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Literature in history
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In the year of 1912 tarry was raised in a foster home from abandoned parents.As tarry grows up he realizes he’s not normal.16 years later in the year of 1928 he finds a trail which leads to a place called the sold hallway as he looks at a guy in blue and thinks he looks nice. And the screen goes to black. Narrator-In the Sold Hallway at Warthogs three kids were walking and enjoying themselves when a young boy walked up to them. Remold Dolor Tv-“Hey my name’s Remold, is it okay if I hang out with you guys for a while?” Mirage Greenhorn-“Sure my name’s Mirage” Tarry Heport-“Okay, my name’s Tarry” Remold Dolor Tv-“Blimy is it true?” Tarry Heport-*shows him the scar* Daresay Ellwon-“My name’s Daresay nice to meet you” Remold Dolor Tv-*shakes …show more content…
hand* “Nice to meet you too Daresay” Daresay Ellwon, Tarry Heport, and Mirage Greenhorn notice a lion from their common room had been walking around the school the whole day.
Narrator-All four of them talked on about life for awhile Remold Dolor Tv-“I’ll catch you guys later.” Narrator-As Remold leaves another young boy comes along Clay Foramod-“You guys we’re just talking to Remold right? He’s a really good friend you should trust him.” Daresay Ellwon-“He does seem like a nice guy so I think we can trust him.” Narrator-Later that day Remold and Clay met up in the library and talked about Mirage, Daresay, and Tarry Clay Foramod-“Those three fell for it” Remold Dolor Tv-“Good, and now I can take advantage of …show more content…
them.” In the background there is a snake that got loose from a spell backfiring as it then attacks clay. Clay Foramod-“Dag gone snake, can’t it just get out of our way.” Remold Dolor Tv-“Patience, Clay, Patience” As the scene shows Mirage as she goes into the library to pick up a spell book Mirage Greenhorn-*whispers to herself* “Where is it, where is it” As it suddenly grows very quiet she overhears Clay and Remold Clay Foramod-“Who are we mainly going to betray?” Remold Dolor Tv-“Definitely Daresay, he seems very gullible and easy to get to.” Mirage knows exactly what to do.
She rushes back to Tarry and Daresay Mirage Greenhorn-“Tarry! Daresay! I just heard Remold and Clay saying they wanted to try to take advantage of us!” Daresay Ellwon-“Blimy! Why would he be trying to do that eh?” Tarry Heport-“I don’t know, but I think we should have a talk with them” Mirage Greenhorn-“Agreed” The three friends search the halls for Clay and Remold. They finally found them on their way to Defence Against the Dark Arts. As they get there they spot remold Daresay Ellwon-“Hey Remold and Clay, could we have a word? Please?” Clay Foramod- *acting all nice and stuff* “Sure. About what?” Remold Dolor Tv-- “Yeah, about what?” Mirage Greenhorn- “About our friendship… I overheard you and Clay talking about how you guys were going to take advantage of Daresay, Tarry, and me in the library.”missing Clay Foramod- “What are you talking about? We didn't say any of
that!”missing Remold Dolor Tv- “No, Clay, they should know. Guys, yes… I was going to take advantage of you, but now I realize it was wrong. I’m sorry. Can we still be friends?” Tarry Heport- “Wow, we were just going to say that we are ok with you being who you want to be, just as long as it didn't involve hurting others, but, yeah we can still be friends.” Suddenly, a snake wraps itself around Clay Foramod’s neck like a scarf. Clay Foramod- “Ugh. I'm out of here! I thought i could trust you, Remold!” Missing The Gryffindor lion sits behind Mirage Greenhorn, Tarry Heport, Daresay Ellwon, and Remold Dolor Tv.As they hang out they realized they have found a new best friend.the events in this story are happening in many ways through life.
