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Boys and girls alice munro gendering
Male gender roles in boys and girls by alice munro
Male gender roles in boys and girls by alice munro
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Ambition—the desire to achieve, will to succeed. Every character is defined by his dreams, his goals, and his passions. As individuals, we are confronted with social codes and implications that cause us to revolt and break free from the grasp of uniformity. Oftentimes dreams and ambitions clash with the unwritten laws of civilization. In Willa Cather’s short fiction “Paul’s Case” and Alice Munro’s “Boys and Girls”, the protagonists challenge expectations and rebel against settings governed by uniformity and gender-specific roles. Paul rejects conformity and the uniformity of Cordelia Street, while the girl resists the gender roles placed upon her by her mother. Despite being placed in two very similar situations, both characters come to learn two exceptionally different lessons concerning social pressures and expectations in society. The girl concludes that society’s expectations concerning gender code and behaviors are undeniably reasonable, whereas Paul, until his death, resists the pressures placed upon him by his surrounding community.
In “Boys and Girls”, the protagonist, a young girl, is caught between her desire to live in a male-oriented world and her mother’s protests to play her part as a female in the family. The girl resists female chores such as cleaning and preparing meals. Finding them “endless” and “depressing”, favoring work done “out of doors” with her father, “ritualistically important”. However, her effort to neglect this gender role does not go without struggle. She listens relentlessly to her mother, claiming “it’s not like I had a girl in the family at all.” The word “girl” becomes a burdening reminder of not who she is, but what the girl is expected and pressured “to become”. With her grandmother’s reminde...
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... mechanism” to cope with his everyday pressures. Unlike the girl in “Boys and Girls”, Paul never did accept society’s idea of an educated, school-orientated adolescent. Rather, the lesson he learns is that he could have compromised, dealing with social pressures imposed upon him by simply “losing himself” and imagining a world of his own.
Evidently, through social settings of uniformity, conformism, and gender codes, the protagonists of “Paul’s Case” and “Boys and Girls” experience many difficult demands imposed by society and learn several life long lessons. These stories demonstrate efforts to break free from the grasp of uniformity when faced and confronted with social codes and implications. The lessons concerning compromised dreams and ambitions are relevant in today’s settings, and reveal truths about social patterns and their effects on everyday individuals.
In “Girl,” Jamaica Kincaid’s use of repetitive syntax and intense diction help to underscore the harsh confines within which women are expected to exist. The entire essay is told from the point of view of a mother lecturing her daughter about how to be a proper lady. The speaker shifts seamlessly between domestic chores—”This is how you sweep a house”—and larger lessons: “This is how you smile to someone you don’t like too much; this is how you smile to someone you don’t like at all…” (Kincaid 1). The way in which the speaker bombards the girl overwhelms the reader, too. Every aspect of her life is managed, to the point where all of the lessons she receives throughout her girlhood blur together as one run-on sentence.
Paul in “Paul’s Case” wanted to get away from the reality and the hostile environment he faced. He was sick of Pittsburgh and the middle-class, Cordelia Street, which he lived on. Although his mother past away, his home life was as normal as could be. This is something Paul hated, normality. At school he would tell other students false stories to try to make his life seem more interesting than theirs. This ultimately caused none of the other students like him, even the teachers lash out at him. Paul was suspended from school, but he didn’t mind. He found an interest in music and in art, although he knew his father would not approve. Paul’s father wanted him to be a business man, have a normal family and have an ordinary life. Although, having a normal, ordinary life was not what Paul had in mind for his future. He dreamt of much more which caused him to believe he would never get his father’s approval.
Paul surrounds himself with the aesthetics of music and the rich and wealthy, as a means to escape his true reality. In Paul’s true reality, he has a lack of interest in school. His disinterest in school stems from the alienation and isolation he has in life. This disinterest in school reflects Paul’s alienation because of the unusual attention he receives there that he doesn’t get at home. In class one day he was at the chalkboard and “his English teacher had stepped to his side and attempted to guide his hand” (Cather 1).
In the beginning of the story, Paul seems to be a typical teenage boy: in trouble for causing problems in the classroom. As the story progresses, the reader can infer that Paul is rather withdrawn. He would rather live in his fantasy world than face reality. Paul dreaded returning home after the Carnegie Hall performances. He loathed his "ugly sleeping chamber with the yellow walls," but most of all, he feared his father. This is the first sign that he has a troubled homelife. Next, the reader learns that Paul has no mother, and that his father holds a neighbor boy up to Paul as "a model" . The lack of affection that Paul received at home caused him to look elsewhere for the attention that he craved.
In the short story, “Girl,” the narrator describes certain tasks a woman should be responsible for based on the narrator’s culture, time period, and social standing. This story also reflects the coming of age of this girl, her transition into a lady, and shows the age gap between the mother and the daughter. The mother has certain beliefs that she is trying to pass to her daughter for her well-being, but the daughter is confused by this regimented life style. The author, Jamaica Kincaid, uses various tones to show a second person point of view and repetition to demonstrate what these responsibilities felt like, how she had to behave based on her social standing, and how to follow traditional customs.
