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Postmodernism literary theory
What is the effect of war in literature
Slaughterhouse - five essays
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Recommended: Postmodernism literary theory
In Slaughterhouse-five, Kurt Vonnegut expresses the idea of Postmodernism through irony commenting on a Postmodernism belief of life being disillusioned and superficial. When Billy and the Americans are crossing the theater and about to watch the Cinderella, Billy touched the “stove”, and describes it as “cold” as “ice” (184). Vonnegut uses irony to describe the stage of the theater, because people usually associate stove as being hot and warm, but he used cold and ice to describe the temperature of the stove. The ironic descripition makes the whole set up of the theater seems disillusional, and due to the fact that theater is becoming more commonly seen during the mid-twentieth century, further demonstrates how Postmodernism perceives life
Slaughterhouse-Five is a story of Billy Pilgrim 's capture by the Nazi Germans during the last years of World War II. Throughout the narrative, excerpts of Billy’s life are portrayed from his pre-war self to his post-war insanity. Billy is able to move both forward and backwards through his life in a random cycle of events. Living the dull life of a 1950s optometrist in Ilium, New York, he is the lover of a provocative woman on the planet Tralfamadore, and simultaneously an American prisoner of war in Nazi Germany. While I agree with Christopher Lehmann-Haupt that Slaughterhouse-Five effectively combines fact and fiction, I argue that the book is more centralized around coping.
For a novel to be considered a Great American Novel, it must contain a theme that is uniquely American, a hero that is the essence of a great American, or relevance to the American people. Others argue, however, that the Great American Novel may never exist. They say that America and her image are constantly changing and therefore, there will never be a novel that can represent the country in its entirety. In his novel, Slaughterhouse-Five, Kurt Vonnegut writes about war and its destructiveness. Vonnegut tells the story of Billy Pilgrim, an unlikely hero, mentally scarred by World War Two. Kurt Vonnegut explains how war is so devastating it can ruin a person forever. These are topics that are reoccurring in American history and have a relevance to the American people thus making Kurt Vonnegut’s Slaughterhouse-Five a Great American Novel.
This independent reading assignment is dedicated to Slaughterhouse-Five, written by Kurt Vonnegut. Vonnegut experienced many hardships during and as a result of his time in the military, including World War II, which he portrays through the protagonist of Slaughterhouse-Five, Billy Pilgrim. Slaughterhouse-Five, however, not only introduces these military experiences and the internal conflicts that follow, but also alters the chronological sequence in which they occur. Billy is an optometry student that gets drafted into the military and sent to Luxembourg to fight in the Battle of Bulge against Germany. Though he remains unscathed, he is now mentally unstable and becomes “unstuck in time” (Vonnegut 30). This means that he is able to perceive
In his powerful novel, Slaughterhouse-Five, Kurt Vonnegut tells of a man named Billy Pilgrim who has become unstuck in time. He walks through a door in 1955 and comes out another in 1941. He crashes in a plane in 1968 and ends up displayed in a zoo on the planet Tralfamadore making love to Earth porno-star, Montana Wildhack. He ends up in the cellar of a slaughterhouse when Dresden is bombed to ashes during World War II; Billy, his fellow Americans, and four guards were the only ones to live through the bombing. The Boston Globe best explains the book when it says it is “…poignant and hilarious, threaded with compassion and, behind everything, the cataract of a thundering moral statement” (back cover). Vonnegut looks into the human mind of a man, traumatized by war experiences and poor relations with his father, and determines insanity is the result.
Kurt Vonnegut Jr.’s short story “Harrison Bergeron” was created during the time frame of the Civil Rights Movement and the Cold War and encompasses the definition of the word satire. Though the story itself is set in the distant future, the year 2081, one can see the influence of the past in this dark satirical portrayal of an American society. The author satirizes the very elements he was exposed to in his own environment and lifetime. Vonnegut mocks forced ideas of equality, power structures, and oppression, ideas that were prevalent and thriving in the atmosphere of his time of writing “Harrison Bergeron”.
In the spring of 1945, near the end of World War II, American and British bombers rained a hail of fire upon the city of Dresden, Germany. With an estimated 135,000 dead, Dresden is known as one of the deadliest attacks in History, nearly twice as many deaths than the atomic bombing of Hiroshima. Kurt Vonnegut was among the few who lived through the firestorm; he wrote a book about it in fact. Slaughter House-Five (1969) is a fictional recount of his experience of the war. Many of the events (at least the parts set in WWII) are real experiences of Kurt. The people in the war are, for the most part, real; Vonnegut just changes all the names. The main character, however does not seem to have been a real person, and has a very unusual war experience.
