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Characteristics of a villain in literature
Villains in literature essay
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“Deep down, we are more excited by the attributes of the villain than those of the hero.”
As part of human nature, people are drawn to and curious about their surroundings, those in it and the tragedies that play out in day to day life. We are curious and more intrigued about a terrorist attack than the birth of a child at times. This is what makes an audience more excited about the attributes of William Shakespeare’s “Othello” villain, Iago (and not so interested in Othello) as the attributes of a villain and how they go about their destructive path makes the character far more compelling than the hero. However, no one would want to agree that destruction is in ways more engaging to than construction, hence why we feel this excitement deep
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It is also that a hero and a villain are no friends of each other, but rather enemies, and despise each other to the bone. Shakespeare however, took these stereotypes and their attributes, and twisted them to create a play that would provide doubt and confusion within the audience’s mind, making them challenge their ideas of what a villain and a hero should be like. While Othello is portrayed as hero and Iago the villain, what makes Othello the hero and Iago villain, and yet these two are close friends?
The heroic protagonist, Othello, mostly fits the mould of how a hero should talk and act. His charming and good-hearted manner is what gives the audience the impression that Othello is indeed the hero of the story. But is it from face value that makes him a hero? Or is he a hero deep down
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Throughout the play, the audience is amazed by just how well Iago’s destructive plan worked. He changed Othello’s emotional state, from a man who holds himself well to a man driven to murder by jealousy, destroying not only the friendship between Othello and Cassio, but also Othello’s marriage to Desdemona. The audience again, may feel a varying degree of repulsion to Iago for the damage he had caused, but deep down the audience is satisfied with the mould of a villain matching Iago so well, and Iago bringing much more to the table. A reason behind the success of his plan, Iago is manipulative to everyone around him. Othello praises Iago as “a man he is of honesty and trust”, giving Iago the nickname, “Honest Iago”. He keeps his ‘friend’ Roderigo close, but his enemy closer, manipulating Othello to believe Desdemona did deceive him as “she did deceive her father marrying you.” His two-faced personality and ability to manipulate everyone around him allows his plan to be even with Othello “wife for wife” to work, while he fits the villainous mould well. He brings more to the table by hiding this behind a ‘heroic’ and ‘trustworthy’ mask, another factor that makes his attributes of a villain more
In Shakespeare's play Othello, Iago Is shown to be the villain. With the cunning use of his brilliance and manipulation, he is able to orchestrate an entire plot to take his revenge on Othello the center of all his ill tempered aggression. By lying to characters like Roderigo and many others, including his wife, in order to
The greatest and best villains in literature are those who possess the ability to manipulate others in order to further their own causes. In Othello, Iago has the insight and tact to manipulate the other characters, such as Cassio, Roderigo, Desdemona, and in this case, Othello. The methods by which Iago works the other characters are varied, and one prime example of his cunning ability to manipulate can be seen in Act III.iii.333-450. In this passage Iago utilizes many rhetorical strategies to his advantage; in particular he uses tone and simile. These rhetorical strategies are instrumental in the deception of Othello.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Iago wanted Othello’s position and used others to shame Othello and gain stature. Iago dressed himself up a trustworthy man and worked his way into Othello’s trust with tricks and lies. He wore a very convincing mask; often temporarily defending the person he was trying to ruin to further his honest visage. He says to Othello, “Men should be what they seem…” (3.3.127) through these methods, Iago convinces Othello that Cassio, an officer, was having an affair with Othello’s beautiful wife Desdemona. As a vicious result, Othello is driven mad with anger and sadness and throttles Desdemona in their bed. The death and want left by Iago’s deception is vast hurting everyone involved most frequently on a mortal level. When the truth finally comes out, Othello, in his grief and remorse, ends up stabbing himself with a dagger. In the end, many die due to Iago’s deception, through villainy or despair, and none gain what they truly want because of it. This just goes to show that the mask of deception that a man wears can cause an unbelievable amount of harm, bodily and worse,
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
In this tragedy, Othello, Shakespeare, has created a villain who behaves in this manner. Iago’s hatred, method of revenge, and vengeful hatred are the reasons for the lives lost in this play and the reasons that led to Iago’s downfall. Iago’s hatred of Othello and Cassio causes him to seek revenge, and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49).
Iago is one of the most complex characters in William Shakespeare’s Othello. To most of the characters, he is “Honest Iago” (Shakespeare, 5.2.73). however, the audience knows that Iago is the furthest thing from honest. Iago is a devil bent on destroying the lives of everyone around him. At the beginning of the play, the audience learns that Iago is determined to ruin Othello’s marriage to Desdemona. He has appointed a new lieutenant, Michael Cassio. This angers Iago because he feels that he has much more military experience and should be the lieutenant. Iago has also heard rumours that both Othello and Cassio have slept with his wife Emilia. He concocts a malicious plan to ruin the lives of all who have wronged him, and consequently establishing
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago has a sophisticated way of deceiving the characters of the play, making him a very intelligent person. Early in the play Othello introduces Iago to the Duke of Venice as, “My ancient / A man he is of honesty and trust” (!. iii. 284-85). This is but one of the times in the play that Iago is referred to as honest and true. Throughout the play Iago is considered to be honest, but is actuality the villain. In order to maintain this false image one has to have a beguiling character. After Othello and his lieutenant, Michael Cassio, return from the war against the Ottomans, there is a celebration. At this celebration Iago puts his manipulation to work. He knows that Othello and Desdemona’s love for each other is very true, but he tells Rodrigo that Desdemona had love for Cassio: “With as little a web as this will I ensnare as great a fly as Cassio. / Ay, smile upon her, do…” (II. I. 164-65). This quote shows that Iago deceives Roderigo into believing that Desdemona loves Cassio, when in Roderigo’s eyes it is virtually impossible. Iago basically controls Rodrigo because Iago deceives him into believing that he can have Desdemona, by both Cassio and Othello.
In the play "Othello", many can and would label Iago as a villain or even an/the enemy of the play. I'm not going to disagree or agree with anyone's opinion on whether Iago is the/an villain or not, because everybody has their own point of view. The purpose of me writing this paper is to prove that Iago is not a villain, well at least not a villain in the play "Othello".
When looking at Iago his actions are very similar to those of Richard the third the reaction of the people around him is very much different as is the reaction by the audience reading this play. Where in the text we see the characters hate Richard in Othello we see Iago being constantly called ‘ the good and honest Iago’. Looking through text he is called good Iago four times and honest Iago five times, which when asking audiences is nine times to many. One of the most important thing is that Iago himself mentions this honest side of himself in his own speech in act three of the play. In "The Art of Persuasion and Shakespeare’s Two Iagos." By Benjamin V. Beier he points out that ‘Much later in 3.3, Iago references his own “honesty and love”
Shakespeare's tragic play called Othello is about two conflicting characters who provoke a character named Iago and a trustworthy friend named Othello. They are completely opposite in many ways when it comes to their personal characterization. For example , Iago would persuade people into doing things to get his way and it would literally start affecting the way Othello’s thinking on the way he sees things , causing him to mess up to not act himself around others. Both Othello and Iago have many literary devices in their character. Act I of Othello ends with Iago giving a summary of his plan to make Othello lose faith in his wife.