Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Theory on conformity
Theory on conformity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Theory on conformity
The struggle for independence is part of the human experience; from childhood, we attempt to disengage ourselves from oppressive systems to cultivate our identities. Peter Weir and Ken Kesey tackle this theme through the lens of institutions in Dead Poets Society and One Flew Over The Cuckoo’s Nest. Each author navigates the concept of independence in relation to each character and their institution, questioning if independence and growth of one person are worth the sacrifice of others and the collapse of the institution. Ideas about conformity and freedom are conveyed to the reader through the use of symbolism, characterisation, and juxtaposition. The struggle for independence begins in the resistance against the system and its rules; Kesey uses characterisation of McMurphy and his gang to show this shift in power and the fight for freedom, while Weir utilises the symbolism of the Dead Poets Society. McMurphy's arrival to the ward muddles the Big Nurse's "outfit from running like a smooth , accurate, precision-made machine" (p. 25). McMurphy encourages the other patients to support his revolt against Nurse Ratched and her "modern matriarchy" (p. 67). By the end of the novel, Kesey develops his characters to be able to even "to pop and snort to keep from laughing" (p. 296) in "a place where the men won't let themselves loose and laugh" (p. 45) to express the development of their revolt. Weir, …show more content…
At these meetings, the boys would smoke, read poems, look at
Within a society there are those who promote non-conformity in a positive light, this idea is explored through the institutions of both texts by Ken Kesey and James Mangold. In Kesey’s novel, characters often shown as controlled by the system but there are also those who do not confront to such order and disrupt the enforced demand, by the system which is seen as the government. The character Randle McMurphy is one who is seen as conductor of rebellion, he introduces laughter to the ward which is an element of revolution within characters. McMurphy knows that one has to laugh “to keep the world from running [one] plumb crazy” (p.214). The use of sound throughout the novel displays that the power of this laughter represents McMurphy promoting non-conformity. Dictatorship rules the system and enforces conformity, Kesey’s use of imagery portrays that the fog machine is a pigment of Chief Bromden’s imagination but represents a way in which the characters are controlled. Chief figures that the “fog machine had broken down in the walls” (p.140), this symbolises his own building of rebellion and a defence against conformity. Similarly, Mangold’s Girl, Interrupted also shows the positive effect of rebe...
From the moment McMurphy enters the ward it is clear to all that he is different and hard to control. He’s seen as a figure the rest of the patients can look up to and he raises their hopes in taking back power from the big nurse. The other patients identify McMurphy as a leader when he first stands up to the nurse at her group therapy, saying that she has manipulated them all to become “a bunch of chickens at a pecking party”(Kesey 55). He tells the patients that they do not have to listen to Nurse Ratched and he confronts her tactics and motives. The patients see him as a leader at this point, but McMurphy does not see the need for him to be leading alone. McMurphy is a strong willed and opinionated man, so when he arrives at the ward he fails to comprehend why the men live in fear, until Harding explains it to him by
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
Kesey also uses characterisation to show power. The ‘Big’ Nurse Ratched runs the ward in which the central characters reside in a manner that induces fear in both patients and staff. The Nurse controls almost everything in the men’s lives; their routines, food, entertainment, and for those who are committed, how long they stay in the hospital. Nurse Ratched is the main example of power and control in the novel. The Big Nurse has great self-control; she is not easily flustered and never lets others see what she is feeling. Rather than accusing the men of anything, she ‘insinuates’. Although she isn’t physically larger than the ‘small’ nurses, The Chief describes Nurse Ratched as ‘Big’ because of the power she holds – this presentation of size is used for many characters.
Whereas Catcher in The Rye by J.D. Salinger and One Flew Over the Cuckoo’s Nest by Ken Kesey have a very similar theme of Coming of Age. The two novels differ by having the characters Holden Caulfield in J.D. Salinger’s Catcher in The Rye and Chief Bromden in Ken Kesey’s One Flew Over the Cuckoo’s Nest fight within themselves over Alienation vs. Isolation and Illusion vs. Reality.
One Flew Over the Cuckoo's Nest Vs. Dead Poets Society "Two roads diverged in a wood, and I-I took the one less traveled by, and that has made all the difference." (Robert Frost) In today's world there is no tolerance for the individual thinker. It is not acceptable to modify or bend the rules of society.