In this poem, “On the Subway”, written by Sharon Olds brings two worlds into proximity. We will identify the contrast that develops both portraits in the poem and discuss the insights the narrator comes to because of the experience. The author refers to several literary techniques as tone, poetic devices, imagery, and organization. The poem talks about a historical view based on black and white skin. It positions the two worlds the point of view of a black skinned and a white skinned. The boy is described as having a casual cold look for a mugger and alert under the hooded lids. On the other hand, based on his appearance the white skinned person felt threatened by the black boy. She was frightened that he could take her coat, brief case, and
I heard Harris on the earcom, “Montag, they’re after you, I can count a hound and a 3 of them on foot.”
Oakhurst returns to the group he speaks in a particular dialect, "Is this yer a d____d picnic?" This dialogue is an
This quote is also found on page 140, in chapter 9, still while Mrs. Hale is telling the narrator about the Fromes.
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
"SpongeBob SquarePants Season 3, Episode 12a (Club SpongeBob)." Polly Streaming -. polystreaming.com, n.d. Web. 14 Apr. 2014. .
2. “Don’t mind me. Been around as long as me get kinda busy in the head and talk all kindsa
"Boyz N The Hood Script - Dialogue Transcript." Boyz N The Hood Script. N.p., n.d. Web. 29 Apr. 2014.
“On the Subway,” by Sharon Olds as she contrasts the two worlds of a wealthy Caucasian and a indigent African-American. The Caucasian narrator, a female, describes how this black man appears to her as she fears for her life as if he is ready to prey on her. She brings two worlds from different backgrounds together through the use of imagery and fearful and hopeful tones.
Quickly Arthur took out a key (he stole) to open a door that led to a room and under a small carpet there was a door that led to the tunnel. Inside the room there was two backpacks, for them, filled with a flashlight, clothes, and money (Arthur’s brother was able to get inside and put the backpacks in). Arthur and Heather walked into the tunnel
This darkly satiric poem is about cultural imperialism. Dawe uses an extended metaphor: the mother is America and the child represents a younger, developing nation, which is slowly being imbued with American value systems. The figure of a mother becomes synonymous with the United States. Even this most basic of human relationships has been perverted by the consumer culture. The poem begins with the seemingly positive statement of fact 'She loves him ...’. The punctuation however creates a feeling of unease, that all is not as it seems, that there is a subtext that qualifies this apparently natural emotional attachment. From the outset it is established that the child has no real choice, that he must accept the 'beneficence of that motherhood', that the nature of relationships will always be one where the more powerful figure exerts control over the less developed, weaker being. The verb 'beamed' suggests powerful sunlight, the emotional power of the dominant person: the mother. The stanza concludes with a rhetorical question, as if undeniably the child must accept the mother's gift of love. Dawe then moves on to examine the nature of that form of maternal love. The second stanza deals with the way that the mother comforts the child, 'Shoosh ... shoosh ... whenever a vague passing spasm of loss troubles him'. The alliterative description of her 'fat friendly features' suggests comfort and warmth. In this world pain is repressed, real emotion pacified, in order to maintain the illusion that the world is perfect. One must not question the wisdom of the omnipotent mother figure. The phrase 'She loves him...' is repeated. This action of loving is seen as protecting, insulating the child. In much the same way our consumer cultur...
All the boys agree and everybody rushes to the hilltop to start a fire. The fire sparks the gathered wood into a blaze. One of the boys is reported missing but none of the boys will admit to the likelihood of an accident. Everyone is hard at work the next day, either building huts or hunting. Soon the younger boys loose interest and go off to play.
“You’re all such g******ed p*****s!” TOC shouted, and then Hassan said, “It’s three on one,” and charged TOC (Green 179)
“ You're going to make me either way aren’t you” Kelvin said sulkily. “ You know me so well!” Leonard said with a huge grin on his face.
The girl runs to the door closest to where Tohru was sitting, and finds herself in a kitchen. There was another door in the kitchen, so she ran to that one too, and found the laundry room. There, in the laundry room, was another door, still open from when Tohru left, that led outside. The girl cursed under her breath and was about to go out to find Tohru when the two boys appeared in the room with her. “Goddammit! You two have to stay in here. It’s bad enough I have to find and protect Tohru, I’m not going to babysit the two of you too! That would just be a huge disaster.