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Writing women's role in the society
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Throughout our short story study, while reading The Horse Dealer’s Daughter and The Chrysanthemums, we found a deep and significant relationship between the two women and main characters in the stories; Mabel and Elisa. These characters both experience similar, yet difficult situations within their own families, their relationships in the society, and the power they both lack and possess over their own affairs.
There are many times where Mabel and Elisa’s relationships and roles within their families affect their personalities, decisions, thoughts and character traits within each story. Elisa’s family only consists of her husband Henry, who she shares a distant relationship with, and which allows her to be the main focus, or ‘powerhouse’
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of the family. All through The Chrysanthemums, there is evidence of this distant relationship between Elisa and Henry, but the most outspoken example is when Henry and Elisa are getting ready for their night out; “‘ Elisa, where are you?’ ‘In my room, dressing.’” (Steinbeck, 9). Evidence of Elisa’s powerful and demanding influence over Henry, is when she makes the major decisions for their night out, and the nervousness of Henry during their conversations both at the beginning and end of the story. As for Mabel, her family life shows similar characteristics and features to the distant relationship between Elisa and Henry, but conflicts with her brothers for a more negative effect on Mabel. Before her parents passing, Mabel had a very comfortable and welcoming relationship with her mother and father in The Horse Dealer’s Daughter; until her father married again after her mother’s passing. An exclamation of Mabel’s relationship with her mother is explained by Lawrence here; “she lived in the memory of her mother… whom she had loved.” (Lawrence, 8). Evidence of Mabel’s relationship with her father is also exclaimed by Lawrence here; “She had loved her father too, in a different way, depending upon him, and feeling secure in him, until at the age of fifty-four he married again.” (Lawrence, 8). After her parents passed, all Mabel had was her brothers (Joe, Fred and Malcolm), which consisted of a very distant, isolated and controlling relationship. After reading all these examples and relationships Mabel and Elisa have within their families, it is easy to see how different and abstract these relationships are between stories; relating to their wealth, their families’ personalities, and how they are thriving throughout their lives. For Mabel, she is very isolated and distant from her brothers, because they have no parental support or wealth, whereas Elisa shows a distance from her husband, but is not as isolated. Their relationship shows that they are in the same ‘book,’ but not on the same page. All these comparisons show how similar, yet different and abstract Mabel and Elisa’s relationships/roles between their families are. Elisa and Mabel also have similar relationships and roles within the society, as they deal with many different events and make life-changing decisions over the course of the stories.
Within the society of The Chrysanthemums, Elisa is a very strong and independent woman, who is also very neat and organized in the work that she does. These attributes all contribute to her great personality, but allows for some separation from the ideal figure of women in society. Evidence of Elisa’s dignified and separated personality is when Steinbeck goes on about her over-powerful and mature nature on page 1 and 2 of The Chrysanthemums; “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. The chrysanthemum stems seemed too small and easy for her energy.” (Steinbeck, 1-2). As for Mabel, within the society she is considered a nervous, depressed and isolated woman, who has been forced to labour over her brothers since her parents are gone, and the society/community has not helped her to see her inner beauty and strength. With this in mind, we can see that in her eyes, Mabel’s only way to find happiness is by finding someone to love (her). Mabel’s need and desperateness for someone to love (her) is pretty frequent and conscious throughout The Horse Dealer’s Daughter, although it is sometimes hard to see how isolated and separated Mabel is from the society, not just her family. Evidence of these feelings are shown when Lawrence exclaims; “She thought of nobody, not even of herself. Mindless and persistent, she seemed in a sort of ecstasy to be coming nearer to her fulfilment, her own glorification, approaching her dead mother, who was glorified.” (Lawrence,8). Throughout both stories, Elisa and Mabel show separation and isolation from society and their “roles,” but each express their separation in a different way. For Mabel, she is separated/isolated from society because she has no parental influence to guide her, and she is
greatly affected by poverty and power. Whereas Elisa sees this separation in a way that keeps her from meeting the societal standards for women. Despite this invisible separation, Elisa still shows strength and maturity throughout her personality, whereas Mabel figures that the only way to fight/grow away from this depression and isolation, is to find someone to love (her). Yet again, these comparisons show how Mabel and Elisa have both similar and different relationships and roles within their societies. Furthermore, throughout both The Chrysanthemums and The Horse Dealer’s Daughter, Lawrence and Steinbeck raise many interesting and effective factors towards the circumstances of women within their families and societies, both having great patriarchal effects/influences on their literature. For The Chrysanthemums, Steinbeck expresses the issue and concern for the women’s right to individuality and dignity, by adding a dramatic twist to the (thought as) thoughtful Trinker, who ends up betraying Elisa’s trust, dignity and upsetting her pride and joy (gardening and the chrysanthemums). For The Horse Dealer’s Daughter, Lawrence is able to express this same issue through the effects of separation from society; as Mabel is isolated from her brothers, the community, and many others, giving her no hope and support for her future. This sadly allows Mabel to make some (negative) life-changing decisions upon the lack of support for her from others, forcing her to make decisions for herself and make a fresh start without any financial and parental support; which is probably why she is so desperate for love. All these examples are able to show how Mabel and Elisa’s lives are interconnected throughout the clever and patriarchal literature presented to us by Lawrence and Steinbeck throughout each short story.
