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Psychology narrative essay on identity
Connection with law and morality
How do individuals shape identity
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Raskolnikov is the quintessential modern man who places his faith in a radical idea. He believes that the only way for him to express his identity is by breaking established boundaries. According to Immanuel Kaunt, boundaries are set in place in order to bring a person happiness when they are followed. Boundaries do not constrict a man’s self-identity rather they help to form it. It is not necessary to break boundaries in order to establish one’s own self-identity. In Crime and Punishment all major characters break either moral, legal or social boundaries throughout the book. The consequences they face show that breaking boundaries is not necessary in shaping one’s own identity. Legal boundaries are put in place to protect people from harm. When these boundaries are broken the consequences are harmful. In Crime and Punishment Raskolnikov breaks legal boundaries and reap the consequences. Raskolnikov believes that in order to shape his identity and be the extra ordinary man that he must save others from hurt by killing the land lady. “A hundred, a thousand, good actions and promising beginnings …show more content…
might be forwarded and directed aright by the money that the old woman destines for a monastery; hundreds, perhaps thousands, of existences might be set on the right path, scores of families saved from beggary, from decay, from ruin and corruption, from the lock hospitals – and all with her money (pg.56)!” He wants to form an identity of being someone above the law and he thinks that the only way he can do this is by breaking a legal boundary and killing the the land lady. By breaking this boundary Raskolnikov faces many consequences. He becomes sick, “he lay in a fever, delirious and sometimes half-conscious (pg.99).” Raskolnikov also suffers psychological consequences. “My head seems to be spinning worse than ever, and my thoughts with it…He was conscious of terrible inner confusion. He was afraid of losing command of himself (pg.81).” Moral Boundaries are set in order to maintain happiness when followed. When these boundaries are denied and broken they do not form your self-identity instead they destroy your identity. Svidrigalov wants to cross moral boundaries by marrying a 16 year old girl because he longs for innocence. “and you know, she has a little face like Raphael Madona’s…(pg.406).” Svidrigalov wants to form an identity of being an extraordinary man and someone who is above the law. His identity is in one thing which is fulfilling his sexual desires. Svidrigalov feels that in order to shape his identity he must cross moral boundaries. Svidrigalov crosses moral boundaries when he tries to rape Dunya. “Svidrigalov remained standing in his place, facing her from the opposite side of the room. He had succeeded in regaining control of himself, at least outwardly. But his face was still pale and the mocking smile had not left it (pg.418).” Svidrigalov is desperately trying to form his identity. He wants people to see him as evil because that is how he truly sees the world. He feels that if he breaks this moral boundary that he will be seen the way that he wants too. However, his true identity shows when he finally realizes that Dunya does not love him. Instead of acting in disregard he cares so much that he ends his own life. Breaking the moral boundary could not shape his identity instead it killed him. Social boundaries are put in place in order to provide a guideline of the appropriate way to act in society.
Sonya feels the need to break social boundaries in order to save her family. She thinks that by breaking social boundaries she will be her family’s savior. Her family needs money and Sonya knows that her mom is counting on her to help provide for them. “Then she takes comfort again. She pins all her faith on you; she says that you will help her…(pg.269).” Sonya breaks social boundaries by becoming a prostitute. Sonya breaks social boundaries when she becomes a prostitute. Sonya faces social consequences because of what she did for her family. By breaking this boundary Sonya did not form for herself her true identity instead she formed and identity that was not who she really was. By breaking a boundary, she was not able to form her true
identity. Crime and Punishment showed that breaking boundaries does not form one’s true self-identity instead it forms an untrue identity. Boundaries are put in place to help people thrive and when these boundaries are broken negative consequences are inevitable. People need not to break boundaries to from their identity.