From gender delegations, gender discrimination, and gender shaming the world is messed up place. From Scout, to the Flappers, to Leelah Alcorn nobody seemed to show any remorse towards the discrimination of any of them. Whether its society, the friends, or even the parents everyone seems to follows society’s gender guidelines and they beat up on who doesn’t no matter who they are, even if it drives them to the point of suicide. When society admits a gender rule everyone is pushed to follow this guideline and if they don’t well, from what it seems like they should just kill themselves unless they change. Similar to Scout, she was perfectly fine dressing like a boy, acting like a boy, and playing with boys until her Aunt installed these insecurities in her head to make her change her views and essentially herself. Society seems to always get it’s
The mother cautions her daughter endlessly, emphasising on how much she wants her to realize her role in the society by acting like a woman in order to be respected by the community and the world at large. Thus, Jamaica Kincaid’s work argues that traditional gender roles are learned because at a young age children are taught how to act masculine and feminine. According to Carol Baileys article on Performance and the Gendered Body in Jamaica Kincaid’s ‘Girl’ “The poem is a fictional representation of the double-edged tendencies which involve child-rearing practices in many Caribbean societies: as the mother provides guidelines for living, the moments of care are constantly weakened by the severity evident in what the mother is actually saying and the fact that her daughter is lectured with little room for discussion” (Carol Bailey 106). The instructions in the poem “Girl” reveal an effective performance of gender roles assigned to women in the Caribbean societies, which shows significant acts in domestic, social, and other spheres.
In the story, “Boys and Girls”, the narrator is not the only one coming to terms with their identity.
The society aspect of women roles and the duties as a woman. Society plays a role that is shown in a parallel between Girl and the Women’s Swimming Pool. In girl, her role is restricted in the direction by her mother. The restrictions come’s with consequences that she has to follow. These restrictions are guidelines that may or may not help her as a woman but she is subjected to do them in order to survive in a society that is controlled by men.
To be a teenaged girl means many things in this modern society. There are numerous expectations set for the average sixteen year old female: she must be pretty, popular, thin, preferably intelligent, but not too intelligent, and she must subjugate her will to the group. This world has a tendency to shun females who are too independent, who seek too much power, and who attempt to break from the stereotypical female mold. I have personally experienced this spurning, especially from my peers. There exists a dichotomy somewhere in my own soul, a rift between that which I am expected to be and who I really am. Harry Haller, in Hermann Hesse's novel Steppenwolf, experienced a similar predicament. He was torn between the life of a socially acceptable, "decent" man, and the primal, lupine nature of the Steppenwolf. I find myself caught between wanting to be a socially acceptable, "popular" girl, and being the independent, intellectual, and strong person that I actually am. There are a number of parallels between Haller and I, each further proving that the dichotomy of the Steppenwolf and the division within myself, the teenaged girl, are of the same essence.
The difference between men and women is a very controversial issue, while there are obviously physical differences; the problem is how the genders are treated. It is stereotypically thought that the men do the labor work and make all the money, while the women stay in the house, cooking, cleaning and taking care of the children. While this stereotype does not exist as much in the 21st century, it was very prevalent in the 1900s. By using many different literary tools such as character development, symbolism, and setting, Alice Munro’s Boys and Girls and John Steinbeck’s The Chrysanthemums challenge this controversial topic of the treatment of women versus men in the 1900s.
Alice Munro’s “Boys and Girls” is a story about a girl that struggles against society’s ideas of how a girl should be, only to find her trapped in the ways of the world.
In Alice Munro’s short story “Boys and Girls,” our narrator is a young farm girl on the verge of puberty who is learning what it means to be a “girl.” The story shows the differing gender roles of boys and girls – specifically that women are the weaker, more emotional sex – by showing how the adults of the story expect the children to grow into their respective roles as a girl and a boy, and how the children grow up and ultimately begin to fulfill these roles, making the transition from being “children” to being “young adults.”
The young girl in the story is struggling with finding her own gender identity. She would much rather work alongside her father, who was “tirelessly inventive” (Munro 328), than stay and work with her mother in the kitchen, depicted through, “As soon as I was done I ran out of the house, trying to get out of earshot before my mother thought of what to do next” (329). The girl is torn between what her duties are suppose to be as a woman, and what she would rather be doing, which is work with her father. She sees her father’s work as important and worthwhile, while she sees her mother’s work as tedious and not meaningful. Although she knows her duties as a woman and what her mother expects of her, she would like to break the mould and become more like her father. It is evident that she likes to please her father in the work she does for him when her father says to the feed salesman, “Like to have you meet my new hired man.” I turned away and raked furiously, red in the face with pleasure (328-329). Even though the young girl is fixed on what she wants, she has influences from both genders i...
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.