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The theme of identity in literature
Oppression research paper
Oppression research paper
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Peter Shaffer and Franz Kafka, the authors of Equus and Metamorphosis, reveal through their main characters’ struggles how society’s oppression causes a loss of identity. This oppression is caused by society’s obsession with what it believes to be normal and how society’s beliefs drive it to conform those who don’t fit its normal image. The two authors use their characters to symbolize the different views and judgments of society. And based on these judgments, the authors use two different types of oppression that cause different outcomes. Finally, this essay will reveal how the two authors use their characters to drain the protagonist’s identity to show society’s desire to conform.
In both books, the authors use their characters to symbolize society’s views and judgments. The authors do this to show how society is watching and judging us, however, they also reveal how society’s judgments can vary. Shaffer shows this in Equus, when he writes through his character Heather, “He’s [Alan] in pain. Martin. He’s been in pain for most of his life … and you can take it away.” (2 25). Heather shows society’s inability to comprehend or accept who Alan is and views his difference as something that can be changed for his benefit. However, Shaffer inserts another point of view through his character Dalton, “In my opinion the boy [Alan] should be in prison. Not in the hospital at the tax payers’ expense.” (1 12). Dalton shows society’s disgust and outrage at Alan’s actions and believes it is a waste of time and money to try changing him. Instead, he sees it better to send him to prison and away from society so Alan can not trouble them with his presence. In Metamorphosis, Kafka uses his characters physical actions to reveal how s...
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...this new identity Gregor dies.
In both of these two books, the authors use their minor characters to illustrate society’s judgment on their main characters because of their differences. According to society’s opinion, the protagonist will either go through an internal or physical oppression brought on by society’s rejection of their differences. Alan’s internal oppression forces him to abandon his religion, while Gregor’s physical oppression ends up killing him. Then, using any means necessary, society will use others to try to conform the protagonist into what they deem to be normal or into what they believe is best for them. By adding these subtopics within their books the authors, Peter Shaffer and Franz Kafka, reveal through their main characters how society’s oppression, due to it’s obsession with what it believes to be normal, causes a loss of identity.
In Franz Kafka’s The Metamorphosis, symbolism, archetype, and myths are three concepts he uses to compose the unique story. The symbolism in the story stands out vaguely. An archetypical reference occurs at the very beginning of the story that carries on throughout the book. The mythological aspect is sensibly the whole concept the story is about. All three of these notions are openly highlighted throughout the story. They each obtain explanations for multiple subjects. The book, How to Read Literature Like a Professor by Thomas C. Foster helps explain the three concepts in Kafka’s, The Metamorphosis.
The world lies on a thick plate of morality, love, sympathy, opinion, and vitality – all of which are contributions to what shapes humanity. Humanity overtime has strengthened in fluctuating wavelengths through infinite trials and tribulations. In ‘The Metamorphosis,’ the protagonist of the novel, Gregor Samsa, transforms into a vile, repulsive insect: a cockroach. This occurrence strikes a test for the Samsa household, playing a role on their behaviors and the meaning of “humanity” itself.
...development of your identity. Gregor, the family man, tried as hard as he can to be there for his family. His family is everything he has got and this is his identity. While Sonny, the trouble kid turned musician, abandoned his family’s suggestions and went his own way by keeping true to himself and being dedicative to a specific goal. Both of these characters are polar opposites in a sense that one follows his family and the other does not. But, both characters were forced into difficult situations and both have experienced some sort of sacrifice.
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
Bruce, Iris. "Elements of Jewish Folklore in Kafka's Metamorphosis." The Metamorphosis: Translation, Backgrounds and Contexts, Criticism. New York: W.W. Norton, 1996. 107-25. Print.
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First, Gregor's family is only concerned with the effect Gregor's change will have on them, specifically the effect it will have on their finances and reputation. They are more than willing to take completely gratuitous advantage of Gregor; he works to pay their debt and they are happy to indulge themselves with luxury. Gregor is the soul employed member of his family and this is their primary interest when Gregor is transformed. Secondly, Gregor is penalized for his efforts to be a good son, and a good worker; his toils are completely taken for granted by his family. The Samsa family is not interested in Gregor beyond their own needs, outsiders are reverentially treated. Thirdly, it is displayed by the positive changes that occur in the Samsa family as Gregor descends into tragedy and insignificance. As Gregor's life becomes more painful, isolated, and worthless the Samsa family becomes more functional and self-reliant.
