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Sir gawain and the green knight part one characterization
Sir gawain and the green knight part one characterization
Sir gawain and the knight analysis
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Sir Gawain and the Green Knight
The poem Sir Gawain and the Green Knight tells the tale of one of King Arthur’s bravest and noblest knights, Sir Gawain. The author spins this magical tale of heroism and adventure over the course of one year. During this year, the hero Sir Gawain undergoes a serious alteration of character. When Bertilak enters King Arthur’s court as the mysterious green knight, he sets Sir Gawain’s destiny in motion. Change, especially spiritual transformation, is a common thread running through the poem. The poet depicts Bertilak as somewhat Godlike, and Bertilak plays a significant role in Sir Gawain’s spiritual transformation, through which he becomes more like Christ.
Bertilak first introduces himself by making an astonishing entrance into King Arthur’s court. The poet describes the appearance of the Green Knight thus: “…There hurtles in at the hall-door an unknown rider, / One the greatest on ground in growth of his frame: / …Half a giant on earth I hold him to be” (l. 136-140). His forcefulness and size are the aspects of him that the poet first describes; however, the fact that the huge knight is entirely green from head to toe amazes the court more. The author notes that, “Great wonder grew in hall / At his hue most strange to see, / For man and gear and all / Were green as green could be” (l. 147-150). The color green here may symbolize spiritual growth, although green sometimes suggests evil in literature. The Green Knight was especially fascinating because his physical appearance, as well as his apparent immortality demonstrated that he had supernatural qualities, and therefore was not entirely of this world.
Throughout Sir Gawain and the Green Knight, the poet port...
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... depicted Bertilak, sometimes the Green Knight, with Godlike characteristics and supernatural qualities. At different times in the poem, Bertilak represents the wise, just, godly master of the castle, and is sometimes transformed into the mystical Green Knight. Both characters are essential for Sir Gawain’s transformation, which Bertilak manipulates freely. In a Christ-like sacrifice, Sir Gawain learns of his weaknesses, and experiences the process of spiritual absolution. In this poem, Bertilak, whom the author has granted supernatural characteristics, facilitates Sir Gawain’s spiritual journey for truth and complete transformation.
Works Cited
“Sir Gawain and the Green Knight.” The Norton Anthology of English Literature.
8th ed. Ed. Alfred David, James Simpson. Vol. A. New York: W.W. Norton &
Company, Inc.: 2006. 3 vols. 162-213.
8[8] Sir Gawain and the Green Knight. Trans. Marie Borroff. Norton Anthology of British Literature Vol. 1, New York: WW Norton, 1993.
He observes the progress of one’s journey and listens to people’s prayers. Similarly, the Green Knight secretly watches Sir Gawain through a disguise – Lord Bertilak. By disguising himself, the Green Knight could continue to test Sir Gawain’s faith by initiating another agreement. Unaware of the Green Knight’s presence, Sir Gawain is continually examined to discover the truth to his fidelity. Initially, Sir Gawain faces stressful and challenging experiences along his trek to the Green Chapel. Alone and enveloped by harsh winter’s cold, he “prays for God’s grace to save him” (Champion 418). Luckily, Sir Gawain’s prayers are heard when he uncovered Lord Bertilak’s castle amongst the woods. By humbly inviting Sir Gawain into the castle, pleas for safety and shelter from harsh conditions are answered, a depiction of God’s (the Green Knight’s) grace. Nonetheless, Sir Gawain’s hardships do not cease, but in fact, they continue to fall and weigh upon his shoulders. Once again, Sir Gawain partakes in another agreement, involving the exchanging of winnings. Human faith is yet again being tested, and once more fails to succeed. The affection of Lady Bertilak is arranged by the Green Knight himself as another test; however, Sir Gawain “fell short a little . . . and lacked fidelity” (Winny 4.2366). Fear of death encourages Sir Gawain to submit to greed. In order to continue living, he wears the Green Knight’s
Sir Gawain and the Green Knight was written in the fourteenth century by an anonymous poet who was a contemporary of Geoffrey Chaucer. The story was originally written in a Northern dialect. It tells the story of Sir Gawain's first adventure as a knight.