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
While Boyle describes Mrs. Ames as elegant, gentle, and quiet, Steinbeck gives to Elisa more strength. Her face was “lean and strong”, and her figure looked “blocked and heavy in her gardening costume”. Both women find their own ways to cover lack of happiness in their everyday lives. The astronomer’s wife is managing the house finding the silliest things to keep her busy: “…from the removal of the spot left there from dinner on the astronomer’s vest to the severe trashing of the mayonnaise for lunch”. Elisa spends her days in garden raising chrysanthemums “bigger than anybody around here.” The fact that these two women did not have any children can mislead us to the conclusion that they were both trying to satisfy the instincts they were probably having at the age of thirty-five. While this is the case with Elisa, the astronomer’s wife had different problem: the lack of communication with her husband and incapability to understand the world he was in.
Within every story or poem, there is always an interpretation made by the reader, whether right or wrong. In doing so, one must thoughtfully analyze all aspects of the story in order to make the most accurate assessment based on the literary elements the author has used. Compared and contrasted within the two short stories, “Girl” by Jamaica Kincaid, and John Updike’s “A&P,” the literary elements character and theme are made evident. These two elements are prominent in each of the differing stories yet similarities are found through each by studying the elements. The girls’ innocence and naivety as characters act as passages to show something superior, oppression in society shown towards women that is not equally shown towards men.
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Elisa's unhappiness in her role as the wife of a cattle farmer is clear in her gardening. Through the authors detailed diction it is clear that gardening is her way of freeing herself from her suffocating environment. “The chrysanthemum stems seemed too small and easy for her energy” which is “over-eager” and “over-powerful” (Steinbeck 460). The intensity with which she gardens, “terrier fingers destroy[ing] such pests before they could get started” suggests more than simply a deep interest, but a form of escape completely submerging her self into the task (Steinbeck 460). It is possible that some...
Parry, Joseph D. "Interpreting Female Agency and Responsibility in The Miller's Tale and The Merchant's Tale." 80.2 (2001): 133-67. Academic Onefile. Web. 16 May 2013.
Restraints are set by parents on their children to aid with the developmental process and help with the maturity level. Restrictions and the ability to control exist in our society and our lives. We encounter restraints daily: job, doors, people, and the most frequently used and arduous become intangible. In the following stories tangible and intangible scenarios are presented. Autonomy, desires, and talents spurned by the husbands in John Steinbeck’s “The Chrysanthemums and Charlotte Gilman’s “The Yellow Wallpaper.” The authors share views regarding a similar theme of male domination and imprisonment. “The Yellow Wallpaper” involves the treatment of a depressed woman who is driven insane in a male imposed detention in her own room. On the other hand, Elisa Allen in the “The Chrysanthemums” struggles internally to find her place in a fully male dominated society with definite gender roles. The mirror-like situations bring upon a different reaction for both the women in different ways. The importance of symbolism, control from their husbands, and the lack of a healthy marriage will be discussed in this paper in two stories.
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
Women are very important in this world but frequently they are not cared for. Their opinions, wants, and needs are ignored. In the book “Runaway” by Alice Munro there are three short stories “Runaway”, “Chance”, and “Passion” portray three women that over the surprises of life and the path that their decisions take them. Throughout these stories the reader can identify the three strong female characters that share similarities such as love, betrayals and surprises. Carla was finishing up summer to go back to school just in time for the fall, she met her husband, Clark. The love Carla has for her husband is the reason why she left college and her family “So, naturally Carla had to run away with Clark. The way her parents behaved they were practically
The Salinas Valley is symbolic to Elisa’s inner feelings. The farm responsibilities Elisa shared with her husband Henry encouraged “cold and tender” thoughts that often left Elisa feeling “closed off from the rest of the world” (paragraph 1). Her consistent lonely and empty days began to “fog” the belief of any better days to come. The [quiet of waiting] was yearning for any “sharp and positive” (paragraph 2) notion that had yet to be nurtured. But until Elisa was given any chance to set free of such desires she had to remain forcibly content inside of her chrysanthemum garden.
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck carefully narrates this woman’s frequent shifts between femininity and masculinity over a short period of time. In the opening of the story, Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figure print dress almost completely covered by a big corduroy apron." (paragraph 5).
A more clear example of how Elisa feels can be better explained by Steinbeck's description of the where Elisa and Henry live. "The high gray-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world. On e...
A study conducted by Lenore Weitzman in the late 1960’s found that many children’s stories had very few female characters and when female characters were present they abided by typical gender roles. However, when books featuring female characters that stepped out of these traditional roles started being published, children were able to develop new ideas of what roles were acceptable for women to fulfill (Feely). Similarly, Carson McCullers uses Miss Amelia, Cousin Lymon, and Marvin Macy to display how those who abide by gender roles are seen by their communities as well as how those who do not are typically viewed. For example, Cousin Lymon exhibited more feminine characteristics and was generally seen as a gossip and a nuisance by the townspeople. Marvin Macy, on the other hand, was a very handsome, masculine man who was described as an “evil character” (McCullers 27) that had a horrible reputation, yet he was still adored by many women in the town.
Due to the lack of respect from her siblings, the fear of her future and the emptiness she feels without her mother, Mabel acts out of sheer emotion and attempts to commit suicide. Mabel’s three older brothers constantly disrespect and irritate Mabel; essentially this is a big reason why Mabel is suicidal. After the passing of Mabel’s father, Mabel and her three brothers must move away and get on with their lives. Mabel’s brothers insist on Mabel