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Shakespeare's view on courtly love
Sir gawain and the green knight brief summary for an essay
Sir gawain and the green knight brief summary for an essay
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The fourteenth century English poem Sir Gawain and the Green Knight depicts aspects of different kinds of “courtly love”. The poem contains elements of courtly love as well as spiritual, and brotherly love. These elements can be appreciated by Gawain’s respect to Guinevere and Lady Bertilak, the bond between the Knights of the Round Table and Gawain’s devotion to the Virgin Mary. Courtly love is defined as a medieval literary concept where love is idealized and often illicit. Usually, the participants are knights that devote themselves to serve a woman, usually of high class. It emphasizes courtesy, nobility and chivalry, it often involves knights going on adventures to serving ladies. Sir Gawain and the Green Knight is a great example …show more content…
”She was the fairest in feature, in flesh and complexion, and in compass and colour and ways, of all others, and fairer than Guinevere, as the knight thought.” (Part II 39, Kline)
Lady Bertilak fits the description of a typical courtly love character, courtly love dictates that Gawain must love and respect her, as she is his host’s wife. Gawain also demonstrates his devotion to her when the author mentions:
“They crave his acquaintance, and he quickly asks to be their sworn servant, if they themselves wished.” (Part II 40, Kline)
Gawain 's chivalry and knighthood are demonstrated by his desire of protecting the ladies. The courtly lover, by definition, should respect, love and protect his beloved lady, just like it is portrayed in this scene. Later on, Lady Bertilak gives Gawain the hard task to stick to his code of honor and reject the lady 's suggestion, even after he offered to serve her, because he must remain chaste. Even more, Gawain 's true devotion lies on his spiritual love of Virgin Mary, whose he worships and is loyal to. During several times, Gawain encounters challenges that test his religiousness and devotion to Christianity, Lady Bertilak for
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Only inasmuch as you are my uncle, am I praised:
No bounty but your blood in my body I know.” (Part I 16, Klein)
The Knight’s loyalty to one another leads them to protect each other. Gawain is eager to protect his king and will rather sacrifice his own life rather than putting the crown in danger. This unity is also demonstrated during and after twelve months and one day, when is time for Gawain to leave. The Knights deeply care about their fellow and make sure he is distracted from the approaching fight and right before he leaves, they all gather to say their farewells and bless him. In conclusion, Sir Gawain and the Green Knight belongs to the literary genre romance. It tells the story of a single knight on a quest, where he encounters beautiful ladies and challenges of maintaining a balance between love and chivalry, which characterizes courtly love. In fact, the presence of courtly love varies from the love to a lady, to the love of religious image, to the love of a knightly fellow. Courtly love is certainly an important factor in European literature, which makes it important for literary discussions, as it unquestionably shaped medieval literature and modern forms of
Sir Gawain demonstrates this quality when he is with the Lord’s wife. He did not take advantage of her while he stayed at their castle. When the lady attempted to seduce him, Gawain resisted her. “My lady gay, I can hardly take gifts at the moment; having nothing to give, I’d be wrong to take gifts in turn” (233). Sir Gawain shows respect to the lady of the house by not receiving her
While Gawain fails to accept the truth about his immoral identity, he also fails to maintain a sincere and truthful relationship with God. Camelot believes that Gawain is a perfectly chivalrous and Catholic knight, when in actuality he is an actor with an impure thought. Gawain is driven by selfish motives; he only considers what is best for him and as a result, uses God as a vehicle to get what he wants. Gawain acknowledges God when he desires comfort and “crosses himself, and cries on Christ in his great need,” of a castle (761-761). Likewise, Gawain prays when he wants protecting; his shield, decorated with the highly symbolic Pentangle and Virgin Mary, is the ultimate Holy accessory for his battle. Gawain only regards God when he is either wishing for comfort or for safety. Furthermore, Gawain strays from Catholicism completely by expecting the green sash to save him in the fight. Believing that the magical Pagan article will truly redeem him, demonstrates fear and proves Gawain lacks faith in God. Gawain lacks morals when abandoning Catholicism for a Pagan artifact, and when he does pray to God his spiritual motives are impure and
Lady Bertilak’s deceptive seduction of Gawain demonstrates this truth and illuminates her motive in seducing Gawain as her flirtatious behavior that “urged him so near the limit” (1771) is clearly an attempt to reacquaint Gawain with his natural feelings. In Camelot, men and women are so civilized that their emotions appear false and manufactured. By seducing Gawain with spontaneity and passion, Lady Bertilak strips Gawain of this control over primal urges. While Gawain attempts to resist these urges that contradict his courtly ways, his submission to kiss lady Bertilak and eventually accept her chastity belt reveals that he has submitted to his natural feelings. With such an orderly and distinguished knight proving vulnerable to his emotion and temptation the author imposes the idea that perfection in terms of morality and way of life is unattainable as feelings cannot be controlled. Lady Bertilak further clarifies the intent of her relationship with Gawain by shaming him for “refusing to love a lady”(1779-1780). This shame is clearly unwarranted as Lady Bertilak is breaching moral statues herself by being unfaithful to her husband; however, the claim does succeed in connecting her seduction of Gawain to the ideas of empathy and genuine affection, revealing the statement as selfish manipulation motivated by the lady’s desire to expose Gawain’s most natural emotions. By
When Gawain spurns the lady 's advances, she questions the validity of his reputation: "So good a night as Gawain is rightly reputed / In whom courtesy is so completely embodied / Could not easily have spent so much time with a lady / Without begging a kiss, to comply with politeness / By some hint or suggestion at the end of a remark. " Here we see the first example of Gawain 's values being thrown into opposition: he cannot hope to hold his honor, fellowship, and chastity without calling his chivalry and courtesy into question. Gawain faces a fork in the road in the first bedroom scene, yet it quickly becomes clear that neither road ends with perfection. The perfect, archetypal knight, one who seamlessly, simultaneously embodies all of the qualities so harmoniously unified on Gawain 's shield, cannot exist, as the five points of Gawain 's pentangle cannot fully be kept
Sir Gawain and the Green Knight – A Test of Chivalry Essay with Outline: Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be the least of any" (Sir Gawain, l. 354-355).
