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The pulitzer prize winning Carl Clinton Van Doren once said, “The race of man, while sheep in credulity, are wolves for conformity” (Brainyquote.com). The human race hates loneliness, and would rather take the easy path in life. This easy direction is conforming with mankind, and they would rather sulk in the shadows, then make a difference in the world. This has happened since the beginning of time, and has continued to occur. Maslow’s Hierarchy of needs second level of importance includes friends and family, which was a large focus of the time period. This facet of life was so important, that Mary Shelley decided to write a Gothic Novel about it, Frankenstein. In this novel, Mary Shelley enrolls the allusions of the “Rime of the Ancient Mariner”, …show more content…
Victor gives the illusion of being mentally insane, when in fact, he is quite intelligent, and he has a lot of information that could give Robert Walton help. But Victor also interested Robert. Although men fear the unknown, they still want to understand and comprehend it. This was precisely the case with Robert and Victor. Also, in the “Rime of the Ancient Mariner”, the wedding guest was fascinated by the ancient mariner. although the wedding guest told him to, “unhand me, grey-beard loon!” (Coleridge I. 11). At first, the wedding guest thinks the mariner is borderline insane, as he utilizes the word loon. Loon is not associated with an intelligent, sophisticated person, yet always used with a fool. Just like Victor Frankenstein, the ancient mariner gives the illusion of insanity, but also like Victor Frankenstein, as an important tale to tell; one that could save the lives of the wedding guest and Robert Walton. Both feel compelled to tell it, in order to save their respective audiences from future trouble. This completely contradicts the illusion of their dementia, when the reality is, they are very clever and knowledgeable. Victor feels obligated to relieve Robert …show more content…
In Frankenstein, Victor’s Creation is depressed, due to the fact that he has no friends, and no family. He desires to be like unto man, but has no opportunity to. He compares himself to Adam, from the biblical book of Genesis, as he is, “Like Adam, I was apparently united by no link to any other being in existence; but his state was far different from mine in every other respect. He had come forth from the hands of God a perfect creature, happy and prosperous, guarded by the especial care of his Creator; he was allowed to converse with, and acquire knowledge from, beings of a superior nature: but I was wretched, helpless, and alone. Many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (Shelley 18). The creature wants to be like the rest of humankind so much, but he can’t. He realizes he is more like Satan, the devil of all things, than Adam. When a person, creature, animal, etc., likens himself unto the worst character on Earth, he does not think highly of himself. The creature is in a state of despair. Mary Shelley gives the creature these thoughts to show how important it is that he becomes human. The monster can’t become mankind, which is enough to make him a murderer and have dark thoughts
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
...ou, Clerval, my friend, my benefactor—’” (Shelley 129). Victor feels guilty for the actions of his creation but is too much of a coward to confess to anyone about what he has done. His selfishness and secrecy cause his friends to suffer and also make him a tragic hero within the novel.
Victor Frankenstein claims, “No human being could have passed a happier childhood than myself'; (Shelley, 19). His early life was filled with love and nurturing from his parents, his beautiful and adored companion Elizabeth, and his best friend Henry Clerval. However, after he leaves his home to continue his education at Ingolstadt, he remarks, “I, who had ever been surrounded by amiable companions, continually engaged in endeavoring to bestow mutual pleasure, I was now alone'; (Shelley, 25). Frankenstein no longer feels all the happiness he once felt when he was united with his family and friends. He alienates himself from others because he thinks he is “totally unfitted for the company of strangers'; (Shelley, 25).
Although the Creature later went on to commit crimes, he was not instinctively bad. Victor’s Creature was brought into this world with a child-like innocence. He was abandoned at birth and left to learn about life on his own. After first seeing his creation, Victor “escaped and rushed downstairs.” (Frankenstein, 59) A Creator has the duty to teach his Creature about life, as well as to love and nurture him. However, Victor did not do any of these; he did not take responsibility for his creature. One of the first things that the creature speaks of is that he was a “poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, (he) sat ...
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.
