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Effects of betrayal
Relationship and emotions
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• Smug bastard • ”I wasn’t aware Rosamund knew how to box.” Rosamund. How does he know my mothers name? I can feel my face physically drop as my eyes turn to daggers at this subtle act of betrayal. Does he know me? I’m puzzled, unable to wrap my head around this nugget of information. If we weren’t standing in a room full of people, I’m certain my hands would lunge for his neck and I’d slam his back against the stone wall. My elbow would mash into the crook of his neck and I’d have him pinned in less than three seconds. I don’t realize rage is consuming me until I feel the sharp sting of my nails piercing my palms. ’Cordelia’. The perilous voice in my head warns. I should know by now that my anger issues cause nothing by grief for me and …show more content…
His hand finds the small of my back and I take note of how perfectly it fits, as if he’d always been meant to touch me there. We hug the wall, figuratively unfortunately, and he let’s me think I’m leading him, but his hand guides me and I relish in the contact. He stops us abruptly, though and reaches for the wall. I’m unsure of what he’s doing, but I see his hand grab something and he pulls. There’s a soft swoosh and a hidden room appears. "Oh!" I gasp. Waves of excitement sail throughout my body and I bounce into the room behind him. I barely hear him yapping on about what little skills I have and how they’ll be of my advantage. Instead my eyes travel along the whitewashed walls. I reach out and run my hand along them; they’re soft with a little give. Paneled with small pressure seams. ’Soundproof.’ I silently thank the voice in my head for making another astute mental observation that no sound either of us makes will be heard by anyone other than each other. Interesting. My eyes travel along the various sets of equipment lining the walls. Trunks of various sizes, their contents unknown to me. Small shelves with silver poles, the ends have a hexagon shape. They’re numbered as well and I rack my brain trying to figure out what on earth you would possibly use those for. I’m sure confusion is present on my face, but he’s too focused to answer but unasked
I'm currently walking along a long and barren road approaching a small forest. Of course, no one would recognize where I am. Of course not I'm obviously somewhere where even I wouldn't recognize, thrown into a place against my own will. I guess I can blame my own hubris for this one. “HEY I THOUGHT IT WOULD BE FUCKING FUN, don't be a condescending asshole.”
I packed my things into a small U-Haul. We were leaving the town I had always known, Houston, to go someplace I barely knew, a small town named Navasota. We moved when I was four because my parents wanted us to experience a small town like they had grown up in. Would I find new friends? Would the people there like me?
Prologue 2015 – Villa Forenza Senior Apartments Las Vegas, Nevada You would think that a woman surrounded by so much drama in life, wouldn’t go nuts over people knowing she was found catatonic—but you'd be wrong. When ‘Crazy Ava’ learned that the biddies of Villa Forenza had stared right inside of her door as paramedics treated her, she was livid. “You were directly inside the open door, lying on the couch,” Blanche Davis told her. Blanche was a woman who had been in style a century ago.
adness and guilt have filled my days for the past 10 months. My mind has been lost in thoughts, taking all the blame of the past events that took place. All of a sudden, a wail awakens my senses. It startles me, while I take on my surroundings. Sitting in a loveseat my eyes take in the room, painted in white and black patterns, searching for the source of noise, until they settle on the crib standing in the middle of the big room.
The snowman opened his eyes to two small children. A boy and a girl standing in front of me. Dressed in fluffy jackets, mittens, and the cutest little knit caps, they were the most adorable children ever. Giggling they pressed a black hat his head. "What do you think this snowman is missing", the boy asked the girl.
You know what, I'm going to be so fucking petty about this, I'm officially going to post this on my page: - Let's start off with this, I'm so fucking done feeling guilty as shit about me snapping at Finn in the first place while he goes off being petty as shit and not being a fucking adult about this situation. I find it so unfair for me to feel guilty about something I shouldn't even apologize for, when HE was the one who fucking started it. - I simply posted a small rant on my story about couples and sometimes how annoying(like the vine) it can be but it WASN'T directed to ANYONE at all, but this fucker comes in thinking it is and so he decides to post about it, being very petty and a bitch TOWARDS me instead of coming to me and asking if it is. - HE IS THE ONE WHO STARTED THIS SHIT WITH ME, NOT ME, HIM! JUST BECAUSE KAIDEN IS MY EX
“okay Addy I would just like to know Cora and I went to Mr. Ponland and he said that we will probably have a volleyball unit for people to try it out.” She looks at me again “ okay Belle the truth is, is that I actually like volleyball I have liked it since I was little and it kills me to not have volleyball as a “cool” sport I want to play so bad but I worry about what people are going to think about me and what they think I want to be liked by Maddie so I don't lose a friend.” “ if Maddie doesn't like you because you like a sport that isn't cool you should not be friends with Maddie that is a bad friend but you can do whatever you want to do go for it if you don't want to play volleyball because you won't be liked anymore that is not
Fuck yourself you coward. You never knew what really mattered to the world did you. I dare you to fuck with me one more time I fucking dare you mate. Yes, I am a coward. I always have been.
She’s dead. My sister is dead, and it’s all his fault, Jason. Her fiance. I’ll just say it now, I killed him. He had no idea what was coming, all fingers pointed to him.
Foot feathering the gas, the young man followed the curvature of the dirt path. The ancient truck’s suspension screamed in protest with every dip, headlights bobbing up and down as if it were blinking.
“She's a millionaire off of candy, the hottest dresser in the game, Miami it’s your own Melinda Geraton!” announced the man in a suit with hair slicked back. “That’s your cue”, ushered the lady with hot pink hair. “Stop I’m not doing this interview, I just had a photo shoot so I look a mess.”
Over many a quaint and curious volume o forgotten love - While I nodded, nearly napping, suddenly there came a tapping. As of some one gently rapping, rapping at my chamber door. ‘Tis some visiter," I muttered, "tapping at my chamber door- Only this and nothing more."
Sometimes I just don’t let anger affect me, I feel like it’s bad luck staying mad. I suppose it’s bad luck because you can forget what’s important and miss out on your day. Anger can influence people throughout their lives if they focus on just being mad. They can be fed up with a madness that can turn to an illness, which is what I worry about because I wouldn’t like to be mad all the time. I would like to focus on the importance, which for me is to be happy with what I got because not everything could be resolved by staying
I cross the room swiftly in my warm, fuzzy pajamas. Light floods from under the door, and for a second I think that I see a shadow move past, as if someone was walking by. I take a sharp breath in, frozen in place. A few moments pass by, when I realize
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).