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Into the wild character analysis
Into the wild character analysis
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In every story, characters play an imperative role, so much so that a story can not exist without them. A story is often largely directed by its characters, so it is no surprise that the characterization of the actors on the stage of a story differs widely. In the story “Sixteen,” by Maureen Daly, the main character is the narrator, a sixteen year old, unnamed girl, and the story consists of her experience skating with a boy one night, her anticipation of his call, and her realization of and disappointment in the fact that he is not actually going to contact her again. In “Through the Tunnel” by Doris Lessing, the main character is eleven-year-old English boy Jerry, and the story consists of his mental and metaphorical transition from boyhood …show more content…
However, that does not mean that the narrator of “Sixteen” and Jerry from “Through the Tunnel” do not have their similarities. For one, they are both young -- the narrator of “Sixteen” obviously being sixteen, and Jerry being four years her younger. Both children are inexperienced and going through the painful process of growing up and learning the hard and sometimes painful lessons that lead to adulthood -- by the end of their trials, both children have been brought to tears. The narrator of “Sixteen” says, “I can sit here now forever and laugh and laugh while tears run salty in the corners of my mouth” (Daly 3). As Jerry comes home just after passing through his tunnel, he thinks his mother “must not see his face with bloodstains, or tearstains, on it” (Lessing 7). Both characters, also, obsess over their trials. “I can’t think of anything, anything but snowflakes and ice skates and a yellow moon and Thursday night,” says the narrator of “Sixteen” (Daly 3). When Jerry has made up his mind to train himself to get through the tunnel, “all night, the boy dream[s] of the water-filled cave in the rock...Jerry exercise[s] his lungs as if everything, the whole of his life, all that he would become, depend[s] on it” (Lessing 5). Nonetheless, the characters are extremely different from each other as well. “Sixteen”’s narrator displays naivety and lack of thought, while Jerry portrays innocence and pensiveness. “Sixteen”’s narrator learns a lesson, while Jerry teaches himself a lesson. The former is assumptive and reads into things: “Then he sat up straight and said, ‘We’d better start home.’ Not ‘Shall I take you home?’ or ‘Do you live far?’ but ‘We’d better start home.’ See, that’s how I knew he wanted to take me home. Not because he had to but because he wanted to” (Daly 2). The other believes in himself with a slow, patient caution. “He sat by the clock in the villa and checked his
The overarching theme of abandonment in Angela Betzein’s, “Girl Who Cried Wolf,” is greatly articulated and emphasised during the play to build dramatic action. This is relevant to teenagers since the time of making new friends or losing others is difficult. In the tough time of a teenager’s life, this is a big issue. Angela
The book Blind, written by Rachel DeWoskin, is about a highschool sophomore named Emma, who went blind after being struck in the face with a firework. When she first lost her sight, Emma was placed in a hospital for over 2 months, and once she was released, she could finally go home again. DeWoskin uses the characterization of Emma throughout the beginning of the text to help the reader understand the character’s struggle more. Especially in the first few chapters, it was difficult for Emma to adapt to a world without sight. For instance, DeWoskin writes, “And sat down, numb, on our gold couch. And tried to open my eyes, rocked, counted my legs and arms and fingers. I didn’t cry. Or talk” (DeWoskin 44). As a result of losing a very important scent, she’s started to act differently from a person with sight.
The two stories "Brothers are the Same" by Beryl Markham and "Through the Tunnel" by Doris Lessing are both about growing up and entering adulthood. "Brothers are the Same" about a boy named Temas trying to prove he was tough and could be called an adult. In a similar situation in "Through the Tunnel" a young boy named Jerry is determined to go through an underwater tunnel that he saw some older French boys go through. He wants to accomplish this goal to prove to himself that he could do it . The two stories share a similar theme, but the authors perspective on the topic differ.
Having each story been written in a third-person narrative form, the reader knows the innermost feelings of the protagonists and watches the main characters change. The reader learns what Brown feels as he thinks to himself, “What a wretch I am to leave her on such an errand!” In “Where Are You Going,” the narrator supplies much of Connie’s feelings, such as in the first paragraph, “she knew she was pretty and that was everything.” However, in Young Goodman Brown, “point of view swings subtly between the narrator and the title character. As a result, readers are privy to Goodman Brown’s deepest, darkest thoughts, while also sharing an objective view of his behavior” (Themes and Construction: Young 2). Point of view of “Young Goodman Brown” contrasts with that of “Where Are You Going” because “This narrative voice stays closely aligned to Connie’s point of view” (Themes and Construction: Where 2). Despite the subtle contrast, both points of view allow the reader to see the changes in Brown and Connie; Brown loses his faith and Connie loses herself. Point of view also affects how the reader sees other chara...