Sir Gawain and the Green Knight Sir Gawain and the Green Knight, a fourteenth-century tale written by an anonymous poet, chronicles how Sir Gawain of King Arthur’s Round Table finds his virtue compromised. A noble and truthful knight, Gawain accepts the Green Knight’s challenge at Arthur’s New Years feast. On his way to the Green Chapel, Gawain takes shelter from the cold winter at Lord Bercilak’s castle. The lord makes an agreement with Gawain to exchange what they have at the end of the day. During the three days that the lord is out hunting, his wife attempts to seduce Gawain.
Anonymous. Sir Gawain and the Green Knight. The Norton Anthology of English Literature Sixth Edition. Volume 1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
Games can cause you to lose your idea of reality and create a sense of disillusionment. In Sir Gawain and the Green Knight, games are immensely significant throughout the story. Mental games tear at a Gawain's perception of what's going on, deceiving him to the truth of his situation. Sir Gawain knows this all too well from his experience with the Green Knight. The Green Knight creates a challenge for someone to cut his head off and in twelve months seeks him out to return the favor. Physical games can be as impacting as mental ones; Lady Bertilak attempting to seduce Sir Gawain. This temptation that generates a rift between what his mind knows and what it wants to do leads to more confusion within him She basically throws herself upon him yet he stays strong to his morals. These games within the novel create copious amounts of irony during Sir Gawain's quest. He gets caught up within all these games only to find out later that it was all a hoax. His year long quest is an ironic journey that was produced entirely by the Green Knight. Games hold tremendous value in Sir Gawain and the Green Knight, the games cause Sir Gawain to lose his sense of reality. Through the Green Knight's games, Sir Gawain's word is truly tested.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
“Sir Gawain and the Green Knight.” Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 161-172. Print.
Sir Gawain and the Green Knight in The Norton Anthology of English Literature, Sixth Edition, Volume One. General Ed. M.H. Abrams. New York: Norton, 1993.
Web. 30 Sept. 2009. Sir Gawain and the Green Knight. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt.
In the anonymous poem Sir Gawain and the Green Knight, the character of Sir Gawain is portrayed as the imperfect hero. His flaws create interest and intrigue. Such qualities of imperfection cannot be found in the symbol of the pentangle, which he displays on his shield. This contrast between character and symbol is exposed a number of times throughout the poem allowing human qualities to emerge from Gawain’s knightly portrayal. The expectations the pentangle presents proves too much for Gawain as he falls victim to black magic, strays from God, is seduced by an adulterous woman, and ultimately breaks the chivalric code by lying to the Green Knight.
The Green Knight, serves as a symbol himself. He is presented as a mixture of foreign and familiar, evil and good. In the beginning the Green Knight is carrying peace(holly-branch) in one hand and war(battle axe) in the other. It is very difficult to see what the Green Knight stands for, because for every positive we see a negative, and for every extreme there is an opposite extreme shown. In the beginning he comes, we believe, to harm King Arthur or Sir Gawain. In the end, we find out that he had planned the whole affair to test Sir Gawain. King Arthur and the other Knights of the Round Table were also taught and cowardice and how to be stronger and better people.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
The poem’s intricately balanced structure challenges the reader to seek out a resolution coherent with his or her own ethics. An admirable knight of King Arthur's renowned court, Sir Gawain is directed by a complex set of ethos, a collaboration of principles symbolized by the mystical pentangle. A five-pointed star composed of five interlocking lines; the figure represents a multitude of guiding tenets, representing both religious and knightly ideals. One can recognize that “the pentangle cognizance is explicated by the poet to signal Gawain’s complete Christian perfection, and for the reader to be aware of contemporary concerns about magical protective practices, hinting at human frailty” (Hardman 251).