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Traditional marriage has been an age old struggle for women. This topic can be found in different works that have been published or directed, two such instances of this struggle are illustrated in Kate Chopin’s story The Awakening and Robert Zemeckis’ film Forrest Gump. In Chopin’s The Awakening, the protagonist Edna struggles with her traditional marriage during a summer vacation. The attention of a younger man, Robert, helped Edna realize that she did not like her present situation of being a wife and mother of two children. Edna starts to break away from the norms of her society and tries to start living more freely and according to her own will. She would eventually leave her husband and begin to live on her own. The society at that time, …show more content…
the late 1800’s, was not a place where a woman would behave in such a manner and there was some resistance from her friends. In Zemeckis’ film adaptation of Forrest Gump one of the antagonists and the protagonist’s love interest, Jenny, goes through some of the similar struggles in her life, but in a different order. Jenny rejects marriage at the younger age and lives a free and wild life on her own. Eventually, she becomes a mother and embraces motherhood. Jenny would even marry Forrest, however it will be at a point where she is already dying and would not be able to enjoy her marriage. The characters, Edna in The Awakening and Jenny in Forrest Gump, each struggle with their own independence and commitment to marriage with different results as demonstrated by character, symbolism, and conflict. Each of these characters started off life in a similar way. Neither one of them had a mother nor did they have a father that was always present. Ultimately, they we raised by a different relative other than a parent, Edna by her sister and Jenny by her grandmother. Neither of these two characters never really saw what a relationship should look like. The use of broken relationships in the younger years could be seen as foreshadowing of the issues these characters would have with relationships later in life. Upon completion of their adolescent years is where the two characters are seen to live differently. In normal fashion for the day and age, Edna is married to Leonce and then has two children. Edna’s marriage was not for true love, but she married because her father did not approve of Leonce. Edna is not portrayed as having an active part in parenting and as an example of her non-participant parent role, she sends her children to stay with her in-laws while her husband is out of town. She realizes that she is not happy with her marriage and the direction in which her life is going. Zemeckis depicts Jenny as a hippie during the 1960’s; taking drugs, attending protests, living wild and free.
She has several relationships, but they do not work out. She later becomes a mother to Forrest’s baby and eventually marries Forrest. Jenny came around to the idea of marriage after living a life that was free from responsibility and realizing the emptiness of her other relationships, whereas Edna was married and felt empty, then later sought the freedom to become her own women. Each story shows the struggles these characters went through and used similar symbolism to emphasize the points they were trying to …show more content…
make. In each story birds are used as a symbol to represent these two women. Birds are often used as a sign of freedom, each bird referenced has a very distinct meaning. In The Awakening birds are used in the beginning of the story. There is a caged parrot symbolizing Edna trapped in her marriage and not having her own identity but pretending to be something she is not. She later moves into the “pigeon house” after she leaves Leonce, it is a small place that that she could come and go as she pleases just like a pigeon might come and go from a rooftop pigeon house. At one point in the story when Edna visits Mademoiselle Reisz, Mademoiselle tells her: “It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth” (Chopin 63). At the end of the story when Edna is at the beach, she sees “A bird with a broken wing was beating the air above, reeling, fluttering, circling disabled down, down to the water” (Chopin 86). Chopin is showing how Edna is like the bird with the broken wing and is not able to soar to freedom. In the beginning of Forrest Gump, Jenny and Forrest are seen running into a field to get away from her father and she prays to “…become a bird so she could fly away” (Forrest Gump). After she prays doves are seen flying out of the field and into the sky. The dove can be a sign of purity and innocence which seems to have left Jenny that day. Later in the story, Jenny is seen standing on the railing of a porch high above the city obviously high on drugs. The southern rock band, Lynard Skynard, whose famous song “Freebird” is playing the background as she almost slips and falls. Contrary to the lyrics of the song, Jenny is anything but free. She is trapped in the life of drugs and failed relationships. Jenny realizes she is messed up, both physically and mentally, and leaves to go find Forrest. This would be Jenny’s “awakening” of the failures in her life due to her bad choices. The final use of birds in Forrest Gump is near the end of the story, after Jenny dies, Forrest is seen standing over her grave and a group doves land in the tree above her grave. These doves could represent the peace that she now has. This use of birds adds to further illustrate the difficult situations the characters find themselves in. Chopin shows how the conflict within Edna is a result of her marriage.