As Rodya analyzes Luzhin’s character, he realizes that intellect unrestrained by moral purpose is dangerous due to the fact that many shrewd people can look right through that false façade. Luzhin’s false façade of intellect does not fool Rodya or Razumikhin, and although they try to convince Dunya into not marrying Luzhin, she does not listen. Rodya believes that Luzhin’s “moral purpose” is to “marry an honest girl…who has experienced hardship” (36). The only way he is able to get Dunya to agree to marry him, is by acting as if he is a very intellectual person, who is actually not as educated as he says he is. This illustrates the fact that Rodya knows that it is really dangerous because he knows that people can ruin their lives by acting to be someone they are not. Rodya also knows that people will isolate themselves from others just so that no one will find out their true personality. This is illustrated in through the fact that Luzhin tries to avoid Dunya and her mother as much as possible. The way he writes his letter, exemplifies his isolation, for Luzhin does not know how to interact with society. He has no idea how to write letters to his fiancée and his future mother in law. This reflects on Rodya’s second dream because he is unable to get Dunya married off to a nice person. He feels isolated from everyone else because his intellect caused him to sense that Luzhin is not telling the truth about his personality. However, it was due to his lack of moral purpose that Rodya berates his sister’s fiancé. He is unable to control himself, and due to his immoral act of getting drunk, Rodya loses all judgment and therefore goes and belittles Luzhin. Although Rodya’s intellectual mind had taken over and showed him that Luzhin wa...
Raskolnikov holds that by a law of nature men have been "somewhat arbitrarily" divided into two groups--ordinary and extraordinary. Raskolnikov believe that the duty and vocation of the first group is to be servile, the material out of which the world and society is to be formed. The first group are the people of the present, the now. The second group, those who are extraordinary, are a step above the normal, ordinary curs. They have the ability to overstep normal bounds and transgress the rights of those who are simply ordinary. They are the prime movers--they have a right to transcend normal societal strictures to accomplish those things they have determined are valid in their conscience. Extraordinary men are the prime movers. He cites such extraordinary men as Newton, Mahomet, and Napoleon. He tells us that Newton had the right to kill hundreds of men if need be in order to bring to the world knowledge of his findings. Napoleon and other leaders created a new word. They overturned ancient laws and created new ones. They had the right to uphold their new ideal, even if it meant killing innocent men defending the ancient law. "The first class of people preserve and people the world, the second move the world and lead it to its goal." Despite these tremendous differences in his theory, and the obvious superiority that the extraordinary people are afforded, Raskolnikov maintains that both classes have an equal right to exist. This is interesting, and anyone who sees tremendous problems with this theory must realize this very important point--both classes of men and women are necessary to understand the true meaning of Raskolnikov's theory.
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
In Crime and Punishment, Dostoevsky gives the reader an inside look to the value system that he holds for himself, as well as the type of characteristics that he abhors in people as well as the characteristics that he admires in people. He uses characters in the novel to express his beliefs of what a person should be like in life to be a “good'; person. Specifically he uses Raskolnokv to show both good and bad characteristics that he likes in people. Also he uses Svidriglaiov and Luzin to demonstrate the characteristics that people should shun and his personal dislikes in people.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
Ivan Denisovich is an old-timer in the prison camp and although he does odd jobs here and there to earn food or favors, he maintains a level of personal integrity. Integrity and honesty can be defined as the quality or state of being unimpaired or of being honest, refraining from lying, cheating, or stealing; being truthful, trustworthy, and upright. Ivan¡¯s honesty and integrity have been illustrated in many events that assure his own personal morals to live a life worthy of his own actions. He exemplifies these honorable morals in his actions throughout the entire day, which consisted of pitiful meals and harsh working conditions. He demonstrated his strict morality while eating dinner in the mess hall. ¡°Yet, this old man is unlike all the other zeks. He sits upright and brings his spoon up to his lips. He does not put his bread on the dirty table, but on his clean rag. Somehow, even through countless years of prison life, he has maintained a sense of dignity.¡± He manifests his acute morals in all situations regardless of the status in which he is situated. He stands out, even though he is no different from any other, for many were wrongfully imprisoned for actions ...
