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A narrative essay on the point of view of grendel
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Essay on grendel
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Adaptations are a result of change in society, which is apparent between the text of Beowulf and the film Beowulf and Grendel. The appearance of Grendel himself is one of the largest adaptations between the text and film. In the text, Grendel is described as a monstrous creature whose skin is scaly and rigid. Today’s society would not view him as realistic and would fail to have a good understanding of Grendel. Watching the film Beowulf and Grendel introduced adaptations of Grendel himself. The monstrous creature from the text has a plethora of characteristics that reveal him very humanly, looking only as if he is an ungroomed man, in the film. Seeing Grendel’s appearance in Beowulf and Grendel show the “monster” in a humanistic way to
For ages, humanity has always told stories of the classic struggle between man and monster. The battle between Beowulf and Grendel is a prime example of this archetype, but is Grendel only purely a monster? In his article “Gardner’s Grendel and Beowulf: Humanizing the Monster”, Jay Ruud makes a point that Grendel is a hybridization of both monster and man, particularly in John Gardner’s novel Grendel. In the poem Beowulf, Grendel is depicted as a purely evil monster who terrorizes Hrothgar and his people, but the novel provides a more humanistic backstory to the fiend. Throughout the novel, Grendel tells of his internal struggle between his thoughts of filling the role of the monster versus attempting to make amends with the humans. This conflict
In both works, Beowulf and Grendel, Grendel himself is generally given the same connotations. He is given kennings, called names, referred to as the evil spawn of Cain, and even viewed as a monster; but why? Why in both books is he a wicked, horrible, person who is harshly excluded from everyone? After stumbling upon John Gardner's book, it was halfway expected that some excuse would be made for Grendel; that he wasn't really the inexorable monster the thanes in Beowulf portrayed him as. But all it really did was make him worse. What is the message we are being sent about Grendel?
John Gardener’s Grendel is another version of the epic Beowulf, except in a differing perspective. This story is retold from the viewpoint of Grendel. Gardener wants us to empathize with Grendel through his own thoughts and emotions. The way one sees the monster in Beowulf is completely different than how one would think of him in Grendel. One is forced to view someone else’s opinion versus getting to form an opinion for oneself.
In today’s society, most of our life can be defined by what is occurring in the media. What trends we are following, what we find entertaining, and even the values that we hold close to our heart. As you examine the movie, Beowulf and Grendel (Gunnarsson, 2005), and compare it to the original work that it is modelled after, Beowulf (Heaney, 2000), you can see that there is a significant difference in the cultural values of the time period that Beowulf and Grendel was written compared to Beowulf. There is a multitude of differences in the values people hold close to their heart in our world today compared to Beowulf. With Beowulf representing the Anglo-Saxon time period and Beowulf and Grendel representing the early 2000s era, the differences
The differences and similarities between the traditional version of the Epic Beowulf and the modern version, Beowulf and Grendel, makes passages for characters such as Grendel to be changed due to the time frame in between the film and the epic.There are several characters that stood out from the film, as they are portrayed in the epic as something completely different than in the movie. Grendel is one of the few that stood out the most.
When compared the Movie and the Epic have the same story arc (Beowulf and Grendel, Beowulf and Grendel’s Mother and Beowulf and the Dragon). Starting out similarly with Grendel's slaughter of the Danes through Beowulf’s defeat of Grendel. However, turning in the opposite direction when Grendel’s Mother is introduced. Thus interpreting and changing the finer details of said story.
In both John Gardner’s Grendel, and the poem Beowulf, there are significant differences between characters, and the way they are portrayed in each of the tellings. The interpretation of a hero is usually altered in order to fit the audience, such as, Saddam Hussein in America is made out to be this monster whereas, in his home country Iraq, he is looked at as a hero and idolized by some. In each telling, Grendel and Beowulf have many similarities in how they are described in each writing, but each character is also shown in a different light in each of the writings.
He does not act like the blood hungry beast he is seen as in Beowulf. In
In the story Beowulf by Seamus Heaney, Grendel is a slimy green swamp monster that has human emotions but is portrayed as a hideous beast and an outcast of the Anglo-Saxon society.
