she just said that to Ismene for affect. Bitterly, Antigone says to Ismene “I should not want you even if you ask to come” (Prologue, line 54-55), using verbal irony. Antigone has been asking for Ismene’s help this entire time, but Ismene doesn’t want to break the rules of Creon. Eventually, Ismene comes around and agrees to help with the plan, this is when Antigone uses the verbal irony. Antigone wants Ismene’s help, but after Ismene hesitated on wanting to help, Antigone says bitterly to her “I should not want you even if you ask to come”, expressing the verbal irony. Oblivious to the reality of who could be capable and willing to go against his rules, Creon refers to the person that messed with Polyneices body as “the man” ( Scene 1, lines 43, 60, 85, and 136-138), which is dramatic irony.
As Creon is so oblivious to who the person could be, he is missing that it could be someone as close to him as Antigone. Also, Creon doesn’t think anyone but a man would go against him. Creon realizes his oblivious thinking when he is told that Antigone is the one that messed with Polyneices body. This is dramatic irony, because the audience knows that Antigone is the one that went against Creon’s ways, even when Creon, along with many others, refer to the person as “the man”.
Disregarding the outcome of what may come from her actions, Antigone avoids Creon’s rules and demands for not burying Polyneices. Antigone affectionately chooses to give her brother a burial instead of him being left to rot where he died. Antigone realizes by disregarding Creon’s rules, her actions will result in her death. Carelessly, Antigone decides she will risk her life to be able to give her brother a burial, which is situational irony. This is situational irony, because her small act of love to her brother, is leading her to her
death. Throughout Sophocles’ plays he used irony in many ways, whether it be dramatic irony, situational irony, or verbal irony. Sophocles used irony in Antigone to express what he meant without actually saying it. Throughout time many people, including us, learn many things from Sophocles. “Old age and the passage of time teach all things” (Sophocles).
Since Creon is so insecure he feels that people are conniving against him. When Polyneices was found buried after Creon clearly announced no one was to bury him, Creon completely dismissed the idea that it could have been the gods or a mere woman who buried Polyneices. He said, "There have been those who have whispered together. Stiff-necked anarchists, putting their heads together, scheming against me in alleys."(9) The mention of the word "those" shows that Creon feels many people are out to disobey his laws and make him look bad. Contrary to Creon's belief it was a woman, Antigone, who had gone to bury her brother Polyneices because she felt he deserved a proper burial. Creon's insecurity made him feel that a large group of people were against him when in reality it was only one woman who disobeyed his law.
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
Not understanding or listening to the opinion of others can frequently have unfortunate consequences and even lead to tragedy. In the play, Antigone, written by Sophocles, the two main characters, Antigone and Creon, both failed to listen which led to the death of several people. It was exhibited how important it is to acknowledge the truth and this was the central theme of the play. The conflict between Antigone and Creon started because they had opposing viewpoints of whether or not Antigone’s brother, Polyneices, should have been buried after he died in battle. Antigone strongly believed that Polyneices should have because it was the law of the gods and they are eternal, while man’s laws are not. However, Creon, on the other hand,
In Antigone by Sophocles, Creon is portrayed as a character with excessive pride. From the beginning, Creon demonstrates his authority and continues to make use of it throughout the play. At the end of Antigone, it may seem that Creon changed after realizing the consequences of his actions. However, his dialogue indicates that he still possesses a sense of pride. Creon remains a static character through the play. Creon’s arrogance is displayed in his language and behavior; interaction with others; and his reactions to his environment.
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
Of the tragic figures in Antigone, Creon is the most obviously evil because his motives are self-serving and his fate the worst. As the play begins, we learn that Antigone has defied Creon's royal decree by performing sacred burial rites for her exiled brother, Polyneices. Polyneices has been declared an enemy of the state by Creon. The sentence for anyone attempting to bury him is death by stoning.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
Antigone’s desire to bury her brother proves her devotion to her family. She is a young girl who wants to respect her elders. In Ancient Greece, many girls were married off at a young age, and Antigone is not married. She is also not like a typical girl because she tells Ismene “From mine own He has no right to stay me.” (Sophocles 3), which refers to Creon. Going against the wishes and desires of her own uncle to value her immediate family is a trait she possesses. Antigone’s life is not all about her and would risk her own to make sure they are respected. She would rather respect the people she cares deeply for, whether they are dead or alive, than to live a life filled with guilt. This makes her independent because she will do what is necessary, despite who is or is not behind her, to complete her goal. Being focused helps her to find what she wants and creates her determination against Creon and Ismene for Polynices’ burial.
Creon, in his paranoia was plagued with the feeling of incompetence and need to establish dominance. His decree that no one would bury Polyneices only provoked the people of Thebes into thinking of him as insensitive to their culture. When his ruling was disobeyed, only led him to him to believe that conspiracy was about and that no matter, family or not, he would punish Antigone, causing a chain reaction of events causing the loss of his entire family, except Ismene. Leaving the audience experiencing pity and fear for both characters.
Art has the power to reach people across space and time. Although artists primarily use creative media to disseminate their ideas and emotions to a contemporary audience, great art has the ability to reach whoever appreciates it no matter their origin. In Antigone, Sophocles does this by creating a fictionalized Thebes in which he reflects upon the politics, religion, and societal norms of his own world. He creates a ruler, Creon, whose tyrannical actions serve to promote the merits of democracy and criticize the contemporary government. He also creates a protagonist, Antigone, who challenges the validity of the social structure while upholding ancient traditions. This social commentary allows Sophocles to connect with his both the physical audience present at his productions and all future patrons of his work.
Tragedy of Antigone The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This, in turn, creates an excellent tragedy.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.