People often find themselves as part of a collective, following society's norms and may find oneself in places where feeling constrained by the rules and will act out to be unconstrained, as a result people are branded as nuisances or troublemakers. In the novel One Flew Over The Cuckoo's Nest, the author Ken Kesey conveys the attempt McMurphy makes to live unconstrained by the authority of Nurse Ratched. The story is very one sided and helps create an understanding for those troublemakers who are look down on in hopes of shifting ingrained ideals. The Significance of McMurphy's struggles lies in the importance placed on individuality and liberty. If McMurphy had not opposed fear and autocratic authority of Nurse Ratched nothing would have gotten better on the ward the men would still feel fear. and unnerved by a possibility of freedom. “...Then, just as she's rolling along at her biggest and meanest, McMurphy steps out of the latrine ... holding that towel around his hips-stops her dead! ” In the novel McMurphy shows little signs like this to combat thee Nurse. His defiance of her system included
Take for example, One Flew Over the Cuckoo’s Nest by Ken Kesey. There is no doubt in my mind that the mental institution that comprises the primary setting of the narrative is intended as a metaphor of societal oppression. This symbolic novel relays the story of an inmate standing up against the powerful forces that operate a psychiatric hospital, but it represents much more than just a classic case of “man versus the establishment”. The questions raised by Kesey are almost as chilling as his descriptive tales of inmate abuse. Kesey compelled me to ponder just how thin the line is that separates insanity from sanity, and treatment from control. Representing a heroic struggle of personality against an institution of mindless conformity, I found “One Flew Over the Cuckoo’s Nest” to be one powerful piece of literature.
In One Flew Over the Cuckoo’s Nest (1975) The character McMurphy as played by Jack Nicholson, McMurphy’s is a criminal who is troubled and keeps being defiant. Instead of pleading guilty, McMurphy pleads insanity and then lands inside a mental hospital. Murphy reasons that being imprisoned within the hospital will be just as bad as being locked up in prison until he starts enjoying being within by messing around with other staff and patients. In the staff, McMurphy continuously irritates Nurse Ratched. You can see how it builds up to a control problem between the inmates and staff. Nurse Ratched is seen as the “institution” and it is McMurphy’s whole goal to rebel against that institution that she makes herself out to be.The other inmates view McMurphy like he is god. He gives the inmates reason to
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
Throughout the novel ‘One Flew over the Cuckoo’s Nest’ written by Ken Kesey, and the poem ‘Advice to Young Ladies’ crafted by A.D. Hope, there is evidence to suggest that the discourses represented by the characters in the novel and poem unveil the ways discourses of conformity underpin the characters’ actions, perceptions and motives, as well as inviting and silencing beliefs, attitudes and values. The author and poet are able to strongly convey their beliefs to the reader from their personal experiences. The four dominant discourses that both the novel and poem share and represents: conformity, sexuality and religious. These will be analysed and compared.
Insanity is a blurred line in the eyes of Ken Kesey. He reveals a hidden microcosm of mental illness, debauchery, and tyranny in his novel, One Flew Over the Cuckoo’s Nest. The remarkable account of a con man’s ill-fated journey inside a psychiatric hospital exposes the horrors of troubling malpractices and mistreatments. Through a sane man’s time within a crazy man’s definition of a madhouse, there is exploration and insight for the consequences of submission and aberration from societal norm. While some of the novel’s concerns are now anachronous, some are more vital today than before. One Flew Over the Cuckoo’s Nest is a compelling tale that brings a warning of the results of an overly conformist and repressive institution.
Society takes control over so many aspects in our lives that it’s often difficult for us to speak against it. One Flew Over the Cuckoo’s Nest, written by Ken Kesey, explores a great deal of issues society was facing during the 60’s. Using the 1960’s second wave of feminism we get a feel of what society was like during the time. We are also presented with various parallels between the book and religion. While Kesey not only provides us with an avant-garde work of literature, he also gives us a different perspective on the control society thrived to maintain, not only as women but in a religious aspect.
While McMurphy tries to bring about equality between the patients and head nurse, she holds onto her self-proclaimed right to exact power over her charges because of her money, education, and, ultimately, sanity. The patients represent the working-class by providing Ratched, the manufacturer, with the “products” from which she profits—their deranged minds. The patients can even be viewed as products themselves after shock therapy treatments and lobotomies leave them without personality. The negative effects of the hospital’s organizational structure are numerous. The men feel worthless, abused, and manipulated, much like the proletariat who endured horrendous working conditions and rarely saw the fruits of their labor during the Industrial Revolution in the United Kingdom and United States in the late eighteenth century and early nineteenth century (“Industrial Revolution” 630).
There were no heroes on the psychiatric ward until McMurphy's arrival. McMurphy gave the patients courage to stand against a truncated concept of masculinity, such as Nurse Ratched. For example, Harding states, "No ones ever dared to come out and say it before, but there is not a man among us that does not think it. That doesn't feel just as you do about her, and the whole business feels it somewhere down deep in his sacred little soul." McMurphy did not only understand his friends/patients, but understood the enemy who portrayed evil, spite, and hatred. McMurphy is the only one who can stand against the Big Nurse's oppressive supreme power. Chief explains this by stating, "To beat her you don't have to whip her two out of three or three out of five, but every time you meet. As soon as you let down your guard, as sson as you loose once, she's won for good. And eventually we all got to lose. Nobody can help that." McMuprhy's struggle for hte patient's free will is a disruption to Nurse Ratched's social order. Though she holds down her guard she yet is incapable of controlling what McMurphy is incontrollable of , such as his friends well being, to the order of Nurse Ratched and the Combine.