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Literary devices in civil disobedience
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Recommended: Literary devices in civil disobedience
Mariama Conteh
Professor Foley
Literature of Social Protest
October 9, 2017
Proletarian realism is explained as being “literary writing by or about working-class people with anticapitalist or prosocialist themes (Mullen, 1). This form of writing developed as an action toward abolishing the capitalist political system. These pieces of literature were one of the multiple ways that the workers and the revolutionist got there message out to their intended audience. Michael Gold was a well-known journalist for “The New Masses”, a magazine that he was an editor for. This magazine often sent out pro-communist messages (Simkin, 1). Gold also held pro-socialist views and this was portrayed throughout his articles. For instance, in one of his articles in “The New Masses”, “Notes Of the Month” Gold expresses his views on what proletarian literature should consist of. He
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In “Man with the Hoe” Markham does a good job with explaining the struggles that the workers have to go through, however, he is not as direct when we look at the overall poem. Markham’s point in writing this poem is to communicate with the audience how workers feel however but, he is not directly telling the audience a message. Throughout the poem, he asks the reader different questions about the worker that will make the audience develop what the message is on their own. For instance, in the first stanza, Markham asks, “who made him dead to rapture and despair a thing that grieves not and that never hopes stolid and stunned, a brother to the ox?” (Markham, 5). This question allows the reader to think of an answer. Markham is asking who made the worker an emotionless, hopeless worker. When the reader thinks they will conclude that it is the capitalist. Markham sends his message out by asking questions thus approach is effective however it is not
BNW Literary Lens Essay- Marxist Since the primitive civilizations of Mesopotamia and the classical kingdoms of Greece and Rome, people have always been divided. Up to the status quo, society has naturally categorized people into various ranks and statuses. With the Marxist literary lens, readers can explore this social phenomenon by analyzing depictions of class structure in literature. In Aldous Huxley’s novel Brave New World, readers are introduced to a dystopian society with a distinctive caste system.
Schrecker, Ellen. "The Growth of the Anti-Communist Network." CPCW: The Center for Programs in Contemporary Writing. Boston: St. Martin's Press 1994, 31 May 2007. Web. 20 Mar. 2012. .
During one of the therapy and wit sessions between Rivers and Prior at Craiglockhart, we discover that class struggle is an issue plaguing Prior. Pat Barker introduces the reference to Bolsheviks on page 135 in order to have her readers strictly denounce the caste system of British society, both for the soldiers returning home, and also the women who continued to be victims of the same system in Britain during World War One.
Despite being celebrated for its industrial achievements, the very foundation by which society was predicated on in the Gilded Age crumbled as labor unrest grew. This sense of discontent on the part of laborers is demonstrated through the Haymarket Affair of 1866. Among those tried for the crime was August Spies, who in his “Address of August Spies,” compromises his own life by persistently undermining the legitimacy of the State to emphasize the determination of the collective for which he views himself as a “representative.” In his attempt to illuminate the injustices of the State and foreshadow the unremitting turmoil that will emerge with his murder, Spies simultaneously showcases the divisions within society at the time. Consequently, because it is a product of its time period, the “Address of August Spies” can be used not only as a means of understanding the Haymarket Affair but the dynamics of society as a whole.
Marx, Karl, Friedrich Engels, and Robert C. Tucker. The Marx-Engels reader . 2d ed. New York: Norton, 1978. Print.
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
While Herman Melville’s “Bartleby, the scrivener” and Franz Kafka’s “The Metamorphosis” have unrelated plots, they both contain Marxist undertones that address alienation in the workplace as a result of capitalism. The protagonists, Gregor and Bartleby, are examples of how the working class is treated when they do not conform to the conventions of capitalism. Gregor and Bartleby alike are working class men who, through some turn of events, stop working and are deemed useless to those around them. Both of these stories end in the death of the protagonists, as these men are seen as unproductive and discarded by their capitalistic societies.
His point was that with capitalism and the people working would develop to have less money and experience alienation that is viewed as the workers developing more separation and solitude with their own job developing into a feeling of helplessness.
Marx, Karl, Friedrich Engels, and Robert C. Tucker. The Marx-Engels reader. 2nd ed. New York: Norton, 1978. Print.
Marxist Literary Theory Question #1: Does the work reinforce capitalist, imperialist, or other classist values?
The "Communist Manifesto" Mountain View College Reader. Neuleib, Janice. A. Cain S., of Kathleen. Ruffus, Stephen. The.
Marx, Karl and Friedrich Engels. "The Communist Manifesto." The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York: Norton, 2001. 769-773.
Marx, Karl, and Friedrich Engels. The Communist Manifesto. Trans. Paul M. Sweeny. New York: Monthly Review Press, 1998.
Marx, Karl and Friedrich Engels. "The Communist Manifesto." The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York: Norton, 2001. 769-773.