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Heart of darkness and apocalypse now compared
Comparison of heart of darkness with apocalypse now
The difference between marlow and kurtz in heart of darkness
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Recommended: Heart of darkness and apocalypse now compared
While both Apocalypse Now and Heart of Darkness show strong similarities. However, the characters in the film and novel are shown very differently around the main character of each individual story. We can see that Kurtz remains the same with a psychopath mentality leading the natives, Marlow reacts more humane rather than Willard who acted more vicious, which can be shown throughout the whole film.
For example, when Willard’s comes across a small boat with natives and supplies, they were on edge. Suddenly, the woman rushes to receive her puppy which terrifies the men, who end up killing everyone on board. Willard then goes out of his way to kill off the injured woman. He had zero sympathy towards the natives. His only mission is to eliminate Kurtz at all cost no matter what. In contrast, Marlow never kills anyone throughout the novel. When faced with the starving Africans, rather than moving on with his journey, he stops to give one a cracker, and examines the event unlike Willard’s, who only focused on achieving his main goal. Conrad writes base on subjective reactions presented to show more of Marlow’s feelings than the death itself. Coppola is much more direct, when the woman dies, she dies in the middle of the frame. Coppola, by adding this savage scene, sets up the main difference between Marlow and Willard. Heart of Darkness separates violence away from the narrator. Marlow sees these events but not participating in it much. However, Apocalypse Now throws Willard directly into the violence.
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While the meaning of Heart of Darkness is mainly revolving around Kurtz, whose violent methods reveal the darkness behind greediness and having too much power, Apocalypse Now’s meaning is centered on Willard, whose violent methods reveal the darkness that develops within the hearts of all men fighting in war and the effect it
While there are differences between Francis Ford Coppola’s film, Apocalypse Now!, and Joseph Conrad novel, The Heart of Darkness, Kurtz and his influence on the main character remain very similar. Both the movie and novel depict a protagonist’s struggle to travel upstream in a ship in search of a man named Kurtz. While doing so, Marlow (The Heart of Darkness)/Willard (Apocalypse Now!) become progressively fascinated with Kurtz. Kurtz is claimed to have a profound influence on his followers and is becoming a huge influence on Marlow/Willard as well.
In 1979, Francis Coppola released a film that he said he hoped "would give its audience a sense of the horror, the madness, the sensuousness, and the moral dilemma of the Vietnam war" (as quoted in Hagen 230). His film, Apocalypse Now, based on Joseph Conrad's 1902 novel Heart of Darkness, is the story of Captain Benjamin Willard's (Martin Sheen) journey to the interior of the jungle of Southeastern Asia for the purpose of executing his orders to track down Colonel Walter E. Kurtz (Marlon Brando). Once Kurtz is located, Willard is to "terminate his command with extreme prejudice" because Kurtz has raised an army of deserters and natives, whom he rules over like a fanatical war lord- When Willard finally reaches Kurtz's compound and meets him, he discovers a man who has descended into primitive barbarism. From the beginning of their encounter, Kurtz knows why Willard was sent to find him and makes no effort to stop Willard from slaying him with a machete. With his mission accomplished, Willard boards the boat that will take him. back to civilization.
The most obvious contrast found in Heart of Darkness is between that of light and dark. In the beginning of the novel when the sun set upon London, the city began to light up yet the narrator describes the light as a "lurid glare under the stars" (Conrad 6). The lights from the city illuminated the Thames River. Because London is described as being light, the light then symbolizes civilization, or at least Conrad's view of civilization. Conrad's view of civilization is one of great despise. Civilization is a place where evil is ever present but ignored and people believe they know everything. The light is the knowledge that we have gained through exploration and the civilizing of places that have not yet been civilized. In contrast there is the darkness. Represented in the novel by Africa and the Congo River, the darkness is the evil that lurks in the unknown. The darkness is full of savages and cannibals. It is the uncivilized and uninhabited part of the world where people eat people and the savages lurk in the trees and in the darkness. Africa is the "heart of darkness," the place where man's inner evil is brought out in the open and is displayed through their thoughts and actions, such as those on Marlow's boat, letting the bullets fly into the jungle without reason or need.
Comparing Heart of Darkness and Apocalypse Now Heart of Darkness, written by Joseph Conrad, and "Apocalypse Now," a movie directed by Francis Coppola, are two works that parallel one another but at the same time reflect their own era in time and their creator's own personal feelings and prejudices. "Apocalypse Now" was released in 1979 after two years in the making, as Coppola's modern interpretation to Joseph Conrad's novel, Heart of Darkness (Harris). Conrad's book is an excellent example of the advances writers and philosophers made in the nineteenth and early twentieth centuries. This advance deals with civilized humanity's ability to be prepared for and know the unknown. (Johnson) Comparatively, Copolla's movie did the same in the late 1970's.