Sir Gawain is presented as a noble knight who is the epitome of chivalry; he is loyal, honest and above all, courteous. He is the perfect knight; he is so recognised by the various characters in the story and, for all his modesty, implicitly in his view of himself. To the others his greatest qualities are his knightly courtesy and his success in battle. To Gawain these are important, but he seems to set an even higher value on his courage and integrity, the two central pillars of his manhood.
We see that Bertilak perceives Gawain’s fault, his love of life, and irrespective of it, loves Gawain. Despite having sinned, Bertilak sees in Gawain a first-rate knight, far superior to his peers in Camelot, who, faced with the spectre of death, grew silent with cowardice, as the honor of the King lay unguarded.
Through jest of a game the Green knight enlightens Gawain the short sights of chivalry. He comes to realize within himself that the system which bore him values appearance over truth. Ultimately he understands that chivalry provides a valuable set of ideals toward which to strive, but a person must retain consciousness of his or her own mortality and weakness in order to live deeply. While it is chivalrous notions, which kept him, alive throughout the test of the Green Knight, only through acute awareness of the physical world surrounding him was he able to develop himself and understand the Knights message. From the onset of Sir Gawain and the Green Knight the author relies intensely upon descriptive language to create ambiance and tonality, but it is only later in the work, upon Sir Gawain’s development, that like Gawain, the reader is able to derive meaning from the descriptive physicality and understand the symbiotic relationship of nature and society.
Gawain’s acceptance of Lady Bertilak’s girdle causes him to progressively lose himself internally in order to save his physical life. Gawain appears to be the perfect image of a knight, who exhibits himself as worthy and noble when he accepts the Green Knight’s challenge. Known to be “honored all over the world,” his remarkable valor and devout behavior define his character. He loses his honorable reputation, though, when he disrespects the honor of King Bertilak. Disgracing his knightly code, Gawain fails to exchange all of his gifts with the king and lies, without hesitation, to the king when he claims that “what [he] owed [King Bertilak] [he has] paid [King Bertilak]” (1941). Gawain directly lies to him without hesitation, proving that his conscience does not seem to be effecting his actions. Lying is a common action, but generally, it causes us to feel remorseful and guilty over our wrongs. Gawain breaks the code of chivalry that requires a knight to be loyal and honest, but he is not regretful due to his apparent selfish nature (“Code of Chivalry, 2 and 15”). He makes a deal with the king to “[trade] profit for profit,” yet he dishonestly “[hides] [Lady Bertilak’s] love gift” rather than honoring the king’s wishes (1677, 1874). Gawain makes a promise that he fails to fulfill. The girdle drives him to destruction because it pulls him away from what he knows to be good and
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
Another trait of Gawain that is tested in Sir Gawain and the Green Knight is his loyalty. While in search of the Green Chapel where he must face the Green Knight, Sir Gawain is tested by the lady of the castle he is lodging at. The lady tries to seduce Gawain, but he does not fall into her trap by sleeping with her. Instead, Sir Gawain remains loyal to the lord of the castle whom he has promised to be honest with, and the lady describes him as the "noblest knight alive.
Courtly love was a secret love or romance between the first knight and the king’s lady that would usually begin with something as small as an exchange of looks through eye glances. Next, a declaration is then discussed by both parties to pursue a relationship under the table from their king or anyone else in the castle. “Gawain glanced at the gracious looking woman …Gawain and the beautiful woman found such comfort and closeness in each other company (line 970,1010)”. Sir Gawain had courted Guinevere while he was at kings Arthurs castle but being here in Bertilak’s Castle he now found a much more stunning lady superior to Guinevere, Lady Bertilak. He had really fallen in love with lady Bertilak at first glance and Lady Bertilak was in love with his heroicness. Moreover, the relationship was established, Sir Gawain was to love her and be obedient to all of her commands as well as to always be polite, courteous and to never exceed the desires of the lover. At one point of the story, Lady Bertilak goes to Sir Gawain’s room in the morning while her husband is away and everyone is sleep because she desires to be with him, “I shall kiss at your command ...should it please you, so press me no more (line 1303). Abiding by the rules of courtly love Sir Gawain is to be a good knight and do as she pleases but
Gawain's actions reflect the social mores of 14th century England, where a good knight was expected to adhere firmly to the code of chivalry. Gawain is the model knight, gallant and valorous, not to mention a devout Christian. Gawain's superb character traits are bolstered by his status as a member of King Arthur's court. The Gawain poet writes of Camelot: "With all delights on earth they housed there together, / ...
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.