As it was once said in the popular movie Spider-Man, "With great power comes great responsibility." In these two readings, the people in positions of authority are trusted with the livelihood of those who have been deemed unfit to take care of themselves. Characters such as Nurse Ratchet and John are used to show how this authority can be abused in search of total control and power, undermining the individuality of those they have been put in charge of. Charlotte Perkins Gilman and Ken Kesey use both “The Yellow Wallpaper” and One Flew Over The Cuckoo’s Nest, to demonstrate how the abuse of power and authority between the sick and those in-trusted to help them is used to show the importance of individuality in regards to their healing journey. This is demonstrated in both texts as each …show more content…
Within both texts there are very prominent signs of manipulation, this manipulation is used by those with the authority to control and manage those who have none. However, even though it is evident in both texts, the way manipulation is achieved is different. Within the short story “The Yellow Wallpaper” John was the character who was in a position of power, to solidify and keep his dominance he uses his credibility and emotional tether as husband and wife saying things like “I am a doctor, dear, and I know” (Gilman 652). This however is not how The Nurse in the novel One Flew Over The Cuckoo's Nest achieved the manipulation of those under her. Ms. Ratchet used fear, exploiting her rank in the ward and access to certain treatments, such as shock therapy, lobotomy and the ability to move patients into the disturbed ward, to keep this authority. In both texts though manipulation is realized (achieved) with different tactics they both receive the same end result, keeping the patients in line with their views and ideals. This is shown quite clearly in One Flew Over The Cuckoo’s
The novel One Flew Over the Cuckoo’s Nest by Ken Kesey tells a story of Nurse Ratched, the head nurse of a mental institution, and the way her patients respond to her harsh treatment. The story is told from the perspective of a large, Native-American patient named Bromden; he immediately introduces Randle McMurphy, a recently admitted patient, who is disturbed by the controlling and abusive way Ratched runs her ward. Through these feelings, McMurphy makes it his goal to undermine Ratched’s authority, while convincing the other patients to do the same. McMurphy becomes a symbol of rebellion through talking behind Ratched’s back, illegally playing cards, calling for votes, and leaving the ward for a fishing trip. His shenanigans cause his identity to be completely stolen through a lobotomy that puts him in a vegetative state. Bromden sees McMurphy in this condition and decides that the patients need to remember him as a symbol of individuality, not as a husk of a man destroyed by the
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
In Ken Kesey’s novel, “One Flew Over the Cuckoo’s Nest”, he engages the reader with Nurse Ratched’s obsession with power, especially against McMurphy. When Nurse Ratched faces multiple altercations with McMurphy, she believes that her significant power is in jeopardy. This commences a battle for power in the ward between these characters. One assumes that the Nurses’ meticulous tendency in the ward is for the benefit of the patients. However, this is simply not the case. The manipulative nurse is unfamiliar with losing control of the ward. Moreover, she is rabid when it comes to sharing her power with anyone, especially McMurphy. Nurse Ratched is overly ambitious when it comes to being in charge, leaving the reader with a poor impression of
Power and control are the central ideas of Ken Kesey’s One Flew over the Cuckoo’s Nest. There are examples of physical, authoritative and mechanical power in the novel, as well as cases of self-control, and control over others. Nurse Ratched is the ultimate example of authoritative power and control over others but R.P. McMurphy refuses to acknowledge the Nurse’s power, and encourages others to challenge the status quo. The other patients begin powerless, but with McMurphy’s help, learn to control their own lives. Many symbols are also used to represent power and control in the book, such as the ‘Combine’, ‘fog’, and the imagery of machines.
Whereas Catcher in The Rye by J.D. Salinger and One Flew Over the Cuckoo’s Nest by Ken Kesey have a very similar theme of Coming of Age. The two novels differ by having the characters Holden Caulfield in J.D. Salinger’s Catcher in The Rye and Chief Bromden in Ken Kesey’s One Flew Over the Cuckoo’s Nest fight within themselves over Alienation vs. Isolation and Illusion vs. Reality.
In the novel “One Flew Over the Cuckoo’s Nest,” the characters are in a mental hospital for various reasons. Narrated by Chief Bromden, a large Native American man, the story tells mainly of a newcomer to the hospital, Randle McMurphy, who is not actually mentally ill, but pretends to be to escape work detail. A much-feared middle-aged woman named Mildred Ratched runs the hospital. She runs the hospital like a concentration camp, with harsh rules, little change, and almost no medical oversight. The “prisoners” have a large amount of fear of Nurse Ratched, as she rules the place like she is a soulless dictator, the patients get no say in any decision made. This is exemplified when McMurphy brings up the World Series, and the patients take a vote on it. Though everyone wants to watch it, they have so much fear for Nurse Ratched that they are too afraid to speak out against her wishes.