The character of Marlow is renamed Willard in Apocalypse Now. This is noteworthy; the character of Kurtz has the same name in both the text and the film, so why not Marlow? “This is probably because the character of Kurtz in the film is almost identical to that in the book, whereas Willard is very different from Marlow” (Benner, 34). Kurtz is the person who has disconnected himself from society; he is not tied to any particular era, so his character works just as effectively in the 20th century as in the 19th. However, Marlow is the ordinary person in Heart of Darkness - the one ordinary man in the entire book, more-or-less; he is what ties the book into the society of ...
This shows how Willard is focused only on completing his mission and that he is willing to sacrifice the safety of the crew. Another important factor in the leading up to the death of the helmsman is the cries of the native people, which are heard by the crew and serves to unsettle them even further. In Heart of Darkness, the cries of the natives make the crew question if they will be attacked or not. Marlow makes the mistake of thinking that the “anguished” cries of the natives are a signal that they will not attack. This causes Marlow to drop his guard and when the attack does come, he slowly realizes this.
Francis Coppola’s movie Apocalypse Now was inspired by the world famous Joseph Conrad novel Heart of Darkness. A comparison and contrast can be made between the two. Both have similar themes but entirely different settings. Heart of Darkness takes place on the Congo River in the Heart of Africa, while Apocalypse Now is set in Vietnam.
· Marlow eavesdrops on a conversation between the manager and uncle. He learns that the manager resents Kurtz.
“Under an overcast sky — seemed to lead into the heart of an immense darkness.” This is the last line of the book Heart of Darkness and it summed up the setting and tone of the book. Apocalypse Now is an epic war film made in 1979 set in Vietnam directed by Francis Ford Coppola. It is based on the book Heart of Darkness. The settings of both the book and the movie are very different; they take place in completely different places. However, their effects are very similar to each other and shown in a variety of ways: in character development, cultural aspects, as well as thematically.
The story of Heart of Darkness is narrated by its central character, the seasoned mariner Marlowe, a recurring figure in Conrad's work. "Apocalypse Now" features a corollary to Marlowe in Captain Willard, a U.S. Army special forces operative assigned to go up the Nung river from Viet Nam into Cambodia in order to "terminate the command" of one Colonel Walter Kurtz whom, he is told, has gone totally insane. It is fitting that Marlowe's character should be renamed, as Willard differs from Marlowe in several significant ways: 1) He is not the captain of the boat which takes him and a party of others up the river; 2) He does not reflect the deep psychological and philosophical insights that are a signal feature in Marlowe's character, and 3) He is sent on his mission specifically to kill Kurtz, unlike Marlowe who is simply piloting others in the capacity of captain of a steamboat. However, Willard does communicate Marlowe's fascination (growing, in fact, into an obsession) with Kurtz. Also significant is the fact that he holds the rank of captain, tying in with Marlowe's occupation.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Both Marlow and Captain Willard were fully warned and well aware of the evils each would encounter. However he chooses to ignore this aspect in hopes of satisfying his curiosity. His curiosity about the unknown realm drives him to cross the line between civilized human behavior and enters a nightmarish world. In this nightmare world he realizes the horror of human nature as he sees over the edge of sanity and discovers what he could become, Kurtz.
Both Conrad’s, “Heart of Darkness”, and Coppola’s, “Apocalypse Now”, profoundly illustrate the journey of man into their inner self and man’s encounters with their insanity, fears and demise. The novella and film are comprised of numerous pivotal themes that facilitate the understanding of the deeper meaning of both works. Fundamentally, theme is an extensive message or idea expressed by an author and is a crucial element of literature since it sheds light on universal concepts. The most striking parallels that can be formulated when comparing themes in both the novella and the film are associated with human nature. Specifically, Conrad and Coppola incorporate theme of hypocrisy in order to portray man’s incredible potential for evil.
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
Darkness in Human Nature The Heart of Darkness written by Joseph Conrad, is a tale of a sailor and his leading conquest on the Congo River to uncover the true nature of man. Apocalypse Now, is a film by Francis Ford Coppola set in Vietnam which explores the influences of war on individuals and the effect it plays on them. The Heart of Darkness focuses on the character known as Marlow, as we the audience follow his journey through his perplex view of which that is humanity, and observe the blurred lines of one’s morality. While similarly, Willards voyage in Apocalypse Now sets forth the indistinguishability of self-identity leading to a self-craze of despair and gloom in the vast Vietnam Jungle. The theme of the human nature of individuals