In Slaughterhouse- Five, Kurt Vonnegut’s themes of war and time travel to tell the story of World War II in Dresden through the eyes of Billy Pilgrim. Vonnegut uses flashbacks and blackouts to bring Billy back and forth throughout different eras of his life in order for him to develop a way to cope with the bombing in Dresden.
Within the complex seesaw storyline in Slaughterhouse-five, Vonnegut contributed his war experiences in the main character, Billy Pilgrim. Along with these horrific memories during World War Ⅱ , the element of time travel is evident in the novel, allowing Billy to repress these painful memories and follow the philosophy he learned on Tralfamador. Despite his nonchalant attitude towards death itself throughout the novel, Billy is an alienated individual with the philosophy that he can do nothing to change the destruction brought about by people and uses time travel to avoid seeing the human suffering that he cannot accept, brought about in Dresden,
When most people were young, he or she would sit by the window and wonder off imagining of what their future would hold. Most people have the same vision called the American Dream. The American Dream is a façade that money is entirety and can make a person feel content. In Kurt Vonnegut’s Slaughterhouse Five, that American Dream is portrayed through the character Billy Pilgrim. According to Vonnegut, “He married his fiancée, finished his education, and was set up in Ilium by his father-in-law. Ilium is a particularly good city for optometrists because General Forge and Foundry Company is there. Every employee is required to own a pair of safety glasses, and to wear them in areas where manufacturing is going on” (24). According to society, Billy Pilgrim would be considered a successful individual, for his life was set up for him by family, including a well-paying job and a family. Although the American Dream seems like the perfect life, money truly cannot buy anyone’s happiness. Billy was a prime example of someone who had it all but was still struggling to accept his life as a whole...
Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.
Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s genius for manipulating fiction to reveal glaring, disturbing and occasionally redemptive truths about human nature. On the surface, Cat’s Cradle and Slaughterhouse-Five are dramatically different novels, each with its own characters, symbols, and plot. However, a close examination reveals that both contain common themes and ideas. Examining and comparing the two novels and their presentation of different themes provides a unique insight into both the novels and the author – allowing the reader to gain a fuller understanding of Vonnegut’s true meaning.
“Slaughterhouse-Five” is an anti-war novel. It describes a flesh-and-blood world. Main character is Billy Pilgrim, he is a time traveler in this book, his first name Billy is from the greatest novelist in the USA in 19 century’s novel “Billy Budd” ; and his last name is from “The Pilgrim’s Progress” by John Bunyan. Differently, the main character in “The Pilgrim’s Progress” ’s traveling has meaning and discovering, Billy Pilgrim’s traveling just has violence and escape. In the novel “Slaughterhouse-Five” by Kurt Vonnegut ’s main character, Billy Pilgrim is sane and his time travel is half in his mind half is real. He is looked so innocent and weakness, there is a sentence which is spoken by Billy Pilgrim “So it goes.” (2) This quotation shows that a poignant sense of helplessness.
Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.
Ten years before Tarantino made Pulp Fiction, the academic and critic Frederic Jameson identified some of the key features of postmodernism, and debated whether these were a true departure from modernism, or just a continuation of the same rebellious themes. His paper on postmodernism tends towards the latter view, but at the same time prophetically pinpointed the essential departures that postmodernism has made from what has gone before. Tarantino’s film does not continue the debate in an academic way, but instead presents a virtuoso visual performance of the ideas that Jameson could only dimly perceive. These ideas include pastiche, a crisis in historicity and a blurring of the distinction between high culture and low culture.
Kurt Vonnegut’s novel Slaughterhouse-Five, uses the biblical allusion of Lot’s wife looking back on the destroyed cities of Sodom and Gomorrah to parallel the story of Billy Pilgrim during the war and his experience after, when he returns to the United States. Although the reference is brief, it has profound implications to the portrayal of America during World War II, especially the bombing of Dresden. Although Lot’s wife’s action dooms her to turn into a pillar of salt, the narrator emphasizes her choice to indicate the importance of being compassionate and having hindsight. Ultimately, Slaughterhouse-Five critiques the American social attitude to disregard the unjust nature of its actions in World War II. Furthermore, Vonnegut’s novel explicates this by elucidating the horrors of war—especially in regard to the massacre of innocence, how it leaves the soldiers stagnant when they return home, and leaves them empty with an American Dream that cannot be fulfilled. In order to combat violence, the novel stresses that one must hold human life to a higher value and be compassionate towards others; America must acknowledge its mistakes so that the soldiers who fought and died for her so that the soldiers may move on.