Edna marrying Leonce is a result of her rebelling against her father. He did want not her to marry Leonce, but she marries him anyway. This was the beginning of her downfall because she did not truly love Leonce. While on vacation at Grand Isle Edna spent a fair amount of time with Robert, the innkeeper’s son. He was known to direct his attention to a different woman each summer, and this summer Edna was the object of his attention. This was a normal practice for Robert, but no one really took him seriously. The problem was that Edna was not the typical wife and become fond of Robert. Although Leonce did care for Edna, she is referred to as being part of his property. “Yet Chopin does hint that late-nineteenth-century marriages cast women as the objects of others rather than as the free subjects of their own fates” (Fox 120). Edna realize that she no longer wanted to be like the other wives and decided to leave Leonce. The problem with leaving her husband was that in the late 1800’s a woman would not leave her husband and live on her own, she would be expected to stay
married. Jenny had relationship issues very early in life beginning with an abusive father. She grew up in the 60’s and lived like a hippie. She is shown to have several boyfriends, one who actually hits her. She is also seen leaving a boyfriend that is passed out, probably from drugs, right after the scene where she almost slips off the railing. Jenny even leaves Forrest behind several times throughout the story, she kept him in the friend zone. The series of failed relationships makes her realize that Forrest will be there for her despite all she has been through. Sue Walker sums up Jenny’s life in the St. James Encyclopedia of Popular Culture: “she lives a short, unhappy life that serves as questionable testimony to the overriding power of love”. Jenny’s actions were not that out of the norm for that period and eventually she did settle down and marry Forrest. This was rather significant considering it seemed to be everything she was against earlier in her life. These two characters had difficulties with relationships beginning from when they were young girls. One chose marriage for the wrong reasons and lives a miserable and difficult life while desiring liberation from her situation. The other lives free and realizes the difficulties that come with that life and eventually chooses marriage. Each character winds up dying young because of the choices they have made and even though these characters lived in different times, they each faced many challenges in their relationships and marriages.
Edna seems to disregard the fact that her changes were affecting others around her, but in chapter XIX, the author reveals how Edna’s awakening has been affecting her husband. Leonce, who bared witness to the whole transformation, was able to tolerate some resistance from his wife as long as she remained taking care of her duties as a mother and wife. Leonce realized Edna had changed, but could not see in what way, he could not see the way these changes were better his wife. He saw the change in her only from the outside, he could not see how it affected her heart, and how it turned her into her true self. Edna was selfish for not thinking about her loved ones before changing her life so drastically, but her husband was selfish for not realizing she needed this change to be who she
Edna Pontellier was on her way to an awakening. She realized during the book, she was not happy with her position in life. It is apparent that she had never really been fully unaware However, because her own summary of this was some sort of blissful ignorance. Especially in the years of life before her newly appearing independence, THE READER SEES HOW she has never been content with the way her life had turned out. For example she admits she married Mr. Pontellier out of convenience rather than love. EDNA knew he loved her, but she did not love him. It was not that she did not know what love was, for she had BEEN INFATUATED BEFORE, AND BELIEVED IT WAS love. She consciously chose to marry Mr. Pontellier even though she did not love him. When she falls in love with Robert she regrets her decision TO MARRY Mr. Pontellier. HOWEVER, readers should not sympathize, because she was the one who set her own trap. She did not love her husband when she married him, but SHE never once ADMITS that it was a bad decision. She attributes all the problems of her marriage to the way IN WHICH SOCIETY HAS defined the roles of men and women. She does not ACCEPT ANY OF THE BLAME, AS HER OWN. The only other example of married life, in the book, is Mr. and Mrs. Ratignolle, who portray the traditional role of married men and women of the time. Mr. Pontellier also seems to be a typical man of society. Edna, ON THE OTHER HAND, was not A TYPICAL WOMAN OF SOCIETY. Mr. Pontellier knew this but OBVIOUSLY HAD NOT ALWAYS. This shows IS APPARENT in the complete lack of constructive communication between the two. If she had been able to communicate with her husband they may have been able to work OUT THEIR PROBLEMS, WHICH MIGHT HAVE MADE Edna MORE SATISFIED WITH her life.
...y none the less because Edna was trying to get separation from Leonce. Unlike Sarah moving out was just the start for Edna. Once she had that she wanted more, and she ended up with the most she could possibly obtain.
A typically assumed reason for having an affair is that the person's spouse is, in some way, unsatisfactory. Perhaps by their affair, they are searching for a better source of love. This, however, was not a justifiable cause for Edna's adultery. Mr. Pontellier was a loving husband who tried to show his love for Edna in all of the ways he was able. Léonce showered his wife with valuable gifts. His life revolved around money, and he knew no other way to show his wife how much he loved her. He attempted to compensate Mrs. Pontellier materialistically for the lack of emotional support. While this may not be an ideal solution to the problem, it cannot be denied that Mr. Pontellier was trying to diminish the problems between them. Yet, even though it is understandable that she is upset that her husband lacks family skills, getting married was solely Edna's fault. The history of their relationship is far from perfect. Chopin states "her marriage to Léonce Pontellier was purely an accident... He fell in love...and pressed his suit with an earnestness and an ardor which left nothing to be desired. He pleased her; his absolute devotion flattered her" (18). Edna was not fair to him when she married him without loving him. She "grew fond of her husband" (18), but fondness is not a good reason for marriage.
Being a woman, she is completely at the mercy of her husband. He provides for her a lifestyle she could not obtain on her own and fixes her place in society. This vulnerability stops Edna from being truly empowered. To gain independence as a woman, and as a person, Edna must relinquish the stability and comfort she finds in the relationship with her husband. Mr. and Mrs. Pontellier's marriage comprises a series of power plays and responds well to Marxist and Feminist Theory. Leonce Pontellier looks "…at his wife as one who looks at a valuable piece of property…". He views her as an accessory that completes the ideal life for him. Edna, however, begins to desire autonomy and independence from Leonce, so true to the feminist point of view.
Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it so they use language devices to prove their points.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
Leonce Pontellier, the character portraying Edna’s husband was a man very traditional in his thinking. He was self-absorbed and honestly did not see the fault in his own ways. He sincerely believed that Edna was the most important person in his life. However we notice throughout the story that his behavior was in direct contrast with that statement. Edna is only important to him, as in how she effects him and the effect her actions has on his life.
Pollard, Percival. "The Unlikely Awakening of a Married Woman." Chopin, Kate. The Awakening. New York: W. W. Norton & Company, Inc., 1994. 179-181.
Similarly to Edna's relationship with her children is that with her husband, Leonce. The Grand Isle society defines the role of wife as full devotion and self-sacrifice for your husband. Edna never adhered to societies definitions. For example, the other ladies at Grand Isle "all declared that Mr.'Pontellier was the best husband in the world" (689). And "Mrs. Pontellier was forced to admit she knew of none better"(689). By using words like "forced" and "admit", Edna has to acknowledge her true feelings towards Leonce. Edna's leaving Leonce's mansion is another important detail when considering the process of her awakening. By moving to her own residence, Edna takes a big step towards her independence. Throughout The Awakening, Edna increasingly distances herself from the image of the mother-woman, until her suicide, which serves as the total opposite of the mother-woman image.
Her transformation and journey to self-discovery truly begins on the family’s annual summer stay at Grand Isle. “At a very early period she had apprehended instinctively the dual life- that outward existence which conforms, the inward life which questions. That summer at Grand Isle she began to loosen a little of the mantle of reserve that had always enveloped her” (Chopin 26). From that point onward, Edna gains a deeper sense of desire for self-awareness and the benefits that come from such an odyssey. She suddenly feels trapped in her marriage, without being in a passionately romantic relationship, but rather a contractual marriage. Edna questions her ongoing relationship with Leonce; she ponders what the underlying cause of her marriage was to begin with; a forbidden romance, an act of rebellion against her father, or a genuine attraction of love and not lust? While Edna internally questions, she begins to entertain thoughts of other men in her life, eventually leading to sensuous feelings and thoughts related to sexual fantasy imagined through a relationship with Robert Lebrun. Concurrently, Edna wavers the ideas so clearly expected by the society- she analyzes and examines; why must women assimilate to rigid societal standards while men have no such
Marriage can be seen as a subtle form of oppression, like many things which are dictated by social expectations. In Kate Chopin’s The Story of An Hour, Louise Mallard finds herself in distress due to the event of her husband’s death that makes her question who she is as a person. The author cleverly uses this event to create the right atmosphere for Mrs. Mallard to fight against her own mind. As the short story progresses, we see that Mrs. Mallard moves forward with her new life and finds peace in her decision to live for herself. This shows that marriage too is another chain that holds oneself back. Not wanting to admit this to herself, Louise
She cleans, entertains, and takes care of the children. Her diversion from her usual routine as a mother woman is started by her own inward questioning when she goes down to the beach with Adele Ratignolle and she asks her what she is thinking. Edna expresses a want to know herself, even though Adele and many others tell her that it is a useless wish. Edna has no one who truly understands her; she is isolated from society by a barrier of self knowledge that they deem madness. The only person who might understand is Robert, who she loves. But even he turns pale when Edna speaks derisively of his want for her husband to give her to him, saying that she can give herself to whomever she chooses. There is no one in the novel who has the same mindset as Edna. The isolation and pressure from society and her husband adds to her madness, cumulating in an eventual breakdown where she smashes a vase and throws off her wedding ring. The casting away of her ring symbolizes Edna throwing off the shackles of society and a loveless marriage to be her own person. She stamps on the ring, showing her distaste for her path in life and her choices in the past. Edna’s madness, and break down, show her deteriorating patience with her life and the mothering façade she wears day to day. Society views her as mad when she moves out of her husband’s house to live on her own. She breaks away from her life to set herself
Most marriages end in divorce. Indeed, the degree and level of suffering and pain throughout the populace is almost unfathomable. Perhaps, Ms. Chopin was living out a vicarious reality through Edna in committing suicide...and perhaps, this may be the underlying reason for the great reception which this novel has enjoyed...as well as staying power. Similarly, it has also been appointed a kind of jewel of the vanguard of women's rights. Indeed, "The Awakening" is one novel which exemplifies the attempt -- even realization -- of American womanhood's escape from personal and domestic bondage.
The sexual aspect of Edna’s awakening is formed through her relationship with a supporting character, Robert LeBrun. In the beginning of the novel, Robert assigns himself to become the helper of Mrs. Pontellier and his advances help to crack the barrier in which Edna is placed in due to her role as a woman of the Victorian era. Her feelings begin to manifest themselves as she intends to liberate herself from her husband and run away with Robert. He on the other hand has no intention of having a sexual affair because of the role placed upon him as a man of the Victorian era which is not to destroy families. Her quest for complete independence ultimately brings her to committing suicide at the end of the story. Her suicide does not represent a disappointment in how she cannot conform to the society around her but a final awakening and symbol for her liberation.