In "Miss Brill" and "The Yellow Wallpaper", the plot for both short stories consist of a female who is suffering from isolation. The short story "Miss Brill", the main character, who is an English tutor, wears her fur stole to the park. Every Sunday she attends the park to watch the live performances from her special seat. She believes that she is a part of the performances to a point where, "Even she had a part and came every Sunday"(Mansfield 268). Yet, one day she attends a performance and she is subjected to ridicule by a young couple sitting next to her. After, she returns home dejected and lonely. In "The Yellow Wallpaper", the narrator develops depression after the birth of her baby. Her husband, John who is a physician, misdiagnosed
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest, the reader has the experience to understand what it was like to live in an insane asylum during the 1960’s. Kesey shows the reader the world within the asylum of Portland Oregon and all the relationships and social standings that happen within it. The three major characters’ groups, Nurse Ratched, the Black Boys, and McMurphy show how their level of power effects how they are treated in the asylum. Nurse Ratched is the head of the ward and controls everything that goes on in it, as she has the highest authority in the ward and sabotages the patients with her daily rules and rituals. These rituals include her servants, the Black Boys, doing anything she tells them to do with the patients.
In One Flew Over the Cuckoo’s Nest (1975) The character McMurphy as played by Jack Nicholson, McMurphy’s is a criminal who is troubled and keeps being defiant. Instead of pleading guilty, McMurphy pleads insanity and then lands inside a mental hospital. Murphy reasons that being imprisoned within the hospital will be just as bad as being locked up in prison until he starts enjoying being within by messing around with other staff and patients. In the staff, McMurphy continuously irritates Nurse Ratched. You can see how it builds up to a control problem between the inmates and staff. Nurse Ratched is seen as the “institution” and it is McMurphy’s whole goal to rebel against that institution that she makes herself out to be.The other inmates view McMurphy like he is god. He gives the inmates reason to
One Flew Over the Cuckoo’s Nest by Ken Kesey presents a situation which is a small scale and exaggerated model of modern society and its suppressive qualities. The story deals with the inmates of a psychiatric ward who are all under the control of Nurse Ratched, ‘Big Nurse’, whose name itself signifies the oppressive nature of her authority. She rules with an iron fist so that the ward can function smoothly in order to achieve the rehabilitation of patients with a variety of mental illnesses. Big Nurse is presented to the reader through the eyes of the Chief, the story’s narrator, and much of her control is represented through the Chief’s hallucinations. One of these most recurring elements is the fog, a metaphorical haze keeping the patients befuddled and controlled “The fog: then time doesn’t mean anything. It’s lost in the fog, like everyone else” (Kesey 69). Another element of her control is the wires, though the Chief only brings this u...
One Flew Over the Cuckoo’s Nest and Dead Poet Society explore the struggle for independence through characters who are subject to an environment in which they are rewarded for their conformity. Dead Poet Society outlines the complications of young students at Welton Academy after a respected English teacher named Mr. Keating inspires them to seize the day. However, One Flew Over The Cuckoo’s Nest explore the events that transpire in a mental institute after an exceedingly ‘difficult’ patient arrives and the impact this has on Chief Bromden. Both texts critically explore the struggle for independence.
The dominant discourse of conformity is characterised predominantly by influencing to obey rules described by Kesey’ novel ‘One Flew over the Cuckoo’s Nest’. At the start of the novel, all the acute and the silence chronic conform to Nurse Ratched’s rules before the arrival of McMurphy. Since, she was in complete control over the ward until McMurphy arrived. After he arrived, he begins to take control of the patients. He begins to take the role of leader, a leader that was unexpected. Kesey has foregrounded the character, McMurphy to be different thus creating a binary opposite that is represented in the novel. Kesey shows the binary opposites as being good versus evil. The former represents the con man McMurphy, and the latter represents the head nurse, Nurse Ratched. An example of this would be, “She’s carrying her wicker bag…a bag shape of a tool box with a hemp handle…” (pg.4), showing that Nurse Ratched is a mechanic. McMurphy is portrayed as being a good character by revitalising the hope of the patients by strangling Nurse Ratched. This revitalise the hope for the pa...
“Power comes from temperament but enthusiasm kills the switch”. One Flew Over the Cuckoo’s Nest by Ken kesey reveals how the struggle for power and authority is shown in the psychiatric hospital. Ken kesey expresses this mastery through Nurse Ratched and McMurphy and their effect on the patients in the ward. Nurse Ratched has all the power due to her technically being in charge of the ward. The patients “men” are powerless with their acceptance and obedience to her actions. However, everything changes when McMurphy arrives. His confidence and charisma give him some type of power that challenges and disrupts the Nurse’s drunkening thirst for power. Power in this novel is lost, gained and repossessed.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Isolated world in Charlotte Perkins Gilman’s The Yellow Wallpaper and Sigmund Freud 's “ The Uncanny”