Several differences exist in the Modern day movie Beowulf and Grendel (Gunnarsson) and the Old English Epic Beowulf (Heaney). These differences can largely be attributed to the discrepancies in cultural values that exist between the medieval mind and that of the modern man. One of the main differences between them involves the characters’ personalities and attitudes. We can see this characteristic, particularly in Beowulf himself, mainly because in the epic his perspective reflects his limited understanding regarding the relationship between evil and good. Likewise, in the movie Beowulf and Grendel, the viewer sees a Beowulf who learns to possess an outlook on life that suggests a more complex
Grendal, a descendant of Cain, is one of the main antagonist of the poem Beowulf. He lives under an inherited curse and is denied God’s presence. Throughout the story Grendal causes enormous grief and fear to the people of Herot. After so much pain and agony the king of Herot, Hrothgar, sends for the protagonist of the poem, Beowulf. He is a Geat and the epic hero of the poem. The wide variety of distinctions between Grendal and Beowulf is what develops the climax of the composition. Beowulf kills Grendal, so he is honored by the people of Herot for his heroic act. Since Grendal and Beowulf play opposite roles in the poem, Beowulf, they let the reader know how contrasting characters can develop the plot of the story.
In Both Grendel and Beowulf, there is conflict. The conflict is betwixt the themes of light and dark, Paganism vs. Christianity, and Man vs. Beast. Grendel, the main character in Grendel and the secondary character in Beowulf, faces external battles but the most important battle take place internally. John Gardener recognized the basis for Grendel’s predicament which is “his [Grendel] stubborn cling to skepticism and cold, hard reason. . .” (Grendel’s Geis). Though there are many different themes present in both stories, there is one theme that remains consistent throughout out both. This theme is the lack of acceptance. Grendel’s in-acceptance is rooted in his lack of understanding of the world and its functions. As a result of the many things that have taken place in Grendel’s life, he is perceived as evil yet, not because he wants to be. He is misunderstood and not accepted. Much of Grendel’s evil wrongdoing comes as a result of lack of acceptance, lack of communication, and his ignorance.
The story of Beowulf is a heroic epic chronicling the illustrious deeds of the great Geatish warrior Beowulf, who voyages across the seas to rid the Danes of an evil monster, Grendel, who has been wreaking havoc and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land of a fiendish monster and halting its scourge of evil while the monster is portrayed as a repugnant creature who deserves to die because of its evil actions. In the epic poem, Beowulf the authors portrays Grendel as a cold-hearted beast who thrives on the pain of others. Many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel set out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms the perceived terrible evil fiend who is Grendel into a lonely but intelligent outcast who bears a striking resemblance to his human adversaries. In Grendel, John Gardner portrays Grendel as an intelligent being capable of rational thought as well as displaying outbursts of emotion. He portrays Grendel as a hurt individual and as a victim of oppression ostracized from civilization. The author of Beowulf portrays Grendel as the typical monster archetype as compared to John Gardner’s representation of Grendel as an outcast archetype.
One aspect that was the most apparent was the fact that he was such an outcast. In Beowulf, Grendel was “…living down in the darkness, growl[ing] in pain…” because he knew that he did not belong with the Danes and other human beings at all (Raffel 6). Similarly, in Grendel, as interested as he was with the humans and their way of life, he still found himself “…back[ing] away till the honeysweet lure of the harp no longer mocked [him]” (Gardner 4). Grendel was constantly distancing himself from the human beings because he knew he did not belong and they were not willing to give him the gift of acceptance into their group. However, this outlook carried through with Grendel between the two stories to portray just how monstrous and estranged he
There are three prominent monsters in the Beowulf text, Grendel, his mother, and the dragon. While the dragon proves to be the most fatale of foes for Beowulf, Grendel and his mother do not simply pose physical threats to the Germanic society; their roles in Beowulf are manifold. They challenge the perceptions of heroism, a sense of unrivalled perfection and superiority. Moreover, they allow the reader to reconsider the gender constructs upheld within the text; one cannot help but feel that the threat that these monsters present is directed towards the prevalent flaws in Beowulf’s world. Moreover, what makes these monsters is not their physical appearance; it is what they embody. Both Grendel and his mother have humanlike qualities yet their monstrous appearance arises from what their features and mannerisms represent. The challenge they pose to societal paradigms makes them far more terrifying to our heroes than any scaled flesh or clawing hand. These monsters provide the ‘most authoritative general criticism […] of the structure and conduct of the poem’. Their presence provides contrast and criticism of the brave society (Heaney 103).