It is said that no man is an island, and no man stands alone. Hence, true human existence can not prevail positively or productively without the dynamics of society. Yet, this concept is very much a double-edged sword . Just as much as man needs to exist in society and needs the support and sense of belonging, too much social pressures can also become a stifling cocoon of fantasies and stereotypes that surround him. He becomes confined to the prototype of who or what he is expected to be. Thus, because society is often blinded by the realms of the world, its impositions in turn cripples humanity. If he does not conform, he becomes a social out cast, excluded and excommunicated from the fabric of life. The theme alienation in a small society is depicted primarily through setting by both authors Conrad and Kafka in Metamorphosis and Heart of Darkness. This depiction demonstrates how this isolation has a negative impact on the individual and ultimately leads to his destruction and decadence.
We as readers will never know the true reason behind Kafka’s Metamorphosis, but it is a masterpiece. It relates surprisingly well to today’s society, even though it was written between 1912 and 1915. The topic of metamorphosis is really universal, we as humans are constantly changing, growing and evolving. Works Cited Aldiss, Brian W. “Franz Kafka: Overview.” St. James Guide to Science Fiction Writers.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
The continuum of society’s inequality towards its citizens has been long perceived. The notion of equality that spurs from within peoples’ hearts will surely lead to disappointment, for humanity’s negativities alter an individuals composition. Society, a mental concept, has not only discriminated against its occupants but instilled alienation as well, which leads to a sense of incompletion. In his novel, Never Let Me Go, Kazuo Ishiguro displays the ongoing struggles of inequality that are present in society. This message is strengthened through the representation of an array of humane elements such as acceptance, hope, love, aspirations, freedom of choice, and societal pressures. Kazuo Ishiguro incorporates narrative conventions to convey the negativities of humanity and its respected society through the portrayal of the truth: Humanity’s barriers blocking one’s fully realized composition leads to lack of fulfillment, from a range of literary theory.
Kafka 55. Gregor's father felt relief from the economic burden of supporting his son. Even though the exact story told in Kafka's The Metamorphosis could not occur outside the domain of fantasy, it represents the real course of events of a worker being abandoned by his employer and family, after becoming unable to work and support them financially. Examining the novella from a Marxist perspective, the underlying theme of the story shows a conflict between proletariat and bourgeoisie. Economics replaces everything else in a capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned.
In Franz Kafka’s short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story follows the short and sad life of a man unable to break out of the bonds society has placed on him. These bonds are not only evident in the work place, but at home too. Being constantly used and abused while in his human form, Gregor’s lifestyle becomes complicated once he becomes a giant insect and is deemed useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his work. Each of these three relationships has different moral and ethical complications defining them. However, it is important for one to keep in mind that Gregor’s metamorphosis has placed him into a position of opposition, and that he has minimal control over the events to take place. Conflicts will also occur between family members as they struggle with the decision of what to do with Gregor. In the end they all come to the agreement that maintaining his uselessness is slowly draining them and they must get rid of him.
Although the exact story told in Kafka's The Metamorphosis could not occur outside the realm of fantasy, it represents the very real scenario of a worker being abandoned by his employer and family after becoming unable to work and support them financially. By looking at the novella from a Marxist perspective, we see that the underlying theme of the story is a conflict between proletariat and bourgeoisie. Because economics supercede everything else in capitalistic society, a citizen who is unable to labor and earn wages is quickly abandoned. And, the result of this abandonment is often (as it was in Gregor Samsa's case) death.
Throughout the last few weeks we’ve been reading and discussing three largely renowned books (Metamorphosis by Kafka, The Stanger by Albert Camus and The Perfume by Patrick Suskind) that share similarity in themes, and in the character profiles of Gregor Samsa, John Baptiste Grenouille and Meursault. These themes and profiles include; isolation and alienation from humanity as well as society, sociopathic tendencies, distorted reality, feelings of apathy towards life and others, among other.