Sonia and Raskolnikov are two characters that interact with each other in the novel, Crime and Punishment. They interact on multiple levels, sharing several likenesses. Both of these characters are at-times self-sacrificing, both are struggling for meaning in a dreary existence, and both are generally unhappy people, but brighten and seem to enjoy each other's presence--even when Raskolnikov is berating her religion. What is self-sacrifice, for which these characters and so many people around the world engage in? It is a desire to help those around us more than we wish to help ourselves. This is not normal human state, although it can be brought about easily by societal pressures, and sometimes even political societies can compel this attitude. Sonia practices a form of altruism for her family however. She acquires a yellow card and takes her body off to the moral slaughter by sacrificing it to others for money--money that will go to her starving, poor family. Though not his predominant state of mind or action, Raskolnikov does have temporal tendencies towards self-sacrifice. It seems that part of his state of mind when considering the murder of the pawnbroker is that he will be helping society as a whole--definitely a motive that comes from outside the self. Sonia and Raskolnikov share many characteristics that make them an interesting encounter for each other. A tendency to self-sacrifice for one, and a life of it for another, provides for an amalgam of psychological likenesses which help the characters relate.
“Notes from Underground” was published in 1864 as a feature presentation of his first 1860 issue “The Epoch”. “Notes from Underground” was written by the author during a time when he faced many challenges in his life. Dostoyevsky faced failure in the publishing of his first journal “Time”, his financial position was becoming weaker and embarrassing. Moreover, his wife was dying and his conservatism was eroded leading to a decline in his popularity with the liberal reading Russians and consequently, he became the focus of attack by the radical and liberal press (Fanger 3). Therefore, this research seeks to find how the author presents the aspect of “underground man” and how he approached Charles Darwin’s thoughts of man in “Origin of the Species”.
Dostoevsky's 1865 novel Crime and Punishment is the story of an expelled university student's murder of an old pawnbroker and her sister. The idealistic ex-student, Raskolnikov, is ultimately unable to live up to his own nihilistic theory of what makes a "Great Man" and, overcome by fits of morality, betrays himself to the police. Exiled to Siberia, suffering redeems the unfortunate young dreamer. Crime and Punishment is similar in many ways to Balzac's Pere Goriot, especially in respect to questions of morality. In Balzac, the master-criminal Vautrin lives by an amoral code similar to Raskolnikov's theory of Great Men.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion.
Friedrich Nietzsche once said, “Dostoevsky, the only one who has taught me anything about psychology.” The two writers share many similarities and differences. Dostoevsky clearly had an effect on the thinking of Nietzsche. The two would be considered both philosophers and psychologists. Both writers became prominent in the late 19th century in Germany and Russia respectively. Dostoevsky was noted for his Russian literary classics and would be responsible for a flowering of late 19th century Russian literary culture. His Russian contemporaries include Leo Tostoy and Anton Chekov. Dostoevsky’s most famous works include The Brothers Karamozov, The Idiot, and Crime and Punishment. Nietzsche is most famous for his philosophical works such as thus spoke Zarathustra. The two writers have many similarities in their philosophy. They both see a changing role in religion. Nietzsche and Dostoevsky also differ sharply on some other aspects of life. One of these being the differing views on the role of the fatherland. Nietzsche’s beyond good and evil and Dostoevsky’s crime and punishment are two works that can be compared and contrasted to show the similarities and dissimilarities of the two geniuses. The two men offer great insights in these books on morality and the affect it can have on the actions of the individual and the society as a whole.
In Dostoyevsky's Crime and Punishment, Raskolnikov's initial crime, failure, and acceptance of mistakes are his road to overcoming his ego, as well as self discovery.
Dostoyevsky, Fyodor, Jessie Senior Coulson, and Richard Arthur. Peace. Crime and Punishment. Oxford: Oxford UP, 1998. Print.