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Macbeth and hamlet characters compared
William Shakespeare is compared to Macbeth
Comparison between shakespeare's macbeth and the real king
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William Shakespeare’s Richard III and Macbeth, one a historical play, and the other a tragedy respectfully, are two of Shakespeare’s plays that embody several similarities. The most evident similarities in the two plays are the number of shared characteristics between the two main characters for which the plays are named, Richard of Gloucester (Richard III), and Macbeth. Both men are soldiers, attain the throne through a series of murders, and are eventually slain by their nemesis in a battle at the end of the play that restores power to that of a strong, humble, and virtuous leader, as opposed to a tyrannical one (Manning-Smith 1003). Although Shakespeare’s suggested opinion about how the kingship should be performed is not explicitly stated in Richard III or Macbeth, I will further analyze the aforementioned similarities between the two characters and argue that the qualities of an exceptional leader in the eyes of Shakespeare include: humility, strength, and virtuous.
Firstly, let us analyze the similarities between the two characters’ rise to power. Richard III, the younger brother of the current King, Edward IV, resents his brother’s political power and his admired societal recognition. This bitterness is what drives Richard to do whatever is necessary to attain the throne, later equating to a series of malicious murders. Richard III is also interesting because of the fact that he was born with a deformity. As a consequence, he has always been in the shadow of his family and desires the power and limelight.
“Deformed, unfinished, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them—
Why, I, in this weak, piping time of peace,
Have no...
... middle of paper ...
...as of whom Shakespeare might find to be an exceptional leader.
Richard III and Macbeth are comparable in many ways. The two play’s plots, especially the rise and fall of the two tyrants, as well as the two’s shared set of characteristics provide us with a great opportunity to analyze the lessons Shakespeare envisioned for an exceptional leader. I believe the overall lesson to be learned from each play is that you shouldn’t let your ambition control your fate, and when authority has already been established in a proper manner, actions done to dethrone with foul intent will lead to dire consequences. Despite the fact that Shakespeare does not explicitly offer his view of an exceptional leader in the texts, an analysis comparing the two character’s similarities offer helpful insight to his audience in unveiling his implication of how the kingship should be performed.
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Shakespeare, William. Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press New Folger Edition, 1992
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
The one thing that all of Shakespeare’s plays have in common is a tragic conclusion, which results in the death of the hero. What is unique about the deaths of these heroes is that all of the problems that lead them to the end are self-induced. The heroes are always in control, and make crucial judgemental errors which ultimately lead to their own demise. While it is clear that the hero Macbeth causes his own death in this famous play, there are also third-party influences which push him towards this end. The three witches plant a desire for power and growing confidence in Macbeth, while Lady Macbeth eventually persuades him to go down a path of violence, and kill King Duncan in order to take his place on the throne.
The essence of Macbeth lies not only in the fact that it is written by the universal talent William Shakespeare; the royal-conspiracy, the political unethical activity, the killin...
Gifted with the darkest attributes intertwined in his imperfect characteristics, Shakespeare’s Richard III displays his anti-hero traits afflicted with thorns of villains: “Plots have I laid, inductions dangerous / By drunken prophecies, libels, and dreams” (I.i.32-33). Richard possesses the idealism and ambition of a heroic figure that is destined to great achievements and power; however, as one who believes that “the end justifies the means”, Richard rejects moral value and tradition as he is willing to do anything to accomplish his goal to the crown. The society, even his family and closest friends, repudiate him as a deformed outcast. Nevertheless, he cheers for himself as the champion and irredeemable villain by turning entirely to revenge of taking self-served power. By distinguishing virtue ethics to take revenge on the human society that alienates him and centering his life on self-advancement towards kingship, Richard is the literary archetype of an anti-hero.
Written during a time of peace immediately following the conclusion of the War of the Roses between the Yorks and the Lancasters, William Shakespeare’s play Richard III showcases a multi-faceted master of linguistic eloquence, Richard, Duke of Gloucester, a character who simultaneously manages to be droll, revolting, deadly, yet fascinating. Richard's villainy works in a keen, detestable manner, manifesting itself in his specific use or, rather, abuse of rhetoric. He spends a substantial amount of time directly interacting and therefore breaking the fourth wall and orating to the audience in order to forge a relationship with them, to make members not only his confidants of murderous intentions, but also his accomplices and powerless, unwilling cohorts to his wrongdoings. Through the reader’s exploration of stylistic and rhetorical stratagem in the opening and final soliloquies delivered by Richard, readers are able to identify numerous devices which provide for a dramatic effect that make evident the psychological deterioration and progression of Richard as a character and villain.
Macbeth, one of the darkest and most powerful plays written by Shakespeare, dramatizes the disastrous psychological effects that occur when evil is chosen to fulfill the ambition for power. Throughout the play, Macbeth’s character loses mental stability and becomes enthralled with the idea of being king. Empowered by the three witches, this situation consumes Macbeth’s consciousness until his mental state becomes deranged. This mental deterioration is evident in what he says and does as he evolves into a tyrannical ruler attempting to protect himself from enmity and suspicion. In an attempt to fulfill his ambition for power, Macbeth displays mental deterioration and becomes increasingly bloodthirsty.
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Macbeth, who at the beginning of his play’s plot is in a position of some honor and power, obtains position as king of Scotland through secretive foul play, spurred on by some external manipulation as well as personal ambition. “Macbeth’s ambition is unchecked by both moral and legal considerations-he will stop at nothing to get what he desires… Macbeth’s unbridled ambition is the root of the play’s evil because he is willing to throw the world into chaos in order to satisfy his personal desires.” (Thrasher, 92). His rebellion is heinous, but so long undiscovered. His ambition, though present in some degree from the beginning, metastasizes within him through the play as more obstacles to his retention of royal status crop up. “He begins well…but this...