So, when he created Frankenstein “the monster” he turned out to be this grotesque and unnatural creature which was different from what Victor had imagined. However, at the site of looking at his creation, Victor is now spooked by his appearance and immediately turned off by his own creation. For example, in chapter 5 Victor says, “I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, continued a long time traversing my bed chamber, unable to compose my mind to sleep.” (Page 35). Again, we can see Shelley’s use of Gothic elements infused with the monstrous theme. However, this causes Victor to immediately stray away from the monster because he views his creation as repulsive and upsetting. Which marks the first sign of abandonment that Victor places on his creation. This doesn’t do any justice for Victor because now the monster is trying to assert himself into Victor’s life but yet feels more and more neglected from the absence of love that Victor doesn’t want to give in terms of having a relationship with
There is also corruption within the lack of relationship between Victor and his creation that leads to death, revenge and internal hatred surrounding them. Being there for a child or creation at birth and throughout their childhood is another critical responsibility of being a parent or creator. At the time of the monster’s creation, Victor abandons him and leaves him alone to suffer the first moments he is experiencing the world, which causes the monster to feel very empty and outcast from the start, without even knowing he is a “monster”: . “It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate.” (87). Mary Shelley’s use of the word “desolate” really captures the exact emotion
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
...od; misery made me a fiend. Make me happy and I shall again be virtuous" (Shelley 66). In the novel, Victor has two chances to provide this happiness for the creation. In both cases, all the creation desires was a companion, be it Victor or a new creation. And, in both cases, Victor is influenced by his initial reaction of disgust at the sight of his original creation. This reaction originates from a preconception, a fear caused by the human nature to prejudge based on past experience. This prejudice is indeed the source of the pain and torment in Mary Shelley’s Frankenstein. If a "monster" exists in the novel, it is this aspect of human nature.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
In the late eighteenth century arose in literature a period of social, political and religious confusion, the Romantic Movement, a movement that emphasized the emotional and the personal in reaction to classical values of order and objectivity. English poets like William Blake or Percy Bysshe Shelley seen themselves with the capacity of not only write about usual life, but also of man’s ultimate fate in an uncertain world. Furthermore, they all declared their belief in the natural goodness of man and his future. Mary Shelley is a good example, since she questioned the redemption through the union of the human consciousness with the supernatural. Even though this movement was well known, none of the British writers in fact acknowledged belonging to it; “.”1 But the main theme of assignment is the narrative voice in this Romantic works. The narrator is the person chosen by the author to tell the story to the readers. Traditionally, the person who narrated the tale was the author. But this was changing; the concept of unreliable narrator was starting to get used to provide the story with an atmosphere of suspense.
Isolation is often a result of choosing to seek refuge in solitude, however, in many cases, it is a result of brutality from a surrounding environment. In Mary Shelley’s Gothic novel, Frankenstein,a gruesome and painful story serves as a cautionary tale in order to prevent another from a similar downfall. Although Victor Frankenstein is the narrator for the majority of the novel, the audience learns of the destruction that has followed his decisions as well as the forced estrangement upon those he has encountered. In Frankenstein, Shelley uses relatable characters that reflect the harsh superficial aspects of society.
Victor plays the role of God and creates his “Adam” but unlike the Adam from the bible, the creature is not designed in a perfect image or guarded by the care of his creator. The creature compares himself to Satan when he says “I considered Satan as the fitter emblem of my condition; …like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (228). The creature was forsaken his first days of living and learned about the society of humans through observation and reading. God introduced Adam to the world with everything provided and guided him his early days of life. He saw Adams loneliness and granted him a mate. The creature asks Frankenstein for a companion as a last chance to become happy and good hearted. Victor destroys his hope and brings more tragedy among him by doing so. God creates all things good, Victor took his Job as a creator and his creation became malignant because unlike God he was ashamed of his creation. From that point on the creatures’ heart becomes cold and makes sure to destroy his creator. When Victor dies the creature repents for the damage that he has done and would live with continuing pain till his death. “…My agony was still superior to thine; for the bitter sting of remorse will not cease to rankle in my wounds until death shall close them forever” (380).
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
Frankenstein by Mary Shelley portrays an individual in a unique situation trying to overcome daily interactions while being faced with inconceivable misfortunes. Created by Victor Frankenstein, who set out on a journey to bring life to scrapped pieces of waste, he was then abandoned and left to fend for himself in a world he was abruptly brought into. After being abandoned by his creator for his less than appealing looks, this then sparked his inevitable desire for revenge. Eventually leading to the destruction of those associated with his creator. Knowing that he will never fit in, the monster began to act out in hopes of getting back at his creator for what he did. His vulnerability due to missing guidance and parental figures in his beginning stages of life contributed to his behavior. The books and article Family Crisis and Children’s Therapy Groups written by Gianetti, Audoin, and Uzé, Victim Of Romance: The Life And Death Of Fanny Godwin by Maurice Hindle, and Social Behavior and Personality by Lubomir Lamy, Jacques Fishcher-Lokou, and Nicolas Gueguen support why the monster acts the way he does. The monster’s behavior stems from Victor’s actions at the beginning of his life and therefore is not to blame. The creature in Frankenstein is deserving of sympathy even though he committed those murders because the lack of parental guidance, lack of family, and lack of someone to love led him to that. All in all his actions were not malicious, but only retaliation for what he had been put through.