Lauren Alleyne uses the rigid form of the sonnet to navigate through the healing process after being sexually assaulted. Ten years after that night, she writes the sonnet sequence Eighteen, which deviates from the typical sonnet form in the aspects of the speaker, subject, and format. Playing off of the standard sonnet form, Alleyne is able to recount the emotions of that night during the first sonnet in the sequence. The typical sonnet tends to objectify the female body or one’s lover; in this sequence, the sonnets address what happens when an individual acts on these objectifications and assaults Alleyne. Alleyne deviates from the standard subject and speaker of the typical sonnet form to begin the healing process; the process begins
In the short story, “Until Gwen” by Dennis Lehane, it starts off with the main character named Bobby who is getting picked up by his father from prison with a stolen Dodge Neon. His father wasn’t alone, he brought himself a company and it was a hooker named Mandy. We got a sense of who his father was, a “professional thief, a consummate con man” (647). We don’t know why he was in prison until the rest of the story slowly reveals the flashbacks he has with his girlfriend Gwen and the incident prior of going to jail. Bobby has no sense of who he is or where he is from because there no proof of record of him such as a birth certificate. After meeting Gwen, his life has changed and felt the sense of belonging into the world he is living in. Bobby’s
The short story Eleven by Sandra Cisneros, focuses around the main character Rachel as an insecure developing girl who lacks the experience to handle everyday encounters. Rachel, an eleven year old girl truly encapsulates the thoughts that are present within an adolescent. The lack of confidence in herself, excessive fear of being judged, and ideas of growing up are ideals that are relevant within each and every one of us. The reader is able to relate to Rachel because her feelings and experiences that are described by the author are similar to what most people have been through and are currently experiencing. The characterization of Rachel is expressed through the author’s usage of point of view, imagery, and repetition.
Since the emergence of literature, thousands upon thousands of characters have graced our imaginations. From trouble maker Bart Simpson of the celebrated cartoon television series The Simpsons to Mr. Darcy of Jane Austen’s renowned novel Pride and Prejudice, the world has witnessed a plethora of characters in literature. Khaled Hosseini, author of The Kite Runner, and Billy Collins, distinguished American poet, as well as countless other authors, share the utilization of characters in their literary works. The manner in which these authors use the literary element of characters varies immensely.
Character development in a protagonist is crucial to building themes and the overall intent is discovered through the main character. Wilson approaches the concept of the protagonist in an interesting manner, deciding to not conclude with the protagonist leaves the reader with a lack of pity and perhaps some confusion. Likewise, the protagonists in her plots are isolated, forgotten or consequently dead. In “Hurry, Hurry” the main character, Miriam is first portrayed lonely with only the companionship of her dogs. The setting attributes to isolation through the fragment “No people anywhere.” (Hurry, Hurry) this demonstrates how Miriam is all alone in the vast tranquility of nature. In contrast, the last paragraph in “Hurry, Hurry” does not imply anything about Miriam therefore it leaves the reader confused and the protagonist suppressed. Mr. Willy, from “The Window” is the principal character who is similar to Miriam. Mr. Willy asserts his loneliness through his feelings of being “small and alone” (The Window) therefore exposing how isolated his character is. However, the conclusion in this story does end with the leading character, th...
Another interesting aspect the reader might recognize in these stories is the theme of acceptance and integration to something either known or unknown to them. Most of these stories deal with having to change who they are or what they would become like Nilsa, the boy, and others, they have all had to choose what they wanted for there life and accept the fact that if they did not take serious measures they would not be integrated into society prosperously.
Maturity can be seen through one’s personality traits. This is contrary to the belief that maturity comes with age. Experiences throughout life teach new attributes that one needs to be successfully mature. In Through the Tunnel, by Doris Lessing, Jerry has his life experience as he makes it through the
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
Being committed to something comes from an effort within. Being obligated is a sense of duty. Sometimes they may seem alike. In Ernest J. Gaines’s novel A Lesson Before Dying, we are introduced to a young man named Jefferson who is being put to death and a teacher named Grant Wilson. Their paths will intertwine when Grant is asked by Jefferson’s godmother to teach him to be a man. What starts off as an obligation becomes a commitment to teaching and learning what it means to be a man, a human being. With the help of strong women and a diligent reverend, a lesson truly taught. In this novel, Gaines wants the reader to understand that obligation and commitment is sometimes very difficult to define.
A fundamental element of any story is the perspective of the narrator. It guides the point of view from which readers perceive and understand a story and greatly affects how a story is presented. As such, the perspective is crucial in determining how engaging a story is. First person narration, a narrative perspective in which the story is told first hand, has proven highly effective in making a story more compelling to read. Recently, it has become very popular in young adult fiction, as it can allow, when well-executed, for the reader to be better immersed in the story, increased suspense, and insightful reflection on the significance of events taking place. In Claire Battershill’s Circus short story Two Man Luge, first person narration is
Jerry's motivation is completely internal. We can understand it as his desire to get away from his mother, to assert his independence, but actually nothing has been asserted, other than his own will. And the result of his adventure is to return to his mother. He has been changed, but not in the way you might think. He wants his mother to be proud of him: he blurts out at the end that he can hold his breath for two minutes, but his mother pays little attention. "Don't overdo it," she says. Jerry cannot tell her about the tunnel. He has a secret he keeps from her